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Author: Tony Robbin Publisher: Yale University Press ISBN: 0300129629 Category : Art Languages : en Pages : 151
Book Description
In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism, and that Minkowski had four-dimensional projective geometry in mind when he structured special relativity. The discussion is brought to the present with an exposition of the projection model in the most creative ideas about space in contemporary mathematics such as twisters, quasicrystals, and quantum topology. Robbin clarifies these esoteric concepts with understandable drawings and diagrams. Robbin proposes that the powerful role of projective geometry in the development of current mathematical ideas has been long overlooked and that our attachment to the slicing model is essentially a conceptual block that hinders progress in understanding contemporary models of spacetime. He offers a fascinating review of how projective ideas are the source of some of today’s most exciting developments in art, math, physics, and computer visualization.
Author: Tony Robbin Publisher: Yale University Press ISBN: 0300129629 Category : Art Languages : en Pages : 151
Book Description
In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism, and that Minkowski had four-dimensional projective geometry in mind when he structured special relativity. The discussion is brought to the present with an exposition of the projection model in the most creative ideas about space in contemporary mathematics such as twisters, quasicrystals, and quantum topology. Robbin clarifies these esoteric concepts with understandable drawings and diagrams. Robbin proposes that the powerful role of projective geometry in the development of current mathematical ideas has been long overlooked and that our attachment to the slicing model is essentially a conceptual block that hinders progress in understanding contemporary models of spacetime. He offers a fascinating review of how projective ideas are the source of some of today’s most exciting developments in art, math, physics, and computer visualization.
Author: Steven Heller Publisher: Thames & Hudson ISBN: 9780500291238 Category : Languages : en Pages : 352
Book Description
Bold, monumental, atmospheric, architectural letters with relief and shadow define great periods of confidence and optimism. Shadows add intrigue and spectacle to otherwise mundane words. And theyre back in style. Drawn from a particularly rich period in the history of shadow type, from the 19th to the mid-20th century, this is the first compilation of popular, rare and forgotten three-dimensional letters from Germany, France, Britain, Italy and the United States, where the best examples were produced. Presented in compact form, with examples from some 300 sources compiled by the leading historian of graphic design, this lively publication, packed full of typographic ideas for any purpose, will amuse, enchant and inspire anyone aiming to impart depth to their design.
Author: Karim Mokhtar Publisher: Carthage ABC ISBN: Category : Science Languages : en Pages : 220
Book Description
"Helmas, Dark Dimensions, and Emerging Realities" serves as an introductory volume in a larger series exploring the Helmas Theory. This theory proposes that our universe is a projection from higher-dimensional entities called Helmas, which are responsible for generating and interacting with various dimensions, including space, time, and consciousness. The book presents a broad overview of the fundamental concepts of Helmas Theory without delving into highly detailed explanations. It introduces readers to the idea that the spatial and temporal dimensions we experience are projections from the Space Helma and Time Helma, respectively. Designed to be accessible to a wide audience, the text emphasizes the intriguing possibility that phenomena such as dark matter and dark energy could be understood as projections from specific types of Helmas. The book also discusses the limitations of human perception in grasping the full complexity of these higher-dimensional realities. It is suitable for readers interested in theoretical physics, cosmology, and metaphysics, offering a modest yet compelling introduction to a new perspective on the structure of our universe. This volume sets the stage for more detailed explorations in subsequent books of the series, encouraging readers to expand their understanding of the unseen dimensions that shape our reality.
Author: Marko Uršič Publisher: Cambridge Scholars Publishing ISBN: 1527525651 Category : Philosophy Languages : en Pages : 201
Book Description
This book is a study of the phenomena of shadows, meant in a broader sense as “symbolic forms”. The shadow is a less real, “surface” replica of some more real form. From the Platonic point of view, empirical objects are “shadows of ideas”, while from the modern “natural” point of view, shadows are seen and conceived primarily as “weaker” replicas of bodies, which give evidence of their material reality. In the first three essays here, several topics from the Ancient Egypt and Greece to modern arts and sciences are considered, while in the fourth essay, the contemporary virtual reality, cyber-technology and the internet as our parallel “shadow world” are discussed from the philosophical point of view. The main and innovative point of this book is the connection between the meaning of shadows in philosophy and art on the one hand, and their role in modern science and technology on the other. The book will appeal to a wide span of readers, from academic circles, students, and artists, to the general reader interested in the humanities, especially in philosophy and art.
Author: Linda Dalrymple Henderson Publisher: MIT Press ISBN: 0262536552 Category : Art Languages : en Pages : 759
Book Description
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.
Author: Rudolf Steiner Publisher: SteinerBooks ISBN: 0880109491 Category : Education Languages : en Pages : 348
Book Description
8 Lectures in Dornach, Nov 26, 1923 to Dec 22, 1923 (CW 351) In 1923 Rudolf Steiner predicted the dire state of today's honeybee. He stated that, within fifty to eighty years, we would see the consequences of mechanizing the forces that had previously operated organically in the beehive. Such practices include breeding queen bees artificially. The fact that over sixty percent of the American honeybee population has died during the past ten years, and that this trend is continuing around the world, should make us aware of the importance of the issues discussed in these lectures. Steiner began this series of lectures on bees in response to a question from an audience of workers at the Goetheanum. From physical depictions of the daily activities of bees to the most elevated esoteric insights, these lectures describe the unconscious wisdom of the beehive and its connection to our experience of health, culture, and the cosmos. Bees is essential reading for anyone interested in understanding the true nature of the honeybee, as well as those who wish to heal the contemporary crisis of the beehive. Bees includes an essay by David Adams, "From Queen Bee to Social Sculpture: The Artistic Alchemy of Joseph Beuys." The art and social philosophy of Joseph Beuys (1921-1986) is among the most influential of the twentieth century. He was strongly influenced by Rudolf Steiner's lectures on bees. The elemental imagery and its relationship to human society played an important role in Beuys's sculptures, drawings, installations, and performance art. Adams' essay on Beuys adds a whole new dimension to these lectures, generally considered to be directed more specifically to biodynamic methods and beekeeping. This volume consists of 8 lectures (of 15) from Mensch und Welt. Das Wirken des Geistes in der Natur. Über das Wesen der Bienen (GA 351).
Author: Terry MacKinnell Publisher: Xlibris Corporation ISBN: 1456844423 Category : History Languages : en Pages : 396
Book Description
The Dawning is a radically different and innovative approach to the astrological ages including the Age of Aquarius -providing a fascinating insight into past ages, our current turbulent times, and what might be in store for our world over the next few thousand years! Terry MacKinnell takes us on a journey into the astrological ages and with periscopic detail presents an entertaining and thought-provoking read that challenges astrological assumptions. MacKinnell proposes that an oversight made by the ancients inadvertently impacted conventional astrological calculations and he explores the popular belief that the Age of Aquarius has already arrived when according to conventional astrology it is not due for many centuries to come. He argues that the real Aquarian Age has indeed already arrived and did so in the 15th Century, the same century historians claim as the beginning of modernity. Continuing the journey he dives into our present and our future. This fascinating book will appeal to astrologers, archeo-astronomers, historians and everyone looking for a new perspective on the past, the present and the future.
Author: Stephen Webb Publisher: Springer Science & Business Media ISBN: 1475761201 Category : Science Languages : en Pages : 336
Book Description
Stephen Webb, author of WHERE IS EVERYBODY?, takes the interested amateur on a thrilling and enlightening tour of the amazing, even bizarre, new ideas of modern physics, including alternatives to the Big Bang, parallel universes, and an imaginary trip to the other side of the black hole.
Author: Alessandra Pagliano Publisher: Springer Nature ISBN: 3031472462 Category : Architecture Languages : en Pages : 124
Book Description
This book intends to focus exclusively on anamorphic experiments in contemporary art and design, leaving an in-depth historical examination of its Baroque season to other studies. Themes, languages and fields of application of anamorphosis in contemporary culture are critically analyzed to make the reader aware of the communicative potentiality of this kind of geometrical technique. The book also has the aim to teach the reader the most appropriate geometric techniques for each of them, in order to achieve the designed illusion. Each typology of anamorphosis is accompanied in this book by contemporary installations, a geometrical explanation by means of 3D models and didactic experiments carried on in collaboration with the students of the Department of Architecture in Naples.
Author: Roy A. Sorensen Publisher: Oxford University Press ISBN: 0199797137 Category : Art Languages : en Pages : 325
Book Description
Roy Sorensen here defends the causal theory of perception by treating absences as causes. He draws heavily on common sense and psychology to vindicate the assumption that we directly perceive absences.
Author: Tony Robbin
Author: Tony Robbin
Author: Steven Heller
Author: Karim Mokhtar
Author: Marko Uršič
Author: Linda Dalrymple Henderson
Author: Rudolf Steiner
Author: Terry MacKinnell
Author: Stephen Webb
Author: Alessandra Pagliano
Author: Roy A. Sorensen