Dim7 Taking You and Your Business to the Seventh Dimension PDF Download

Author: Sacha E. Hopkins
Publisher: Lulu.com
ISBN: 1847530664
Category : Business & Economics
Languages : en
Pages : 122

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Book Description
Have you ever been sent just once too often to a management training event, or read just one book too many on how to make yourself or your business more effective?Well, at last, we have the cure for all this self-improvement.This book is the Antidote to all Business and Management Training.Once you've read this work, you'll be able to throw away every other self-help book you've ever bought. Sacha Hopkins de-bunks your favourite gurus and their misplaced theories.But don't believe us. Listen to "Chick" L. Grooba, one of the successful business characters profiled in the book. He says:"This may be a slim volume, but I am convinced that it will be a fat lot of use to anyone wanting to start their own business."

Author: Randy Vincent
Publisher:
ISBN: 9781883217662
Category : Guitar
Languages : en
Pages : 194

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Book Description
This book provides discussion and exercises for the use of three-note voicings in jazz guitar. The book also includes some four and five-note voicings. Includes chapters on shell voicings, walking guitar, triad pairs, quartal and secundal harmony, and more. With an introduction.

Author: Joseph Davis
Publisher: Gatekeeper Press
ISBN: 164237816X
Category : Music
Languages : en
Pages : 294

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Book Description
Finally—an intuitive, single-source standardization for naming guitar chords in the 21st century! A honing of guitar theory as a subcategory of music theory. Commonsense approach to all things guitar chord, including how to label alternate chord voicings. New concepts, including natural harmonics chords, unison chords, and octaval chords. A massive Instructional Glossary with clear and precise definitions, benefiting both guitarists and music theorists alike. Appendices containing 747 graphical guitar chord boxes and definitions for several guitar tunings: • Standard • Open Major A/E • Open Major G/D • Drop D • Double Drop D • Bruce Palmer Modal “Band of Witches” sample song sheet. Procedures for registering a copyright with the U.S. Copyright Office. Introduction to U.S. copyright law’s fair use doctrine, including a comparison of mechanical and sync licenses. Presented in an easy-to-read, connect-the-dots manner. An absolute must-read for the guitarist wanting to transcribe new sound-creations into guitar chords. The only textbook needed for a Progressive Guitar Theory 105 course. Though geared toward the needs of a seasoned guitarist, this book contains a wealth of information that will benefit anyone, from the casual campfire-strumming enthusiast to avid music theorists looking for a greater understanding of the challenges facing non-sight-reading guitar players. Book Review: "A soup-to-nuts guide for guitarists looking for a comprehensive way to name and notate chords. Music theory and practicality are sometimes at odds. For example, theory dictates that a chord must have three or more notes, but as debut author Davis explains in his introduction, guitarists play two-note formations frequently, which they must then label as chords when transcribing. As one gets deeper into theory, the conflicts can get more complicated in terms of where a “root” note might lay in a chord sequence, or how a chord might fit in a particular scale. Davis seeks to solve that quandary with a practical standard for working guitarists. It’s a complicated task, and this book provides a lot of context for readers to consider, explaining pitch, tuning, scales, and intervals, and even providing information on copyrighting musical works. Along the way, he takes a lot of advanced ideas into account, such as unaltered nonextended chords, unaltered extended chords, suspended nonextended chords, and the like. Chances are that any guitarist who’s attracted by the title of this book already knows enough to follow these theoretical aspects. The author offers a process to make these concepts clearer, [to Gatekeeper: my rewrite attends to the rest of the sentence & the next one] but it’s not a basic, numbered list of steps. Readers with no education in theory may have to read passages several times to put the level of detail into proper perspective [to Gatekeeper: this ends the portion of the Review I "fixed."]. A weekend warrior who’s happy banging out basic G-C-D or E-A-D progressions, for instance, won’t find much use for the theory, but those looking to move forward will find value in the first, basic chapters and the massive appendices, which feature definitions of everything from Travis picking to truss rods. For guitarists who write, the most useful aspect of this book may be the chord guide, which includes voicings for both standard and alternate tunings. A complex manual for guitar players who want to keep learning new things." -- Kirkus Reviews

Author: Michael Policastro
Publisher: Mel Bay Publications
ISBN: 160974232X
Category : Music
Languages : en
Pages : 233

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Book Description
The first part of this edition teaches a very specific portion of music theory with the goal of providing a thorough foundation for building chords and arpeggios. The second part reveals the unique fingerboard patterns arising from the nature of the guitar's six-string tuning and applies these essential patterns to teaching every aspect of building chords and arpeggios for the guitar. Clear illustrations are abundant throughout this text, making its wealth of information easier to learn and apply. This book is accessible to those who have never learned to read music notation, presenting ideas that anyone can understand and utilize. Self-tests are featured at the end of each chapter facilitating complete and thorough comprehension. Even though this text accelerates rapidly through intermediate and advanced levels, it will also benefit the beginner with no previous musical experience.

Author: W. A. Mathieu
Publisher: Simon and Schuster
ISBN: 1620554011
Category : Music
Languages : en
Pages : 724

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Book Description
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.

Author: Rikky Rooksby
Publisher: Hal Leonard Corporation
ISBN: 9780879306113
Category : Music
Languages : en
Pages : 200

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Book Description
Explains how to create songs to be played on guitar, including advice on such basics of songwriting as structure, rhythm, melody, and lyrics.

Author: Joseph Alexander
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789330427
Category :
Languages : en
Pages : 112

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Book Description
Contains over 100 pages of clear, high resolution diagrams covering the construction of every common guitar chord type. There are three different essential voicings for each chord and plenty of information about the context in which it is used.

Author: Kathleen Manning
Publisher: Routledge
ISBN: 1136865691
Category : Education
Languages : en
Pages : 234

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Book Description
Organizational Theory in Higher Education offers a fresh take on the models and lenses through which higher education can be viewed by presenting a full range of organizational theories, from traditional to current. By alternating theory and practice chapters, noted scholar Kathleen Manning vividly illustrates the operations of higher education and its administration. Manning’s rich and interdisciplinary treatment enables leaders to gain a full understanding of the perspectives that operate on a college campus and ways to adopt effective practice in the context of new and continuing tensions, contexts, and challenges. Special features include: A unique presentation of each organizational model that includes both a theory chapter for contextual background and a case chapter illustrating the perspective in practice Coverage of eight organizational approaches, both traditional as well as those often excluded from the literature—organized anarchy, collegium, political, cultural, bureaucratic, new science, feminist, and spiritual. Consistent organizational elements across each theoretical chapter—including theoretical foundation, structure, metaphor, characteristics, and strengths and weaknesses—so that readers can better assess appropriate fit of theory to particular situations Questions for Discussion and Recommended Readings assist the reader to make connections to their practice and to develop an in-depth understanding of the organizational theories Organizational Theory in Higher Education provides a clear understanding of how organizational models can be used to elicit the most effective practice and to navigate the complexity of higher education today. This important book is ideal for courses in higher education administration and organizational theory and for administrators and practitioners seeking to gain insight into innovative ways to approach organizations.

Author: April Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 117

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Book Description
This piano / keyboard chord book makes it easy to look up and find the chord you're looking for. It lists: Chords by letter name (for example, all chords starting with C). Chords by type or chord family (for example, all minor chords). Gives you the different chords you can use in a specific key. This makes is easy to create your own chord progressions to practice chords or a framework to write songs from. Chord Types: major minor (m) second (2) sixth (6) suspended & suspended 7ths ((sus / 4), sus7) seventh chords including 7, M7, m7 diminished & diminished 7th (dim, dim7) augmented (aug) ninth & add nine (9, add9) This is essentially a chord dictionary, perfect for beginners and also those who can read music. The chords are written out by letter name, on piano keys and in the treble clef. It's a compact 6x9 size. This would work well as a gift for anyone early teens and adults who are learning piano - or even would like to start learning. Great for piano beginners and those working towards playing jazz, gospel, pop and songs written lyrics and chords. The writing is large enough for adults and older adults to read without difficulty. Written by the creator and teacher of the You Can Play Piano Chords course.

Author: Kristi Brown-Montesano
Publisher: Univ of California Press
ISBN: 0520385799
Category : Biography & Autobiography
Languages : en
Pages : 344

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Book Description
Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.