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Author: Richard Wagner Publisher: Courier Corporation ISBN: 0486443248 Category : Music Languages : en Pages : 322
Book Description
It started as a single idea, under the working title of Siegfried's Death, and ended as an epic four-opera cycle, "Der Ring des Nibelungen." Inspired by the great Nordic and Germanic sagas, Richard Wagner created a unique statement of the interplay between love and power — a struggle he movingly expressed through recurrent motifs of yearning and loss. Die Walküre, the second opera in the series, remains the most popular and frequently performed of the mighty Ring Cycle works. From its gripping opening — in which the hero finds himself weaponless in the house of his enemy — to its heartrending finale — a father' s final farewell to his favorite daughter — generations of listeners have thrilled and swooned to this story and its magical music. First performed as part of the complete Ring Cycle in 1876, at the grand opening of the Bayreuth Festival Theatre, Die Walküre boasts one of opera's best-known passages, the exhilarating "Ride of the Walküre." This vocal score of the complete opera, with lyrics in both German and English, features a piano reduction of the orchestral part and is ideal for study, rehearsal, and concert performances.
Author: Richard Wagner Publisher: Courier Corporation ISBN: 0486443248 Category : Music Languages : en Pages : 322
Book Description
It started as a single idea, under the working title of Siegfried's Death, and ended as an epic four-opera cycle, "Der Ring des Nibelungen." Inspired by the great Nordic and Germanic sagas, Richard Wagner created a unique statement of the interplay between love and power — a struggle he movingly expressed through recurrent motifs of yearning and loss. Die Walküre, the second opera in the series, remains the most popular and frequently performed of the mighty Ring Cycle works. From its gripping opening — in which the hero finds himself weaponless in the house of his enemy — to its heartrending finale — a father' s final farewell to his favorite daughter — generations of listeners have thrilled and swooned to this story and its magical music. First performed as part of the complete Ring Cycle in 1876, at the grand opening of the Bayreuth Festival Theatre, Die Walküre boasts one of opera's best-known passages, the exhilarating "Ride of the Walküre." This vocal score of the complete opera, with lyrics in both German and English, features a piano reduction of the orchestral part and is ideal for study, rehearsal, and concert performances.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429944544 Category : Music Languages : en Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Ernest Newman Publisher: Princeton University Press ISBN: 9780691027166 Category : Music Languages : en Pages : 412
Book Description
In this classic guide, the foremost Wagner expert of our century discusses ten of Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos, and demonstrates how the composer's style changed from work to work. Acclaimed as the most complete and intellectually satisfying analysis of the Wagner operas, the book has met with unreserved enthusiasm from specialist and casual music lover alike. Here, available for the first time in a single paperback volume, is the perfect companion for listening to, or attending, The Flying Dutchman, Tannhäuser, Lohengrin, Tristan and Isolde, Die Meistersinger, the four operas of the Ring Cycle, and Parsifal. Newman enriches his treatment of the stories, texts, and music of the operas with biographical and historical materials from the store of knowledge that he acquired while completing his numerous books on Wagner, including the magisterial Life of Richard Wagner. The text of The Wagner Operas is filled with hundreds of musical examples from the scores, and all the important leitmotifs and their interrelationships are made clear in Newman's lucid prose. "This is as fine an introduction as any ever written about a major composer's masterpieces. Newman outlines with unfailing clarity and astuteness each opera's dramatic sources, and he takes the student through the completed opera, step by step, with all manner of incidental insight along the way."--Robert Bailey, New York University
Author: Jeongwon Joe Publisher: Indiana University Press ISBN: 0253221633 Category : Biography & Autobiography Languages : en Pages : 505
Book Description
The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.
Author: John Deathridge Publisher: Univ of California Press ISBN: 0520254538 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
Author: Matthew Bribitzer-Stull Publisher: Cambridge University Press ISBN: 1107098394 Category : History Languages : en Pages : 357
Book Description
Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Author: Anne Dzamba Sessa Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838620557 Category : Music Languages : en Pages : 206
Book Description
Wagner was more than a composer--he was a cultural phenomenon. The author seeks to explain this phenomenon. One claim is that Wagner's music dramas served to provide encouragement and inspiration to Victorians struggling with the problems of a changing and challenging era. Intellectual developments (including the theories of Charles Darwin and the impact of historical scholarship on Biblical studies) had struck a severe blow against religious orthodoxy. Thus, the English strove to retain their inherited or instinctive beliefs and at the same time to accept the conclusions of natural and social science. Frustrated by the academic arguments, many persons turned to less intellectual substitutes, including Wagnerism. Almost all of Wagner's plots involve some form of redemption and hunger for the infinite. The author also claims that Wagnerism drew on the Victorian need for social justice, and points out that just as many Wagnerians sought emancipation from confining materialist philosophies or simply delighted in sexual liberation.
Author: Johannes Brahms Publisher: Courier Dover Publications ISBN: 0486814564 Category : Music Languages : en Pages : 193
Book Description
Unaccompanied choral works composed or otherwise arranged by Brahms for mixed choruses as well as individual men's and women's choruses include songs, love songs, romances, quartetes, and duets.
Author: Richard Wagner
Author: Richard Wagner
Author: Alex Ross
Author: Ernest Newman
Author: Jeongwon Joe
Author: John Deathridge
Author: Patrick Carnegy
Author: Matthew Bribitzer-Stull
Author: 
Author: Anne Dzamba Sessa
Author: Johannes Brahms