Display and storage of museum objects containing cellulose nitrate PDF Download

Author: R. Scott Williams
Publisher:
ISBN:
Category : Combustion, Spontaneous
Languages : en
Pages : 4

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 4

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Book Description
The conservation literature on cellulose nitrate deals mainly with the preservation of nitrate photographs and the deterioration of adhesives. This note addresses the neglected subject of the degradation, preservation, and storage of larger three-dimensional cellulose nitrate objects.

Author: M. Derrick
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Charles M. Selwitz
Publisher: Getty Publications
ISBN: 0892360984
Category : Art
Languages : en
Pages : 75

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This report attempts to isolate and separately examine each of the factors known to lead to cellulose nitrate decomposition, and then relate their contribution to the instability of the polymer when it is used as a bonding agent for ceramics and as a lacquer for metal objects. These factors include deterioration caused by heat, radiation, or acid impurities, or through the loss of plasticizer. There is, moreover, decomposition caused autocatalytically by the initial breakdown products. In particular, the publication examines new information on chemical changes under ambient conditions that has been developed recently through advances in analytical procedures such as chemiluminescence, X-ray scanning spectroscopy (ESCA), and more sophisticated viscometry. This new information will be added to the large body of data, collected over the past 150 years, on the instability of cellulose nitrate under more severe conditions.

Author: Association of Research Libraries
Publisher: Association of Research Libr
ISBN:
Category : Education
Languages : en
Pages : 216

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This resource guide provides information about the range of activities that can be implemented to maintain and improve the condition of research collections to ensure that they remain usable as long as possible. After an introduction that describes the major activities and a review of an investigation process that gives an overview of good practice, the following articles are presented: (1) "Handling Books in General Collections" (Library of Congress); (2) "Care and Handling of Library Materials" (John DePew); (3) "Preservation Guidelines for Processing Staff" (University of Texas at Austin); (4) "Preservation Guidelines for Circulation and Stack Maintenance Personnel" (University of Texas at Austin); (5) "General Preservation: What an Institution Can Do To Survey Its Own Preservation Needs" (Karen Motylewski); (6) "Storage and Handling: Choosing Archival-Quality Enclosures for Books and Paper" (Karen Motylewski); (7) "Storage and Handling: Cleaning Books and Shelves" (Northeast Document Conservation Center); (8) "Preservation" (Ann Swartzell); (9) "Guidelines for Using Vacuum Cleaners" (National Archives and Records Administration); (10) "Collection Management" (American Library Association); (11) "Reformatting: Microfilm and Microfiche" (Northeast Document Conservation Center); (12) "Archives and Manuscripts: Conservation" (Mary L. Rizenthaler); (13) "Basic Conservation of Archival Materials: A Guide" (Canadian Council of Archives); (14) "Care, Handling, and Storage of Photographs" (International Federation of Library Associations and Institutions); (15)"Storage and Handling: Storage Enclosures for Photographic Materials" (Northeast Document Conservation Center); and (16) "The Care and Handling of Recorded Sound Materials" (Giles St-Laurent). A bibliography lists 19 selected readings for further study. (SLD)

Author: Bradley A. Rodgers
Publisher: Springer Science & Business Media
ISBN: 030648613X
Category : Social Science
Languages : en
Pages : 221

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This is a Foreword by an archaeologist, not a conservator, but as Brad Rodgers says, “Conservation has been steadily pulled from archaeology by the forces of specialization”(p. 3),andhewantstoremedythatsituationthroughthismanual. He seesthisworkasa“calltoactionforthenon-professionalconservator,”permitting “curators, conservators, and archaeologists to identify artifacts that need prof- sional attention and, allow these professionals to stabilize most artifacts in their own laboratories with minimal intervention, using simple non-toxic procedures” (p. 5). It is the mission of Brad’s manual to “bring conservation back into arch- ology” (p. 6). The degree of success of that goal depends on the degree to which archaeologists pay attention to, and put to use, what Brad has to say, because as he says, “The conservationist/archaeologist is responsible to make preparation for an artifact’s care even before it is excavated and after its storage into the foreseeable future”. . . a tremendous responsibility” (p. 10). The manual is a combination of highly technical as well as common sense methods of conserving wood, iron and other metals, ceramics, glass and stone, organicsandcomposits—afarbetterguidetoartifactconservationthanwasava- able to me when I ?rst faced that archaeological challenge at colonial Brunswick Town, North Carolina in 1958—a challenge still being faced by archaeologists today. The stage of conservation in 1958 is in dramatic contrast to the procedures Brad describes in this manual—conservation has indeed made great progress. For instance,acommonprocedurethenwastoheattheartifactsredhotinafurnace—a method that made me cringe.

Author: Yvonne Shashoua
Publisher: Routledge
ISBN: 1136415157
Category : Antiques & Collectibles
Languages : en
Pages : 302

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Book Description
Plastic objects are included more than ever in museums and galleries collections these days, but these items can start to deteriorate when they a just a few years old. In this book Yvonne Shashoua provides the essential knowledge needed to keep plastic pieces in the best possible condition so that they can continue to be enjoyed for many years. The historical development of plastics, as well as the technology, their physical and chemical properties, identification, degradation and conservation are all clearly and concisely covered within this single volume, making it an invaluable reference for the increasing number of conservators and curators that are encountering plastics in their day to day work.

Author: Pamela Hatchfield
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 226

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Book Description
The focus of this publication is pollutants in the museum environment, their sources, how they can harm works of art, and what to do about it.

Author: Shayne Rivers
Publisher: Routledge
ISBN: 113641536X
Category : Antiques & Collectibles
Languages : en
Pages : 846

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Book Description
This book is a comprehensive resource covering the principles and practice of the conservation and restoration of furniture, and other decorative art objects made wholly or partly of wood. It integrates theory with practice to show the principles which govern interaction between wooden objects, the environmental and conservation treatments and the factors which need to be taken into account to arrive at acceptable solutions to conservation problems. The practical knowledge and experience of a team of conservators active in the field are bought together with theoretical and reference material from diverse sources and unified within a systematic framework. Specialist conservators from related disciplines cover diverse materials often incorporated into furniture.

Author: Jean Tétreault
Publisher:
ISBN: 9780660238425
Category : Art
Languages : en
Pages : 71

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