Author: Helen Emma Wieand ColePublisher:
ISBN:
Category : Deception in literature
Languages : en
Pages : 238
Book Description
Deception in Plautus
Author: Helen Emma Wieand ColePublisher:
ISBN:
Category : Deception in literature
Languages : en
Pages : 238
Book Description
Deception in Plautus
Author: Helen Emma Wieand ColePublisher:
ISBN:
Category : Deception in literature
Languages : en
Pages : 216
Book Description
Nature of Roman Comedy
Author: George E. DuckworthPublisher: Princeton University Press
ISBN: 1400872375
Category : Literary Criticism
Languages : en
Pages : 526
Book Description
This book provides the most complete and definitive study of Roman comedy. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Plautus and Roman Slavery
Author: Roberta StewartPublisher: John Wiley & Sons
ISBN: 1405196289
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This book studies a crucial phase in the history of Roman slavery, beginning with the transition to chattel slavery in the third century bce and ending with antiquity’s first large-scale slave rebellion in the 130s bce. Slavery is a relationship of power, and to study slavery – and not simply masters or slaves – we need to see the interactions of individuals who speak to each other, a rare kind of evidence from the ancient world. Plautus’ comedies could be our most reliable source for reconstructing the lives of slaves in ancient Rome. By reading literature alongside the historical record, we can conjure a thickly contextualized picture of slavery in the late third and early second centuries bce, the earliest period for which we have such evidence. The book discusses how slaves were captured and sold; their treatment by the master and the community; the growth of the conception of the slave as “other than human,” and as chattel; and the problem of freedom for both slaves and society.
Reading Roman Comedy
Author: Alison SharrockPublisher: Cambridge University Press
ISBN: 1139482645
Category : History
Languages : en
Pages : 334
Book Description
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
The Facts on File Companion to Classical Drama
Author: John E. ThorburnPublisher: Infobase Publishing
ISBN: 0816074984
Category : Literary Criticism
Languages : en
Pages : 689
Book Description
Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.
Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy
Author: Emilia Wilton-GodberffordePublisher: Routledge
ISBN: 1317097416
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
The first book-length study devoted to this topic, Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy offers an important contribution to scholarship on the theatre as well as on early modern attitudes in France, specifically on the subject of lying and deception. Unusually for a scholarly work on seventeenth-century theatre, it is particularly alert to plays as performed pieces and not simply printed texts. The study also distinguishes itself by offering original readings of Molière alongside innovative analyses of other playwrights. The chapters offer fresh insights on well-known plays by Molière and Pierre Corneille but also invite readers to discover lesser-known works of the time (by writers such as Benserade, Thomas Corneille, Dufresny and Rotrou). Through comparative and sustained close readings, including a linguistic and speech act approach, a historical survey of texts with an analysis of different versions and a study of irony, the reader is shown the manifest ways in which different playwrights incorporate the comedic tropes of lying and scheming, confusion and unmasking. Drawing particular attention to the levels of communicative or mis-communicative exchanges on the character-to-character axis and the character-to-audience axis, this work examines the process whereby characters in the comedies construct narratives designed to trick, misdirect, dazzle, confuse or exploit their interlocutors. In the different incarnations of seducer, parasite, cross-dresser, duplicitous narrator/messenger and deluded mythomaniac, the author underscores the way in which the figure of the liar both entertains and troubles, making it a fascinating subject worthy of detailed investigation.
The Classical Journal
Author: Deception in Elizabethan Comedy
Author: John Vincent CurryPublisher:
ISBN:
Category : Deception in literature
Languages : en
Pages : 216
Book Description
The Theater of Plautus
Author: Timothy J. MoorePublisher: University of Texas Press
ISBN: 9780292752177
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
The relationship between actors and spectators has been of perennial interest to playwrights. The Roman playwright Plautus (ca. 200 BCE) was particularly adept at manipulating this relationship. Plautus allowed his actors to acknowledge freely the illusion in which they were taking part, to elicit laughter through humorous asides and monologues, and simultaneously to flatter and tease the spectators. These metatheatrical techniques are the focus of Timothy J. Moore's innovative study of the comedies of Plautus. The first part of the book examines Plautus' techniques in detail, while the second part explores how he used them in the plays Pseudolus, Amphitruo, Curculio, Truculentus, Casina, and Captivi. Moore shows that Plautus employed these dramatic devices not only to entertain his audience but also to satirize aspects of Roman society, such as shady business practices and extravagant spending on prostitutes, and to challenge his spectators' preconceptions about such issues as marriage and slavery. These findings forge new links between Roman comedy and the social and historical context of its performance.