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Author: John Albert Lehmann Publisher: Forgotten Books ISBN: 9780484165280 Category : Poetry Languages : en Pages : 28
Book Description
Excerpt from Diary of Verse and Philosophy, 1910 Own in the dusty city, where, To take full breath oft makes one choke, The composition of the air Is mostly wind - well mixed with smoke. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Albert Lehmann Publisher: Forgotten Books ISBN: 9780484165280 Category : Poetry Languages : en Pages : 28
Book Description
Excerpt from Diary of Verse and Philosophy, 1910 Own in the dusty city, where, To take full breath oft makes one choke, The composition of the air Is mostly wind - well mixed with smoke. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Heinrich Cornelius Agrippa von Nettesheim Publisher: Llewellyn Worldwide ISBN: 9780875428321 Category : Body, Mind & Spirit Languages : en Pages : 1030
Book Description
"The Three Books of Occult Philosophy's vast store of magical lore has been so influential that occultists have been drawing upon it for the past five centuries. This classic work was first published in 1531, and translated into English in 1651, but it has never since been reprinted in its entirety. Now--for the first time in 500 years--editor Donald Tyson presents these writings as Agrippa intended them to appear: wholly complete and free from the hundreds of errors made in the original translation. The Three Books of Occult Philosophy is the most complete repository of pagan and Neo-platonic magic ever compiled. This book is packed with material you will not find elsewhere, including copious extracts on magic from obscure or lost works by Pythagoras, Pliny the Elder, Cicero, Ptolemy, Plato, Aristotle, and many other authorities. Donald Tyson's detailed annotations clarify difficult references and provide origins of quotations, even expanding upon them in many cases in order to make Agrippa's work more accessible to the modern reader. As well as providing extensive insight into the foundations of the Western Esoteric tradition, the Three Books of Occult Philosophy is the ultimate 'how-to' for magical workings. It describes how to work all manner of divinations and natural and ceremonial magic in such clear and useful detail that it is still the guide for modern techniques. And the extensive supplementary material--including biographical and geographical disctionaries and appendices--provides quick reference to many previously obscure matters in classical magic. The Three Books of Occult Philosophy is an essential reference tool for all students of the history of ideas and the occult tradition."--back cover.
Author: Reza Hosseini Publisher: Springer Nature ISBN: 3030549798 Category : Philosophy Languages : en Pages : 170
Book Description
This book situates Ralph Waldo Emerson in the tradition of philosophy as “spiritual exercise”, arguing that the defining feature of his literary philosophy is the conviction that there is an inherent link between moral persuasion and literary excellence. Hosseini persuasively argues that the Emersonian project can be viewed as an extension of Socrates’ call for a return to the beginning of philosophy, to search for a way of revolutionizing our ways of seeing from within. Examining Emerson’s provocative style of writing, Hosseini contends that his prose is shaped by a desire to bring about psychagogia, or influencing the soul through the power of words. This book furthermore examines the evolving nature of Emerson’s thoughts on “scholarly action” and its implications, his religious temperament as an aesthetic experience of the world through wonder, and the reasons for a resounding acknowledgment of despair in his essay “Experience.” In the concluding chapter, Hosseini explores the depth of Emerson’s engagement with the classical Persian poets and argues that what we may call his “literary humanism” is informed by Persian Adab, exemplified in the writings of Rumi, Hafiz, and Saadi. Weaving together themes from Persian philosophy and Emersonian transcendentalism, Hosseini establishes Emerson’s way of seeing as refreshingly relevant, showing that the questions he tackled in his writings are as pressing today as they were in his time.
Author: Publisher: ISBN: Category : Libraries Languages : en Pages : 674
Book Description
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
Author: Michael Edwards Publisher: New York Review of Books ISBN: 1681376385 Category : Poetry Languages : en Pages : 177
Book Description
A fresh, provocative look at the link between poetry and Christianity, both as it relates to the Bible itself as well as to Christian and religious life, by an accomplished scholar. The Bible is full of poems. In the Old Testament, there are the Psalms and the Song of Songs, the great exhortations and lamentations of the Prophets, and passages of poetry woven in throughout. In the New Testament, Jesus describes the kingdom of heaven with poetic epithets such as “a treasure hid in a field,” calling the Son of God “the true vine,” “the light of the world,” “the good shepherd,” and “the way, the truth, and the life.” The Gospels reverberate with allusions to the poetry of the Old Testament; the last book of all is Revelation, a visionary poem. The Bible, in other words, asks to be read poetically from start to end, and yet readers have rarely considered what that might mean, much less heeded that call. In The Bible and Poetry, the poet and scholar Michael Edwards reshapes our understanding of the Bible and religious belief, arguing that poetry is not an ornamental or accidental feature but is central to both. He speaks personally of his early, unanticipated, transformative encounters with scripture. He offers close, insightful, and resonant readings of biblical passages. Poetry, as he sees it, is the vital and necessary medium of the Creator’s word, and the truth of the Bible is not a question of precepts and propositions but of a direct experience of its poetry, its power.
Author: John Albert Lehmann
Author: John Albert Lehmann
Author: DUNCAN. MCINTOSH
Author: Heinrich Cornelius Agrippa von Nettesheim
Author: Reza Hosseini
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Author: Michael Edwards
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Author: Edinburgh University Library
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