Author: Terence CavePublisher:
ISBN:
Category : Devotional literature, French
Languages : en
Pages : 748
Book Description
Devotional Poetry in France C. 1570-1613
Author: Terence CavePublisher:
ISBN:
Category : Devotional literature, French
Languages : en
Pages : 748
Book Description
Devotional Poetry in France c.1570-1613
Author: CavePublisher: Cambridge University Press
ISBN: 9780521113458
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Dr Cave studies the relationship between the traditions of personal devotion in sixteenth-century France and the poetry which flourished at the end of the century and the beginning of the seventeenth. It was a poetry of intense personal commitment, preoccupied with penitence and confession, the vanity of life, the imminence of death, the meaning of the Incarnation and the Passion; often verging on mysticism and mingling of the sensual, the intellectual and the spiritual in a manner often thought typical of the baroque. It was part of a European movement, and there is much here to interest the student of the early seventeenth-century sensibility. A comparable book on English literature is Louis Martz's The Poetry of Meditation, but the lines of Dr Cave's enquiry are new. The book has a fourfold interest: to readers concerned with French literature; to those with particular interest in the traditions of devotion; to those concerned with comparative studies in the baroque period, and to students of rhetorical analysis.
Devotional Poetry in France C. 1570-1613
Author: Terence Christopher CavePublisher:
ISBN:
Category :
Languages : en
Pages : 357
Book Description
Devotional Poetry in France
Author: Terence C. CaveDoctrine and Devotion in Seventeenth-century Poetry
Author: R. V. YoungPublisher: Boydell & Brewer Ltd
ISBN: 9780859915694
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
English devotional poets of 17c set in a wider European and Catholic context. This book offers a comprehensive account of the literary and theological background to English devotional poetry of the seventeenth century, concentrating on four major poets, Donne, Herbert, Vaughan and Crashaw. It challenges both Protestant poetics and postmodernism, the prevailing critical approaches to Renaissance literature: by reading the poetry in the light of continental Catholic devotional literature and theology, the author demonstrates that religious poetry in seventeenth-century England was not rigidly or exclusively Protestant in its doctrinal and liturgical orientation. He argues that poetic genres and devices that have been ascribed to strict Reformation influence are equally prominent in the Catholic poetry of Spain and France; he also shows that postmodernist anxiety about subjective identity and the capacity of language for signification is in fact a concern of such landmark Christian thinkers as Augustine and Aquinas, and appears in devotional poetry in the Christian tradition. Professor R.V. YOUNGteaches at North Carolina State University.
Catholic Particularity in Seventeenth-Century French Writing
Author: Richard ParishPublisher: OUP Oxford
ISBN: 0191618810
Category : Religion
Languages : en
Pages : 240
Book Description
'le christianisme est étrange' - Pascal, Pensées Pascal's assertion that 'Christianity is strange', provides the theme for Richard Parish's exploration of Catholic particularity, as it was expressed in the writing of the French seventeenth century. This was a period of quite exceptional fertility in a range of genres: apologetics, sermons, devotional manuals, catechisms, martyr tragedies, lyric poetry, polemic and spiritual autobiography. Parish examines a broad cross-section of this corpus with reference to the topics of apologetics, physicality, language, discernment, polemics and salvation; and draws evidence both from canonical figures (Pascal, Bossuet, Fénelon, St François de Sales, Madame Guyon) and from less easily-available texts. Parish aims to consider all those distinctive features that the heritage of the Catholic Reformation brought to the surface in France, and to do so in support of the numerous ways in which Christian doctrine could be understood as being strange: it is by turns contrary to expectations, paradoxical, divisive, carnal and inexpressible. These features are exploited imaginatively in the more conventional literary forms, didactically in pulpit oratory and empirically in the accounts of personal spiritual experience. In addition they are manifested polemically in debates surrounding penance, authority, inspiration and eschatology, and often push orthodoxy to its limits and beyond in the course of their articulation. This volume provides an unsettling account of a belief system to which early-modern France often unquestioningly subscribed, and shows how the element of cultural assimilation of Catholic Christianity into much of Western Europe only tenuously contains a subversive and counter-intuitive creed. The degree to which that remains the case will be for the reader to decide.
Protestantism, Poetry and Protest
Author: S.K. BarkerPublisher: Routledge
ISBN: 1317074173
Category : History
Languages : en
Pages : 359
Book Description
Antoine de Chandieu (1534-1591) was a key figure in the establishment and development of the French Protestant Church. Of all its indigenous leaders, he was perhaps closest to Calvin, and took a leading role in all the major debates about resistance, church order and doctrine of the Church. He was also a prodigious writer of political, religious and poetical works, whose output corresponds to a period of great turmoil in the progress of the French Church. Chandieu was uniquely placed not merely to engage and contribute to the great debates of the day, but also to record ongoing events. By illuminating his career, which meshed almost exactly with the French Wars of Religion, this book not only demonstrates the key role Chandieu's played in the development of French Protestantism, but also highlights the vital role of literature in shaping the religious experience of the wars. Offering the first systematic evaluation of Chandieu's vernacular works, this study questions many of the assumptions made about his motivations and aims, and how these developed over a thirty year period. His writings were contemporaneous with progress in the worlds of politics, theology and poetry, worlds in which he played a notable, if not well-documented, role. As a corpus, these works show the development of one man's understanding of his ideology over a lifetime actively spent in the pursuit of making that ideology a reality. Chandieu the young political hothead became Chandieu the defender of Calvinist theology, who in turn matured into Chandieu the elder statesman. The interest lies in where these changes occurred, how they were reflected in Chandieu's writing, and what they demonstrate about being Calvinist, and a representative of one's faith, in a time of disorder. As such, this book provides not only a reappraisal of the man and his publications, but presents an intriguing perspective on the development of French Protestantism during this turbulent time.
Bonfire Songs
Author: Patrick Paul MaceyPublisher: Oxford University Press
ISBN: 9780198166696
Category : Biography & Autobiography
Languages : en
Pages : 390
Book Description
Fra Girolamo Savonarola had a profound effect on the political and moral life of Florence in the 1490s, and his legacy lived on during the century after his execution in 1498, not just in Florence but in Ferrara and beyond the Alps, as far as Paris, Munich, and London. This study reconstructscontexts and musical settings for the popular tradition of sacred laude that were sung during the Savonarolan carnivals in 1496, 1497, and 1498. It further examines a broad network of patronage for the courtly tradition of Latin motets that provided elaborate musical settings for Savonarola'smeditations on Psalms 30 and 50. The friar's success in Florence can be partially attributed to his adoption of sacred laude (and the tunes of bawdy carnival songs) that had been promoted by Lorenzo de' Medici. The texts of the old carnival songs were suppressed, but the music was adapted to laudewith texts that proclaim the friar's prophecy of castigation and renewal. The citizens could thus internalize Savonarola's message by singing it. Savonarola himself wrote several lauda texts, and their musical settings are reconstructed here, as well as those for an underground tradition of laudewritten to venerate him after his execution. Part II turns to the courtly tradition and the Latin motet. Several Catholic patrons, scattered from Ferrara to France to England, were drawn to the friar's prison meditation on Psalms 30 and 50, and they commissioned elaborate musical settings of the opening words of both. A dozen motets on thefriar's psalm meditations can be traced from composes such as Willaert, Rore, Le Jeune, Lassus, and Byrd. Savonarola's highly personal texts inspired some of the most moving musical setings of the sixteenth century, in spite of the Church's unfavourable attitude toward the friar's disruptiveexample, which had set a precedent for Protestant reformers such as Martin Luther.
A King Translated
Author: Astrid StilmaPublisher: Routledge
ISBN: 1317187741
Category : History
Languages : en
Pages : 344
Book Description
King James is well known as the most prolific writer of all the Stuart monarchs, publishing works on numerous topics and issues. These works were widely read, not only in Scotland and England but also on the Continent, where they appeared in several translations. In this book, Dr Stilma looks both at the domestic and international context to James's writings, using as a case study a set of Dutch translations which includes his religious meditations, his epic poem The Battle of Lepanto, his treatise on witchcraft Daemonologie and his manual on kingship Basilikon Doron. The book provides an examination of James's writings within their original Scottish context, particularly their political implications and their role in his management of his religio-political reputation both at home and abroad. The second half of each chapter is concerned with contemporary interpretations of these works by James's readers. The Dutch translations are presented as a case study of an ultra-protestant and anti-Spanish reading from which James emerges as a potential leader of protestant Europe; a reputation he initially courted, then distanced himself from after his accession to the English throne in 1603. In so doing this book greatly adds to our appreciation of James as an author, providing an exploration of his works as politically expedient statements, which were sometimes ambiguous enough to allow diverging - and occasionally unwelcome - interpretations. It is one of the few studies of James to offer a sustained critical reading of these texts, together with an exploration of the national and international context in which they were published and read. As such this book contributes to the understanding not only of James's works as political tools, but also of the preoccupations of publishers and translators, and the interpretative spaces in the works they were making available to an international audience.
The Variorum Edition of the Poetry of John Donne
Author: John DonnePublisher: Indiana University Press
ISBN: 0253050391
Category : Literary Collections
Languages : en
Pages : 1012
Book Description
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.