Author: Terence Cave
Publisher:
ISBN:
Category : Devotional literature, French
Languages : en
Pages : 748
Book Description
Devotional Poetry in France C. 1570-1613
Author: Terence Cave
Publisher:
ISBN:
Category : Devotional literature, French
Languages : en
Pages : 748
Book Description
Publisher:
ISBN:
Category : Devotional literature, French
Languages : en
Pages : 748
Book Description
A Crtitical Bibliography of French Literature V2 16th C
Author:
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 896
Book Description
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 896
Book Description
Devotional Poetry in France c.1570-1613
Author: Cave
Publisher: Cambridge University Press
ISBN: 9780521113458
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Dr Cave studies the relationship between the traditions of personal devotion in sixteenth-century France and the poetry which flourished at the end of the century and the beginning of the seventeenth. It was a poetry of intense personal commitment, preoccupied with penitence and confession, the vanity of life, the imminence of death, the meaning of the Incarnation and the Passion; often verging on mysticism and mingling of the sensual, the intellectual and the spiritual in a manner often thought typical of the baroque. It was part of a European movement, and there is much here to interest the student of the early seventeenth-century sensibility. A comparable book on English literature is Louis Martz's The Poetry of Meditation, but the lines of Dr Cave's enquiry are new. The book has a fourfold interest: to readers concerned with French literature; to those with particular interest in the traditions of devotion; to those concerned with comparative studies in the baroque period, and to students of rhetorical analysis.
Publisher: Cambridge University Press
ISBN: 9780521113458
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Dr Cave studies the relationship between the traditions of personal devotion in sixteenth-century France and the poetry which flourished at the end of the century and the beginning of the seventeenth. It was a poetry of intense personal commitment, preoccupied with penitence and confession, the vanity of life, the imminence of death, the meaning of the Incarnation and the Passion; often verging on mysticism and mingling of the sensual, the intellectual and the spiritual in a manner often thought typical of the baroque. It was part of a European movement, and there is much here to interest the student of the early seventeenth-century sensibility. A comparable book on English literature is Louis Martz's The Poetry of Meditation, but the lines of Dr Cave's enquiry are new. The book has a fourfold interest: to readers concerned with French literature; to those with particular interest in the traditions of devotion; to those concerned with comparative studies in the baroque period, and to students of rhetorical analysis.
Self-Commentary in Early Modern European Literature, 1400–1700
Author: Francesco Venturi
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
Book Description
This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
Publisher: BRILL
ISBN: 9004396594
Category : Literary Collections
Languages : en
Pages : 445
Book Description
This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
The Disperata, from Medieval Italy to Renaissance France
Author: Gabriella Scarlatta
Publisher: Medieval Institute Publications
ISBN: 158044265X
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
This study explores how the themes of the disperata genre - including hopelessness, death, suicide, doomed love, collective trauma, and damnations - are creatively adopted by several generations of poets in Italy and France, to establish a tradition that at times merges with, and at times subverts, Petrarchism.
Publisher: Medieval Institute Publications
ISBN: 158044265X
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
This study explores how the themes of the disperata genre - including hopelessness, death, suicide, doomed love, collective trauma, and damnations - are creatively adopted by several generations of poets in Italy and France, to establish a tradition that at times merges with, and at times subverts, Petrarchism.
Imagining Women's Conventual Spaces in France, 1600–1800
Author: Barbara R. Woshinsky
Publisher: Routledge
ISBN: 135192866X
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
Blending history and architecture with literary analysis, this ground-breaking study explores the convent's place in the early modern imagination. The author brackets her account between two pivotal events: the Council of Trent imposing strict enclosure on cloistered nuns, and the French Revolution expelling them from their cloisters two centuries later. In the intervening time, women within convent walls were both captives and refugees from an outside world dominated by patriarchal power and discourses. Yet despite locks and bars, the cloister remained "porous" to privileged visitors. Others could catch a glimpse of veiled nuns through the elaborate grills separating cloistered space from the church, provoking imaginative accounts of convent life. Not surprisingly, the figure of the confined religious woman represents an intensified object of desire in male-authored narrative. The convent also spurred "feminutopian" discourses composed by women: convents become safe houses for those fleeing bad marriages or trying to construct an ideal, pastoral life, as a counter model to the male-dominated court or household. Recent criticism has identified certain privileged spaces that early modern women made their own: the ruelle, the salon, the hearth of fairy tale-telling. Woshinsky's book definitively adds the convent to this list.
Publisher: Routledge
ISBN: 135192866X
Category : Literary Criticism
Languages : en
Pages : 536
Book Description
Blending history and architecture with literary analysis, this ground-breaking study explores the convent's place in the early modern imagination. The author brackets her account between two pivotal events: the Council of Trent imposing strict enclosure on cloistered nuns, and the French Revolution expelling them from their cloisters two centuries later. In the intervening time, women within convent walls were both captives and refugees from an outside world dominated by patriarchal power and discourses. Yet despite locks and bars, the cloister remained "porous" to privileged visitors. Others could catch a glimpse of veiled nuns through the elaborate grills separating cloistered space from the church, provoking imaginative accounts of convent life. Not surprisingly, the figure of the confined religious woman represents an intensified object of desire in male-authored narrative. The convent also spurred "feminutopian" discourses composed by women: convents become safe houses for those fleeing bad marriages or trying to construct an ideal, pastoral life, as a counter model to the male-dominated court or household. Recent criticism has identified certain privileged spaces that early modern women made their own: the ruelle, the salon, the hearth of fairy tale-telling. Woshinsky's book definitively adds the convent to this list.
Epic Arts in Renaissance France
Author: Phillip John Usher
Publisher:
ISBN: 0199687846
Category : Art
Languages : en
Pages : 266
Book Description
'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.
Publisher:
ISBN: 0199687846
Category : Art
Languages : en
Pages : 266
Book Description
'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.
The Art of Meditation and the French Renaissance Love Lyric
Author: Michael Giordano
Publisher: University of Toronto Press
ISBN: 0802099467
Category : Literary Criticism
Languages : en
Pages : 697
Book Description
The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.
Publisher: University of Toronto Press
ISBN: 0802099467
Category : Literary Criticism
Languages : en
Pages : 697
Book Description
The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.
Play, Literature, Religion
Author: Virgil Nemoianu
Publisher: State University of New York Press
ISBN: 1438414439
Category : Religion
Languages : en
Pages : 234
Book Description
By using the concept of play as a common denominator, this book outlines ways in which literary creativity can act as a free, open, and speculatively unburdened version of religious concerns. Contributors include Louis Dupré, Arthur Quinn, Sanford Budick, Giuseppe Mazzotta, Judah Goldin, and Jean-Michel Heimonet.
Publisher: State University of New York Press
ISBN: 1438414439
Category : Religion
Languages : en
Pages : 234
Book Description
By using the concept of play as a common denominator, this book outlines ways in which literary creativity can act as a free, open, and speculatively unburdened version of religious concerns. Contributors include Louis Dupré, Arthur Quinn, Sanford Budick, Giuseppe Mazzotta, Judah Goldin, and Jean-Michel Heimonet.
Doctrine and Devotion in Seventeenth-century Poetry
Author: R. V. Young
Publisher: Boydell & Brewer Ltd
ISBN: 9780859915694
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
English devotional poets of 17c set in a wider European and Catholic context.
Publisher: Boydell & Brewer Ltd
ISBN: 9780859915694
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
English devotional poets of 17c set in a wider European and Catholic context.