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Author: Ian Christians Publisher: Pen and Sword ISBN: 1473888689 Category : Music Languages : en Pages : 55
Book Description
"I recommend this book wholeheartedly to new music lovers" Sir Charles Groves CBE Thanks to Nigel Kennedy and Pavarotti, millions of people have recently discovered that classical music is a highly enjoyable experience, perhaps contrary to their expectations. But the world of classical music can be highly intimidating and confusing. Ian Christians, for many years a passionate believer in broadening the interest in classical music, has developed a unique approach, designed to make it as easy as possible for both newcomers to classical music and those who have started down the path to explore with confidence. Discovering Classical Music concentrates on the greatest composers. The author takes you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for continued enjoyment.This volume concentrates on the life, personality and music of Edward William Elgar.
Author: H. E. Jacob Publisher: Read Books Ltd ISBN: 1447485351 Category : Biography & Autobiography Languages : en Pages : 417
Book Description
A fascinating and insightful biography of one of the greatest composers of all time, Johann Strauss. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Henry T. Finck Publisher: Boston, Mass. : Little, Brown and Company ISBN: Category : Music Languages : en Pages : 392
Book Description
Richard Strauss, The Man and His Works by Henry Theophilus Finck, first published in 1917, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Author: Ian Christians Publisher: Pen and Sword ISBN: 1473888689 Category : Music Languages : en Pages : 55
Book Description
"I recommend this book wholeheartedly to new music lovers" Sir Charles Groves CBE Thanks to Nigel Kennedy and Pavarotti, millions of people have recently discovered that classical music is a highly enjoyable experience, perhaps contrary to their expectations. But the world of classical music can be highly intimidating and confusing. Ian Christians, for many years a passionate believer in broadening the interest in classical music, has developed a unique approach, designed to make it as easy as possible for both newcomers to classical music and those who have started down the path to explore with confidence. Discovering Classical Music concentrates on the greatest composers. The author takes you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for continued enjoyment.This volume concentrates on the life, personality and music of Edward William Elgar.
Author: Bryan Gilliam Publisher: Cambridge University Press ISBN: 9780521578950 Category : Biography & Autobiography Languages : en Pages : 220
Book Description
Richard Strauss saw an empire come and go, survived two world wars, witnessed the rise and fall of the Weimar Republic, endured the period of National Socialism, and died the year that Germany was officially divided into two separate states. All the while he enjoyed a successful career as composer, as conductor of international stature, as organizer for the rights of composers, and as colleague of and collaborator with some of the most important composers, writers, and artists of his day. This biography covers Strauss's early musical development, his emergence as a tone poet in the late nineteenth century, his turn to the stage at the beginning of the twentieth century, the successes and failures of the post-World War I era, the turbulent 1930s, and the period of the Second World War and its aftermath.
Author: Michael Kennedy Publisher: Cambridge University Press ISBN: 0521027748 Category : Biography & Autobiography Languages : en Pages : 469
Book Description
This book re-evaluates a figure whom the author considers to be the greatest composer of the twentieth century. Kennedy deals fully with Strauss's life as leading composer and national figure in the Third Reich, during which he was both fêted and cold-shouldered by the authorities. In putting this period into perspective he draws heavily on hitherto ignored material, including Strauss's own letters and diaries. In addition he reveals much about Strauss's long, happy but tempestuous marriage to the soprano Pauline de Ahna as well as tracing the important relationships to his librettists Hugo von Hofmannsthal, Stefan Zweig, Joseph Gregor and Clemens Krauss. Kennedy reassesses the man and the music, revealing a picture of a level-headed, practical and extremely versatile musician - a great conductor as well as a great composer.
Author: Bryan Gilliam Publisher: Duke University Press ISBN: 9780822321149 Category : Biography & Autobiography Languages : en Pages : 316
Book Description
As we approach the fiftieth anniversary of Richard Stauss's death, scholarly interest in the composer continues to grow. Despite what was once a tendency by musicologists to overlook or deny Strauss's importance, these essays firmly place the German composer in the musical mainstream and situate him among the most influential composers of the late nineteenth and early twentieth centuries. Originally published in 1992, this volume examines Strauss's life and work from a number of approaches and during various periods of his long career, opening up unique corridors of insight into a crucial time in German history. Contributors discuss Strauss as a young composer steeped in a conservative instrumental tradition, as a brash young modernist tone poet of the 1890s, as an important composer of twentieth-century German opera, and as a cultural icon manipulated by the national socialists during the 1930s and early 1940s. Individual essays use Strauss's creative work as a framework for larger musicological questions such as the tension between narrative and structure in program music, the problem of extended tonality at the turn of the century, stylistic choice versus stylistic obligation, and conflicting perspectives of progressive versus conservative music. This collection will interest Strauss scholars, musicologists, and those interested in the artistic and cultural life of Germany from 1880 through the Second World War. Contributors. Kofi Agawu, Günter Brosche, Bryan Gilliam, Stephen Hefling, James A. Hepokoski, Timothy L. Jackson, Michael Kennedy, Lewis Lockwood, Barbara A. Peterson, Pamela Potter, Reinhold Schlötterer, R. Larry Todd
Author: Bryan Randolph Gilliam Publisher: Princeton University Press ISBN: 0691027625 Category : Biography & Autobiography Languages : en Pages : 439
Book Description
Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra; Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold [Publisher description].
Author: Norman Del Mar Publisher: Faber & Faber ISBN: 0571309437 Category : Music Languages : en Pages : 468
Book Description
Norman Del Mar (1919-1994) was universally recognised as a leading authority on the music of Richard Strauss, and his masterly three-volume study of his life and works remains a classic. Volume I deals with the years from the composer's birth (1864) to Der Rosenkavalier (1912), discussing the early orchestral and chamber music, the tone poems and the operas Guntram, Feuersnot, Salome and Elektra. 'Deploying a well-nigh encyclopaedic knowledge, Mr Del Mar acquits himself brilliantly of his task of disentangling and reassembling the numerous strands that make up the backcloth of poetry and philosophy which Strauss, while not always understanding every intricacy, yet needed as a constant reference map for his composing. The three volumes of this magnificent book should be studied by all lovers of the late-romantic music, amateurs and professionals alike...a monumental achievement.' Times Literary Supplement 'A brilliant and copiously analytical study ... a constant fascination.' Guardian
Author: Norman Del Mar Publisher: Random House Business ISBN: Category : Biography & Autobiography Languages : en Pages : 592
Book Description
'I know what I want, and I know what I meant when I wrote this. After all I may not be a first-rate composer, but I am a first-class second-rate composer.' These words were addressed by Richard Strauss himself to the Royal Philharmonia Orchestra during rehearsal. This was in 1947 when Sir Thomas Beecham, to whom the author was then associate conductor, had organized a Strauss Festival which Strauss had come to London to attend. 'Everyone,' writes the author, 'was agog to see this legendary figure from the past, many of whose works--predominantly the earlier ones--are as much part of the classical repertoire as, for example, the Brahms symphonies. Was he really still alive?' Strauss's remark was not 'false modesty,' continues the author, 'but neither is it by any means the whole truth. Don Juan, Don Quixote, and Elektra are indeed the products of a first-rate composer, but scarcely Die Frau ohne Schatten and Sinfonia Domestica. In fact, for two or possibly even three periods in his career Strauss rose to heights of supreme genius, only to fall back in between on merest talent. 'A first-class second-rate composer' is a fair assessment for a certain part of his creative life--but certainly cannot stand as an overall judgement on one of the world's greatest musicians. This paradox is the theme of my book.' The first volume takes Strauss's work up to, and including, Der Rosenkavalier, which may legitimately be regarded as the climax of his career, as well as convenient half-way mark. The mass of songs, however, together with a number of smaller choral and instrumental works of an occasional nature, has been held over from a volume which threatened to become far too long and cumbersome. They are dealt with as a whole in Volumes II and III. A critical commentary on Strauss, whose almost inexhaustible flow of easily assimilated tunes went hand in hand with epoch-making discoveries of new musical means and heroic flights into the music of the future, has been long needed. The author now provides it, adding a wealth of knowledge to musical history. He also examines the literary sources from Strauss's inspiration--both for the operas and the tone poems. --from dust jacket.
Author: Ian Christians
Author: H. E. Jacob
Author: Henry T. Finck
Author: Ian Christians
Author: Bryan Gilliam
Author: Michael Kennedy
Author: Bryan Gilliam
Author: Bryan Randolph Gilliam
Author: Norman Del Mar
Author: Norman Del Mar
Author: