Author: Angela Esterhammer
Publisher: John Benjamins Publishing
ISBN: 9789027234506
Category : Literary Criticism
Languages : en
Pages : 564
Book Description
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Trauma and Its Representations
Author: Deborah Jenson
Publisher: JHU Press
ISBN: 0801876176
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Mimesis has been addressed frequently in terms of literary or visual representation, in which the work of art mirrors, or fails to mirror, life. Most often, mimesis has been critiqued as a simple attempt to bridge the distance between reality and its representations. In Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France, Deborah Jenson argues instead that mimesis not only denotes the representation of reality but is also a crucial concept for understanding the production of social meaning within specific historical contexts. Examining the idea of mimesis in the French Revolution and post-Revolutionary Romanticism, Jenson builds on recent work in trauma studies to develop her own notion of traumatic mimesis. Through innovative readings of museum catalogs, the writings of Benjamin Constant, the novels of George Sand and Gustave Flaubert, and other works, Jenson demonstrates how mimesis functions as a form of symbolic wounding in French Romanticism.
Publisher: JHU Press
ISBN: 0801876176
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Mimesis has been addressed frequently in terms of literary or visual representation, in which the work of art mirrors, or fails to mirror, life. Most often, mimesis has been critiqued as a simple attempt to bridge the distance between reality and its representations. In Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France, Deborah Jenson argues instead that mimesis not only denotes the representation of reality but is also a crucial concept for understanding the production of social meaning within specific historical contexts. Examining the idea of mimesis in the French Revolution and post-Revolutionary Romanticism, Jenson builds on recent work in trauma studies to develop her own notion of traumatic mimesis. Through innovative readings of museum catalogs, the writings of Benjamin Constant, the novels of George Sand and Gustave Flaubert, and other works, Jenson demonstrates how mimesis functions as a form of symbolic wounding in French Romanticism.
Uncanonical Women
Author: Wendy Greenberg
Publisher: BRILL
ISBN: 9004659005
Category : Law
Languages : en
Pages : 183
Book Description
In English here is presented for the first time an examination of the text and context of five nineteenth-century French women poets: Elisa Mercoeur (1808-1835), Marceline Desbordes-Valmore (1786-1859), Louisa Siefert (1845-1877), Louise Ackermann (1813-1890) and Louise Michel (1830-1905) will demonstrate that in spite of mentoring by various literary, historic or even family figures, these writers found their own voices. A striking example is Louisa Siefert, who in spite of bold intertextuality, displays an unmistakably feminine persona, whose originality poignantly draws the reader's attention. These poets had many obstacles of overcome as woman-identified poets. For example, Louise Ackermann's own husband did not want her to write, and for this reason, she remained silent during her who years of marriage. Louise Michel is a different case as an analysis of the short poem Bouche close (Le Livre du Bagne, 1873-1880) will demonstrate. In short, Uncanonical Women, explores a crescendo of poetic voice, from the initial timid solicitations of Elisa Mercoeur, to the bold, self-sufficient defiance of Louise Michel. The implication of my original findings that uncanonical poets can surpass cultural marginalization is that the book will target both a traditional and modern readership. Major these and clear language and tools that delineate identifiably personal style of true writers and the poetic persona of each is unique: Mercoeur in ambition, Desbordes-Valmore in domesticity, Siefert, in anguish, Ackermann in pessimism and Michel in leadership.
Publisher: BRILL
ISBN: 9004659005
Category : Law
Languages : en
Pages : 183
Book Description
In English here is presented for the first time an examination of the text and context of five nineteenth-century French women poets: Elisa Mercoeur (1808-1835), Marceline Desbordes-Valmore (1786-1859), Louisa Siefert (1845-1877), Louise Ackermann (1813-1890) and Louise Michel (1830-1905) will demonstrate that in spite of mentoring by various literary, historic or even family figures, these writers found their own voices. A striking example is Louisa Siefert, who in spite of bold intertextuality, displays an unmistakably feminine persona, whose originality poignantly draws the reader's attention. These poets had many obstacles of overcome as woman-identified poets. For example, Louise Ackermann's own husband did not want her to write, and for this reason, she remained silent during her who years of marriage. Louise Michel is a different case as an analysis of the short poem Bouche close (Le Livre du Bagne, 1873-1880) will demonstrate. In short, Uncanonical Women, explores a crescendo of poetic voice, from the initial timid solicitations of Elisa Mercoeur, to the bold, self-sufficient defiance of Louise Michel. The implication of my original findings that uncanonical poets can surpass cultural marginalization is that the book will target both a traditional and modern readership. Major these and clear language and tools that delineate identifiably personal style of true writers and the poetic persona of each is unique: Mercoeur in ambition, Desbordes-Valmore in domesticity, Siefert, in anguish, Ackermann in pessimism and Michel in leadership.
Desbordes
Author: María-Amelia Viteri
Publisher: State University of New York Press
ISBN: 1438453361
Category : Social Science
Languages : en
Pages : 202
Book Description
María-Amelia Viteri explores the multiple unfixed meanings that the term "Latino" takes on as this category is reappropriated and translated by LGBT "Latinos" in Washington, DC, San Salvador, and Quito. Using an anthropology-based, interdisciplinary approach, she exposes the creative ways in which migrants—including herself—subvert traditional readings based on country of origin, skin color, language, and immigrant status. A critical look at the multiple ways migrants view what it means to be American, Latino, and/or queer provides fertile ground for theoretical, methodological, and political debates on the importance of a queer transnational and immigration framework when analyzing citizenship and belonging. Desbordes (un/doing, overflowing borders) ethnographically addresses the limits and constraints of current paradigms within which sexuality and gender have been commonly analyzed as they intersect with race, class, ethnicity, immigration status, and citizenship. This book uses the concept of "queerness" as an analytical tool to problematize the notion of a seamless relationship between identity and practice.
Publisher: State University of New York Press
ISBN: 1438453361
Category : Social Science
Languages : en
Pages : 202
Book Description
María-Amelia Viteri explores the multiple unfixed meanings that the term "Latino" takes on as this category is reappropriated and translated by LGBT "Latinos" in Washington, DC, San Salvador, and Quito. Using an anthropology-based, interdisciplinary approach, she exposes the creative ways in which migrants—including herself—subvert traditional readings based on country of origin, skin color, language, and immigrant status. A critical look at the multiple ways migrants view what it means to be American, Latino, and/or queer provides fertile ground for theoretical, methodological, and political debates on the importance of a queer transnational and immigration framework when analyzing citizenship and belonging. Desbordes (un/doing, overflowing borders) ethnographically addresses the limits and constraints of current paradigms within which sexuality and gender have been commonly analyzed as they intersect with race, class, ethnicity, immigration status, and citizenship. This book uses the concept of "queerness" as an analytical tool to problematize the notion of a seamless relationship between identity and practice.
Romantic Poetry
Author: Angela Esterhammer
Publisher: John Benjamins Publishing
ISBN: 9789027234506
Category : Literary Criticism
Languages : en
Pages : 564
Book Description
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Publisher: John Benjamins Publishing
ISBN: 9789027234506
Category : Literary Criticism
Languages : en
Pages : 564
Book Description
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
The Kings of Wrestling
Author: Edmond Desbonnet
Publisher: McFarland
ISBN: 1476652465
Category : Sports & Recreation
Languages : en
Pages : 339
Book Description
Wrestling dates back to ancient times, but it was not until Edmond Desbonnet (1867-1953) produced his groundbreaking work The Kings of Wrestling in 1910 that its history was set down in book-length form. His work consists of nearly 150 biographies and accompanying photos of the men who pioneered professional wrestling, particularly in the nineteenth and early twentieth centuries. He explains how Greco-Roman wrestling emerged in France around 1845 and then evolved into a big business during its golden age of 1890 to 1910. The sport drew men from all over Europe as well as Africans, Turks, East Indians, Russians, Americans, and others. Wrestling became the first truly international sport the world had ever known. Desbonnet wrote his history in French, and it is translated here for the first time. This richly illustrated edition has an introduction and extensive annotations, along with many contemporary newspaper articles, book excerpts and magazine pieces from French, Italian and German sources.
Publisher: McFarland
ISBN: 1476652465
Category : Sports & Recreation
Languages : en
Pages : 339
Book Description
Wrestling dates back to ancient times, but it was not until Edmond Desbonnet (1867-1953) produced his groundbreaking work The Kings of Wrestling in 1910 that its history was set down in book-length form. His work consists of nearly 150 biographies and accompanying photos of the men who pioneered professional wrestling, particularly in the nineteenth and early twentieth centuries. He explains how Greco-Roman wrestling emerged in France around 1845 and then evolved into a big business during its golden age of 1890 to 1910. The sport drew men from all over Europe as well as Africans, Turks, East Indians, Russians, Americans, and others. Wrestling became the first truly international sport the world had ever known. Desbonnet wrote his history in French, and it is translated here for the first time. This richly illustrated edition has an introduction and extensive annotations, along with many contemporary newspaper articles, book excerpts and magazine pieces from French, Italian and German sources.
I Love You Always
Author: Astrid Desbordes
Publisher: Little Gestalten
ISBN: 9783899557657
Category : Families
Languages : en
Pages : 0
Book Description
I Love You Always is an ode to motherly love that approaches a timeless topic with elegant simplicity and refreshing honesty. With a simple question, "Mom, will you love me my whole life?" Archibald sparks the most honest and relatable of answers from his mother, who goes on to tell her son about all the moments in life through which she loves him. "I love you when you behave and when your good behavior doesn't last" and "I love you when you look your best and when you're feeling your worst" are some of the scenes author Astrid Desbordes and illustrator Pauline Martin succeed in depicting with heartwarming candidness. A refreshing take on a timeless subject, I Love You Always beautifully recounts a mother's unconditional love for her child.
Publisher: Little Gestalten
ISBN: 9783899557657
Category : Families
Languages : en
Pages : 0
Book Description
I Love You Always is an ode to motherly love that approaches a timeless topic with elegant simplicity and refreshing honesty. With a simple question, "Mom, will you love me my whole life?" Archibald sparks the most honest and relatable of answers from his mother, who goes on to tell her son about all the moments in life through which she loves him. "I love you when you behave and when your good behavior doesn't last" and "I love you when you look your best and when you're feeling your worst" are some of the scenes author Astrid Desbordes and illustrator Pauline Martin succeed in depicting with heartwarming candidness. A refreshing take on a timeless subject, I Love You Always beautifully recounts a mother's unconditional love for her child.
Genius Envy
Author: Adrianna M. Paliyenko
Publisher: Penn State Press
ISBN: 0271079193
Category : Poetry
Languages : en
Pages : 366
Book Description
In Genius Envy, Adrianna M. Paliyenko uncovers a forgotten history: the multiplicity and diversity of nineteenth-century French women’s poetic voices. Conservative critics of the time attributed the phenomenon of genius to masculinity and dismissed the work of female authors as “feminine literature.” Despite the efforts of leading thinkers, critics, and literary historians to erase women from the pages of literary history, Paliyenko shows how these female poets invigorated the debate about the origins of genius and garnered considerable recognition in their time for their creativity and bold aesthetic ideas. This fresh account of French women poets’ contributions to literature probes the history of their critical reception. The result is an encounter with the texts of celebrated writers such as Marceline Desbordes-Valmore, Anaïs Ségalas, Malvina Blanchecotte, Louisa Siefert, and Louise Ackermann. Glimpses at the different stages of each poet’s career show that these women explicitly challenged the notion of genius as gender specific, thus advocating for their rightful place in the canon. A prodigious contribution to studies of nineteenth-century French poetry, Paliyenko’s book reexamines the reception of poetry by women within and beyond its original context. This balanced and comprehensive treatment of their work uncovers the multiple ways in which women poets sought to define their place in history.
Publisher: Penn State Press
ISBN: 0271079193
Category : Poetry
Languages : en
Pages : 366
Book Description
In Genius Envy, Adrianna M. Paliyenko uncovers a forgotten history: the multiplicity and diversity of nineteenth-century French women’s poetic voices. Conservative critics of the time attributed the phenomenon of genius to masculinity and dismissed the work of female authors as “feminine literature.” Despite the efforts of leading thinkers, critics, and literary historians to erase women from the pages of literary history, Paliyenko shows how these female poets invigorated the debate about the origins of genius and garnered considerable recognition in their time for their creativity and bold aesthetic ideas. This fresh account of French women poets’ contributions to literature probes the history of their critical reception. The result is an encounter with the texts of celebrated writers such as Marceline Desbordes-Valmore, Anaïs Ségalas, Malvina Blanchecotte, Louisa Siefert, and Louise Ackermann. Glimpses at the different stages of each poet’s career show that these women explicitly challenged the notion of genius as gender specific, thus advocating for their rightful place in the canon. A prodigious contribution to studies of nineteenth-century French poetry, Paliyenko’s book reexamines the reception of poetry by women within and beyond its original context. This balanced and comprehensive treatment of their work uncovers the multiple ways in which women poets sought to define their place in history.
English Patents of Inventions, Specifications
Fathers, Daughters, and Slaves
Author: Doris Kadish
Publisher: Liverpool University Press
ISBN: 1781386536
Category : History
Languages : en
Pages : 201
Book Description
This new study brings to life the unique contribution of French women during the early nineteenth century, a key period in the history of colonialism and slavery. It offers in-depth readings of works by five antislavery writers – Germaine de Staël, Claire Duras, Marceline Desbordes-Valmore, Charlotte Dard and Sophie Doin.
Publisher: Liverpool University Press
ISBN: 1781386536
Category : History
Languages : en
Pages : 201
Book Description
This new study brings to life the unique contribution of French women during the early nineteenth century, a key period in the history of colonialism and slavery. It offers in-depth readings of works by five antislavery writers – Germaine de Staël, Claire Duras, Marceline Desbordes-Valmore, Charlotte Dard and Sophie Doin.
Shock Waves Science and Technology Library, Vol. 6
Author: F. Zhang
Publisher: Springer Science & Business Media
ISBN: 3642229670
Category : Science
Languages : en
Pages : 482
Book Description
This book, as a volume of the Shock Wave Science and Technology Reference Library, is primarily concerned with the fundamental theory of detonation physics in gaseous and condensed phase reactive media. The detonation process involves complex chemical reaction and fluid dynamics, accompanied by intricate effects of heat, light, electricity and magnetism - a contemporary research field that has found wide applications in propulsion and power, hazard prevention as well as military engineering. The seven extensive chapters contained in this volume are: - Chemical Equilibrium Detonation (S Bastea and LE Fried) - Steady One-Dimensional Detonations (A Higgins) - Detonation Instability (HD Ng and F Zhang) - Dynamic Parameters of Detonation (AA Vasiliev) - Multi-Scaled Cellular Detonation (D Desbordes and HN Presles) - Condensed Matter Detonation: Theory and Practice (C Tarver) - Theory of Detonation Shock Dynamics (JB Bdzil and DS Stewart) The chapters are thematically interrelated in a systematic descriptive approach, though, each chapter is self-contained and can be read independently from the others. It offers a timely reference of theoretical detonation physics for graduate students as well as professional scientists and engineers.
Publisher: Springer Science & Business Media
ISBN: 3642229670
Category : Science
Languages : en
Pages : 482
Book Description
This book, as a volume of the Shock Wave Science and Technology Reference Library, is primarily concerned with the fundamental theory of detonation physics in gaseous and condensed phase reactive media. The detonation process involves complex chemical reaction and fluid dynamics, accompanied by intricate effects of heat, light, electricity and magnetism - a contemporary research field that has found wide applications in propulsion and power, hazard prevention as well as military engineering. The seven extensive chapters contained in this volume are: - Chemical Equilibrium Detonation (S Bastea and LE Fried) - Steady One-Dimensional Detonations (A Higgins) - Detonation Instability (HD Ng and F Zhang) - Dynamic Parameters of Detonation (AA Vasiliev) - Multi-Scaled Cellular Detonation (D Desbordes and HN Presles) - Condensed Matter Detonation: Theory and Practice (C Tarver) - Theory of Detonation Shock Dynamics (JB Bdzil and DS Stewart) The chapters are thematically interrelated in a systematic descriptive approach, though, each chapter is self-contained and can be read independently from the others. It offers a timely reference of theoretical detonation physics for graduate students as well as professional scientists and engineers.