Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022639025X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Painting with Fire
Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022639025X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Publisher: University of Chicago Press
ISBN: 022639025X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
James Watt and the Steam Engine
Author: Henry Winram Dickinson
Publisher:
ISBN:
Category : Inventors
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category : Inventors
Languages : en
Pages : 602
Book Description
Official Gazette of the United States Patent and Trademark Office
Before Photocopying
Author: Barbara J. Rhodes
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 514
Book Description
Covers the art and history of mechanical copying from the dawn of the industrial revolution to the remarkable founding of the Xerox Corporation. In part one, historian Rhodes reveals the social impact of the copy press in the office and the traditions, material, and methods used. In Part two, collec
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 514
Book Description
Covers the art and history of mechanical copying from the dawn of the industrial revolution to the remarkable founding of the Xerox Corporation. In part one, historian Rhodes reveals the social impact of the copy press in the office and the traditions, material, and methods used. In Part two, collec
Power
Report of the Commissioner of Patents
Author: United States. Patent Office
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 942
Book Description
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 942
Book Description
Annual Report of the Commissioner of Patents
Author: United States. Patent Office
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 1230
Book Description
Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 1230
Book Description
Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.
Official Gazette of the United States Patent Office
Author: United States. Patent Office
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 2826
Book Description
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 2826
Book Description