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Author: Carolyn Vellenga Berman Publisher: Oxford University Press ISBN: 0192659936 Category : Literary Criticism Languages : en Pages : 496
Book Description
This book examines Charles Dickens's fiction alongside publications emanating from Parliament. It argues that Dickens and Parliament were engaged in competitive efforts to represent the People at a crucial moment in the history of representative democracy--when the British government was under enormous political pressure to expand the franchise beyond a narrow band of male landowners. Contending that fiction and the literature of Parliament interacted at a host of levels--jostling one another in the same bookshops--it reads Dickens's novels in tandem with blue books, the practice texts of shorthand manuals, and Dickens's journalism. It shows how his fiction mocks parliamentary form (as in Pickwick Papers), canvasses the history of parliamentary representation (as in Bleak House), and depicts the relation of the People to the state as well as commerce (as in Little Dorrit). It thus rethinks the history of the Victorian novel by examining its rivalry with Parliament in the expanding world of print publication.
Author: Carolyn Vellenga Berman Publisher: Oxford University Press ISBN: 0192659936 Category : Literary Criticism Languages : en Pages : 496
Book Description
This book examines Charles Dickens's fiction alongside publications emanating from Parliament. It argues that Dickens and Parliament were engaged in competitive efforts to represent the People at a crucial moment in the history of representative democracy--when the British government was under enormous political pressure to expand the franchise beyond a narrow band of male landowners. Contending that fiction and the literature of Parliament interacted at a host of levels--jostling one another in the same bookshops--it reads Dickens's novels in tandem with blue books, the practice texts of shorthand manuals, and Dickens's journalism. It shows how his fiction mocks parliamentary form (as in Pickwick Papers), canvasses the history of parliamentary representation (as in Bleak House), and depicts the relation of the People to the state as well as commerce (as in Little Dorrit). It thus rethinks the history of the Victorian novel by examining its rivalry with Parliament in the expanding world of print publication.
Author: Dr Ella Dzelzainis Publisher: Ashgate Publishing, Ltd. ISBN: 1409473120 Category : Literary Criticism Languages : en Pages : 411
Book Description
In nineteenth-century Britain, the effects of democracy in America were seen to spread from Congress all the way down to the personal habits of its citizens. Bringing together political theorists, historians, and literary scholars, this volume explores the idea of American democracy in nineteenth-century Britain. The essays span the period from Independence to the First World War and trace an intellectual history of Anglo-American relations during that period. Leading scholars trace the hopes and fears inspired by the American model of democracy in the works of commentators, including Thomas Paine, Mary Wollstonecraft, Alexis de Tocqueville, Charles Dickens, John Stuart Mill, Richard Cobden, Charles Dilke, Matthew Arnold, Henry James and W. T. Stead. By examining the context of debates about American democracy and notions of ‘culture’, citizenship, and race, the collection sheds fresh light on well-documented moments of British political history, such as the Reform Acts, the Abolition of Slavery Act, and the Anti-Corn Law agitation. The volume also explores the ways in which British Liberalism was shaped by the American example and draws attention to the importance of print culture in furthering radical political dialogue between the two nations. As the comprehensive introduction makes clear, this collection makes an important contribution to transatlantic studies and our growing sense of a nineteenth-century modernity shaped by an Atlantic exchange. It is an essential reference point for all interested in the history of the idea of democracy, its political evolution, and its perceived cultural consequences.
Author: Robert Douglas-Fairhurst Publisher: Harvard University Press ISBN: 0674072235 Category : Biography & Autobiography Languages : en Pages : 400
Book Description
This provocative biography tells the story of how an ambitious young Londoner became England’s greatest novelist. Focused on the 1830s, it portrays a restless, uncertain Dickens who could not decide on a career path. Through twists and turns, the author traces a double transformation: in reinventing himself Dickens reinvented the form of the novel.
Author: Emily Steinlight Publisher: Cornell University Press ISBN: 1501710710 Category : Literary Criticism Languages : en Pages : 400
Book Description
From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.
Author: Charles Dickens Publisher: Lindhardt og Ringhof ISBN: 8726595591 Category : Literary Collections Languages : en Pages : 149
Book Description
"All that is loathsome, drooping, or decayed is here." In 1842 Dickens sailed to America to observe The New World that held such fascination for the English. He went to magnificent landmarks like Niagara Falls but also included visits to mental institutions and prisons. He met President John Tyler in D.C and the well-educated Laura Bridgman, who was deaf-blind. Dickens found lots to admire, but also noted how coarse and ill-mannered the Americans were. That did not go over well with the Americans. With superb language and humour, Dickens gathered these fascinating observations in this travelogue that will have anyone with the slightest interest in cultural differences completely spell-bound. Charles Dickens (1812-1870) was an English author, social critic, and philanthropist. Much of his writing first appeared in small instalments in magazines and was widely popular. Among his most famous novels are Oliver Twist (1839), David Copperfield (1850), and Great Expectations (1861).
Author: Richard Dellamora Publisher: University of Pennsylvania Press ISBN: 0812238133 Category : Literary Criticism Languages : en Pages : 264
Book Description
"Systematically bringing together discourses on queer identities in Victorian England, Jewish identities in nineteenth-century literary and political culture, and the ways these powerful forms of otherness intersect, Friendship's Bonds offers an analysis of how the dream of a perfect sympathy between friends continually challenged Victorians' capacity to imagine into existence a world not of strangers or enemies but of fellow citizens."--BOOK JACKET.
Author: Jan-Werner Müller Publisher: Farrar, Straus and Giroux ISBN: 0374720711 Category : Political Science Languages : en Pages : 129
Book Description
A much-anticipated guide to saving democracy, from one of our most essential political thinkers. Everyone knows that democracy is in trouble, but do we know what democracy actually is? Jan-Werner Müller, author of the widely translated and acclaimed What Is Populism?, takes us back to basics in Democracy Rules. In this short, elegant volume, he explains how democracy is founded not just on liberty and equality, but also on uncertainty. The latter will sound unattractive at a time when the pandemic has created unbearable uncertainty for so many. But it is crucial for ensuring democracy’s dynamic and creative character, which remains one of its signal advantages over authoritarian alternatives that seek to render politics (and individual citizens) completely predictable. Müller shows that we need to re-invigorate the intermediary institutions that have been deemed essential for democracy’s success ever since the nineteenth century: political parties and free media. Contrary to conventional wisdom, these are not spent forces in a supposed age of post-party populist leadership and post-truth. Müller suggests concretely how democracy’s critical infrastructure of intermediary institutions could be renovated, re-empowering citizens while also preserving a place for professionals such as journalists and judges. These institutions are also indispensable for negotiating a democratic social contract that reverses the secession of plutocrats and the poorest from a common political world.
Author: Keith Easley Publisher: BRILL ISBN: 9004543724 Category : Literary Criticism Languages : en Pages : 300
Book Description
We read the book, and the book is reading us. In his later novels, Charles Dickens uses the interaction between characters and their audiences within the fiction to dramatise his growing understanding of the pivotal role of spectatorship and choice in a more democratic society. Egotists of all stripes, intent on bending the world to their singular will, would appropriate the power of spectatorship by taking command of the detachment necessary for choice. Dickens’s pluralistic art of sameness and difference redefines that detachment, and liberates choice both inside and outside the novels, for the relationship between characters and their audiences within the narratives actually inscribes our own relationship with them in the performance of reading, a reflective doubling of the fiction upon the reader across time with moral consequences for our spectatorship of our own lives.
Author: Carolyn Vellenga Berman
Author: Carolyn Vellenga Berman
Author: Dr Ella Dzelzainis
Author: Robert Douglas-Fairhurst
Author: Emily Steinlight
Author: Charles Dickens
Author: Richard Dellamora
Author: Jan-Werner Müller
Author: Keith Easley
Author: G. K. Chesterton
Author: Bertram Waldrom Matz