Author: Antoine François Adolphe DELABARREPublisher:
ISBN:
Category :
Languages : fr
Pages : 168
Book Description
Des accidents de dentition chez les enfants en bas âge et des moyens de les combattre ... Avec planches sur bois
Author: Antoine François Adolphe DELABARREPublisher:
ISBN:
Category :
Languages : fr
Pages : 168
Book Description
Des accidents de dentition chez les enfants en bas age et des moyens de les combattre
Author: Antoine DelabarrePublisher:
ISBN:
Category : Children
Languages : fr
Pages : 176
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Des accidents de dentition chez les enfants en bas âge et les moyens de les combattre
Author: Antoine François Adolphe DelabarrePublisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Des accidents de dentition chez les enfants en bas-âge
Author: French Conversation and Composition
Author: Harry Vincent WannPublisher:
ISBN:
Category : French language
Languages : en
Pages : 220
Book Description
Knowing our lands and resources
Author: Roué, MariePublisher: UNESCO Publishing
ISBN: 9231002104
Category : Biodiversitate
Languages : en
Pages : 150
Book Description
Economic Fallacies
Author: Frederic BastiatPublisher: Simon Publications
ISBN: 9781931541022
Category : Business & Economics
Languages : en
Pages : 0
Book Description
This book, written by the celebrated nineteenth century French economist propagating free trade, reads as it was written yesterday.
Dictionary of Modern Colloquial French
Author: Edwin A. LovattPublisher: Routledge
ISBN: 1134930623
Category : Foreign Language Study
Languages : en
Pages : 574
Book Description
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
In Defiance of Painting
Author: Christine PoggiPublisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.