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Author: Ping-Chiu Yen Publisher: Routledge ISBN: 1000582884 Category : Social Science Languages : en Pages : 158
Book Description
This book, first published in 1990, is a thematic analysis of five tales of early vernacular Chinese literature. Interest in vernacular stories is increasing in the study of Chinese literature, as their importance is being recognised as a key part of the oral traditional narrative. From the analysis of the five Chinese tales in light of literary, historical, philological sources and folkloristic methodologies we may see to what extent tales of an intrinsically religious nature can offer meanings in the oral tradition.
Author: Ping-Chiu Yen Publisher: Routledge ISBN: 1000582884 Category : Social Science Languages : en Pages : 158
Book Description
This book, first published in 1990, is a thematic analysis of five tales of early vernacular Chinese literature. Interest in vernacular stories is increasing in the study of Chinese literature, as their importance is being recognised as a key part of the oral traditional narrative. From the analysis of the five Chinese tales in light of literary, historical, philological sources and folkloristic methodologies we may see to what extent tales of an intrinsically religious nature can offer meanings in the oral tradition.
Author: Pu Songling Publisher: Digireads.Com ISBN: 9781420948844 Category : Fiction Languages : en Pages : 306
Book Description
Written during the early Qing Dynasty, "Strange Tales from a Chinese Studio" is a collection of nearly 500 mostly supernatural tales by Chinese author Pu Songling. The work, which was published posthumously sometime between 1740 and 1766, is comprised of stories varying in length. While the main characters of this book apparently are ghosts, foxes, immortals and demons, Pu Songling is more focused on the real life of commoners. Four main themes run throughout the book. The first is the author's complaint with the existing feudal system, which he finds to be unjust and skewed towards the elite. Secondly the author is concerned with the corruption that exists in the Imperial examination system. Thirdly the author shows his admiration of pure, faithful love between poor scholars and powerless women. And lastly is the overarching theme of morality for which Pu Songling intended "Strange Tales from a Chinese Studio" to be instructive towards bettering. This work of classical Chinese literature is translated here by Herbert A. Giles.
Author: Publisher: University of Washington Press ISBN: 0295801298 Category : Literary Collections Languages : en Pages : 792
Book Description
Stories to Caution the World is the first complete translation of Jingshi tongyan, the second of Feng Menglong's three collections of stories which were pivotal in the development of Chinese vernacular fiction. These tales, whose importance in the Chinese literary canon and in world literature is without question, have been compared to Boccaccio's Decameron and the stories of A Thousand and One Nights. Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women in their everyday surroundings -- merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, servants and maids, thieves and imposters -- the stories in this collection provide a vivid panorama of the bustling world of imperial China before the end of the Ming dynasty. Feng Menglong collected popular stories from a variety of sources (some dating back centuries) and circulated them via the flourishing seventeenth-century publishing industry. He not only saved them from oblivion but elevated the status of vernacular literature and provided material for authors of the great late-Ming and Qing novels to draw upon. As in their translation of the first collection of Feng's trilogy, Stories Old and New, Shuhui and Yunqin Yang include all forty stories as well as Feng's interlinear and marginal comments and all of the verse woven throughout the stories. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html
Author: Publisher: University of Hawaii Press ISBN: 0824860705 Category : Literary Criticism Languages : en Pages : 321
Book Description
The twenty-chapter novel The Three Sui Quash the Demons’ Revolt is traditionally attributed to Luo Guanzhong (d. after 1364?), the alleged author of two of China’s most famous and beloved works of fiction, The Romance of the Three Kingdoms and The Water Margin. The Three Sui tells the story of the uprising of adherents of the Maitreya Buddha led by Wang Ze in 1047–1048. Wang Ze was eventually executed and all future heterodox activity outlawed. Paradoxically, The Three Sui treats the rebellion as an occasion for slapstick, baggy-pants humor in which facts are distorted and wildly mixed with fiction. Wang Ze's real-life lieutenants show up as a comical peddler and a mysterious Daoist priest. A celebrated warrior takes part in the rebellion despite having died seventeen years earlier. Although the novel is divided into chapters and otherwise follows the traditional format for such extended narratives, a careful examination reveals The Three Sui is an arrangement of self-contained vernacular stories. No story bears an intrinsic relationship to any other story. And because the integrity of the various stories has been so remarkably preserved, The Three Sui is a vernacular novel in which the vernacular story reigns supreme. Although the Wang Ze rebellion took place during the Northern Song dynasty (960–1127), ultimately The Three Sui is the story of the Ming dynasty (1368–1644) in Song masquerade. It calls attention to the social unrest, even anarchy, caused by the rising power and influence of movements like The White Lotus Society and warns of the Ming’s downfall unless such groups are contained. In this, the novel proved to be a prescient voice: The Ming collapsed as the result of a central authority weakened by mass sectarian uprisings. The Three Sui has been little known and sadly overlooked by scholars of Chinese literature and history. Now this vibrant translation and insightful interpretive essay make this early example of Chinese vernacular fiction available to a broad audience interested in comparative literature and fiction.
Author: Paolo Santangelo Publisher: BRILL ISBN: 9004216286 Category : History Languages : en Pages : 1312
Book Description
Although the preface says that the tales in this collection of supernatural stories should not be taken seriously and just aim to dispel boredom, Zibuyu is a work with different reading levels, which allows to uncover several deep trends, taboos and fantasies of late imperial intellectual circles. Disgust, surprise and laughter are constantly evoked, by continually attracting and repulsing the reader. Yuan Mei’s approach guides the reader to an adventure in the dangerous recesses of the self. It is a sort of allegoric fantastic reflection on the relative and polyphonic essence of human beings, the multiplicity of selves from psychological perception, and a challenge to the traditional biographical and historical perspective for the unreliability of destiny. Dreams, madness, delusions and other extreme cognitive and affective conditions, abnormal events, gods and spirits, and the dark world of death lead to a reversal of perspective and destroy the Apollonian vision of the social-centered Confucian orthodoxy. With introduction, translation and comments.
Author: Glen Dudbridge Publisher: BRILL ISBN: 9004147705 Category : Social Science Languages : en Pages : 340
Book Description
Fourteen research papers on traditional China. They form three groups, each mixing discursive pieces with more technical research: books and publishing; medieval narrative and culture; vernacular culture. Fundamentally these studies develop a more open way of reading China's traditional narrative literature.
Author: Mengchu Ling Publisher: University of Washington Press ISBN: 0295742143 Category : Literary Collections Languages : en Pages : 926
Book Description
Slapping the Table in Amazement is the unabridged English translation of the famous story collection Pai’an jingqi by Ling Mengchu (1580–1644), originally published in 1628. The forty lively stories gathered here present a broad picture of traditional Chinese society and include characters from all social levels. We learn of their joys and sorrows, their views about life and death, and their visions of the underworld and the supernatural. Ling was a connoisseur of popular literature and a seminal figure in the development of Chinese literature in the vernacular, which paved the way for the late-imperial Chinese novel. Slapping the Table in Amazement includes translations of verse and prologue stories as well as marginal and interlinear comments.
Author: Publisher: University of Washington Press ISBN: 0295800712 Category : Literary Collections Languages : en Pages : 992
Book Description
Stories to Awaken the World, the first complete translation of Xingshi hengyan, completes the publication in English of the famous three-volume set of Feng Menglong's popular Chinese-vernacular stories. These tales, which come from a variety of sources (some dating back centuries before their compilation in the seventeenth century), were assembled and circulated by Feng, who not only saved them from oblivion but raised the status of vernacular literature and provided material for authors of the great Ming (1368-1644) and Qing (1644-1911) novels to draw upon. This trilogy has been compared to Boccaccio's Decameron and the stories of A Thousand and One Nights. Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women - merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, thieves and imposters - the stories provide a vivid panorama of the bustling world of late imperial China. The longest volume in the Sanyan trilogy, Stories to Awaken the World is presented in full here, including sexually explicit elements often omitted from Chinese editions. Shuhui Yang and Yunqin Yang have provided a rare treat for English readers: an unparalleled view of the art of traditional Chinese short fiction. As with the first two collections in the trilogy, Stories Old and New and Stories to Caution the World, their excellent renditions of the forty stories in this collection are eminently readable, accurate, and lively. They have included all of the poetry that is scattered throughout the stories, as well as Feng Menglong's interlinear and marginal comments, which convey the values shared among the Chinese cultural elite, point out what original readers of the collection were being asked to appreciate in the writer's art, and reveal Feng's moral engagement with the social problems of his day. The Yangs's translations rank among the very finest English versions of Chinese fiction from any period. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html
Author: Ping-Chiu Yen
Author: Ping-Chiu Yen
Author: Alsace Chun-chiang Yen
Author: Pu Songling
Author: 
Author: 
Author: Patrick Hanan
Author: Paolo Santangelo
Author: Glen Dudbridge
Author: Mengchu Ling
Author: