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Author: Max Nemni Publisher: Douglas Gibson Books ISBN: 1551994003 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
This book shines a light of devastating clarity on French-Canadian society in the 1930s and 1940s, when young elites were raised to be pro-fascist, and democratic and liberal were terms of criticism. The model leaders to be admired were good Catholic dictators like Mussolini, Salazar in Portugal, Franco in Spain, and especially Pétain, collaborator with the Nazis in Vichy France. There were even demonstrations against Jews who were demonstrating against the Nazis' actions in Germany. Trudeau, far from being the rebel that other biographers have claimed, embraced this ideology. At his elite school, Brébeuf, he was a model student, the editor of the school magazine, and admired by the staff and his fellow students. But the fascist ideas and the people he admired—even when the war was going on, as late as 1944—included extremists so terrible that at the war’s end they were shot. And then there’s his manifesto and his plan to stage a revolution against les Anglais. This is astonishing material—and it’s all demonstrably true—based on Trudeau's personal papers that the authors were allowed to access after his death. What they have found has astounded and distressed them, but they both agree that the truth must be published. Translated by William Johnson, this explosive book is a key part of Canadian political history.
Author: Max Nemni Publisher: Douglas Gibson Books ISBN: 1551994003 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
This book shines a light of devastating clarity on French-Canadian society in the 1930s and 1940s, when young elites were raised to be pro-fascist, and democratic and liberal were terms of criticism. The model leaders to be admired were good Catholic dictators like Mussolini, Salazar in Portugal, Franco in Spain, and especially Pétain, collaborator with the Nazis in Vichy France. There were even demonstrations against Jews who were demonstrating against the Nazis' actions in Germany. Trudeau, far from being the rebel that other biographers have claimed, embraced this ideology. At his elite school, Brébeuf, he was a model student, the editor of the school magazine, and admired by the staff and his fellow students. But the fascist ideas and the people he admired—even when the war was going on, as late as 1944—included extremists so terrible that at the war’s end they were shot. And then there’s his manifesto and his plan to stage a revolution against les Anglais. This is astonishing material—and it’s all demonstrably true—based on Trudeau's personal papers that the authors were allowed to access after his death. What they have found has astounded and distressed them, but they both agree that the truth must be published. Translated by William Johnson, this explosive book is a key part of Canadian political history.
Author: Samuel Moyn Publisher: Harvard University Press ISBN: 0674256522 Category : History Languages : en Pages : 346
Book Description
Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.
Author: Marina Belozerskaya Publisher: Getty Publications ISBN: 0892367857 Category : Art Languages : en Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Theodore M. Porter Publisher: Princeton University Press ISBN: 0691210543 Category : Science Languages : en Pages : 336
Book Description
A foundational work on historical and social studies of quantification What accounts for the prestige of quantitative methods? The usual answer is that quantification is desirable in social investigation as a result of its successes in science. Trust in Numbers questions whether such success in the study of stars, molecules, or cells should be an attractive model for research on human societies, and examines why the natural sciences are highly quantitative in the first place. Theodore Porter argues that a better understanding of the attractions of quantification in business, government, and social research brings a fresh perspective to its role in psychology, physics, and medicine. Quantitative rigor is not inherent in science but arises from political and social pressures, and objectivity derives its impetus from cultural contexts. In a new preface, the author sheds light on the current infatuation with quantitative methods, particularly at the intersection of science and bureaucracy.
Author: Foy Scalf Publisher: Oriental Institute Press ISBN: 9781614910381 Category : Book of the dead Languages : en Pages : 0
Book Description
Discover how the ancient Egyptians controlled their immortal destiny! This book, edited by Foy Scalf, explores what the Book of the Dead was believed to do, how it worked, how it was made, and what happened to it.
Author: Michel Foucault Publisher: University of Chicago Press ISBN: 9780226080451 Category : Philosophy Languages : en Pages : 322
Book Description
Based on Foucault's 1978 and 1979 lectures on rationalities of government, this work examines the art or activity of government and the different ways in which it has been made thinkable and practicable. There are also contributions of other scholars exploring modern manifestations of government.
Author: Michel Draguet Publisher: Agrarian Studies ISBN: 9780300246506 Category : Art, Belgian Languages : en Pages : 0
Book Description
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds
Author: Michel Foucault Publisher: Cornell University Press ISBN: 9780801492044 Category : Language Arts & Disciplines Languages : en Pages : 244
Book Description
Because of their range, brilliance, and singularity, the ideas of the philosopher-critic-historian Michel Foucault have gained extraordinary currency throughout the Western intellectual community. This book offers a selection of seven of Foucault's most important published essays, translated from the French, with an introductory essay and notes by Donald F. Bouchard. Also included are a summary of a course given by Foucault at College de France; the transcript of a conversation between Foucault and Gilles Deleuze; and an interview with Foucault that appeared in the journal Actuel. Professor Bouchard has divided the book into three closely related sections. The four essays in Part One examine language as a "perilous limit" of what we know and what we are. The essays in the second part suggest the methodological guidelines to which Foucault subscribes, and they record, in the editor's words, "the penetration of the language of literature into the domain of discursive thought." The material in the last section is more obviously political than the essays. It treats language in use, language attempting to impart knowledge and power. Translated by the editor and Sherry Simon into fluent and lucid English, these essays will appeal primarily to students of literature, especially those interested in contemporary continental structuralist criticism. But because of the breadth of Foucault's interests, they should also prove valuable to anthropologists, linguists, sociologists, and psychologists.
Author: Max Nemni
Author: Max Nemni
Author: Samuel Moyn
Author: Marina Belozerskaya
Author: Theodore M. Porter
Author: Foy Scalf
Author: Michel Foucault
Author: Niklas Luhmann
Author: Michel Draguet
Author: Michel Foucault
Author: Simone de Beauvoir