Author: Louise Welsh
Publisher: Quercus
ISBN: 1681444534
Category : Fiction
Languages : en
Pages : 321
Book Description
Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, like other survivors of "the Sweats," the mysterious plague that has decimated the planet, he is a man on the run. Thrown into unwilling partnership with an escaped convict named Jeb, Magnus flees the eerie desolation of de-populated London to make the long journey north, clinging to hope that the sickness has not reached his family in Scotland. Traveling through a familiar landscape now fraught with danger, Magnus finds himself a stranger in a world ruled by men like Jeb--hard-hearted, practical men quick to make life-or-death decisions. In a world re-written with a harsh code of justice, and a new set of rules where people barter for their existence with food and weapons, survival is the bottom line. But when Magnus and Jeb stumble across a murder during their journey, they will have to decide whether finding the truth about a single death can weigh in the balance against the need to survive.
Death is a Welcome Guest
Author: Louise Welsh
Publisher: Quercus
ISBN: 1681444534
Category : Fiction
Languages : en
Pages : 321
Book Description
Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, like other survivors of "the Sweats," the mysterious plague that has decimated the planet, he is a man on the run. Thrown into unwilling partnership with an escaped convict named Jeb, Magnus flees the eerie desolation of de-populated London to make the long journey north, clinging to hope that the sickness has not reached his family in Scotland. Traveling through a familiar landscape now fraught with danger, Magnus finds himself a stranger in a world ruled by men like Jeb--hard-hearted, practical men quick to make life-or-death decisions. In a world re-written with a harsh code of justice, and a new set of rules where people barter for their existence with food and weapons, survival is the bottom line. But when Magnus and Jeb stumble across a murder during their journey, they will have to decide whether finding the truth about a single death can weigh in the balance against the need to survive.
Publisher: Quercus
ISBN: 1681444534
Category : Fiction
Languages : en
Pages : 321
Book Description
Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, like other survivors of "the Sweats," the mysterious plague that has decimated the planet, he is a man on the run. Thrown into unwilling partnership with an escaped convict named Jeb, Magnus flees the eerie desolation of de-populated London to make the long journey north, clinging to hope that the sickness has not reached his family in Scotland. Traveling through a familiar landscape now fraught with danger, Magnus finds himself a stranger in a world ruled by men like Jeb--hard-hearted, practical men quick to make life-or-death decisions. In a world re-written with a harsh code of justice, and a new set of rules where people barter for their existence with food and weapons, survival is the bottom line. But when Magnus and Jeb stumble across a murder during their journey, they will have to decide whether finding the truth about a single death can weigh in the balance against the need to survive.
The Welcome Guest
The Renaissance Epic and the Oral Past
Author: Anthony Welch
Publisher: Yale University Press
ISBN: 0300188994
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
This book offers a close survey of the changing audiences, modes of reading, and cultural expectations that shaped epic writing in the sixteenth and seventeenth centuries. According to Anthony Welch, the theory and practice of epic poetry in this period—including little-known attempts by many epic poets to have their work orally recited or set to music—must be understood in the context of Renaissance musical humanism. Welch’s approach leads to a fresh perspective on a literary culture that stood on the brink of a new relationship with antiquity and on the history of music in the early modern era.
Publisher: Yale University Press
ISBN: 0300188994
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
This book offers a close survey of the changing audiences, modes of reading, and cultural expectations that shaped epic writing in the sixteenth and seventeenth centuries. According to Anthony Welch, the theory and practice of epic poetry in this period—including little-known attempts by many epic poets to have their work orally recited or set to music—must be understood in the context of Renaissance musical humanism. Welch’s approach leads to a fresh perspective on a literary culture that stood on the brink of a new relationship with antiquity and on the history of music in the early modern era.
Henry Purcell's Dido and Aeneas
Author: Ellen T. Harris
Publisher: Oxford University Press
ISBN: 0190861444
Category : Music
Languages : en
Pages : 271
Book Description
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an “authentic” version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.
Publisher: Oxford University Press
ISBN: 0190861444
Category : Music
Languages : en
Pages : 271
Book Description
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an “authentic” version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.
THE UNIVERSAL MAN IN GURUDEV RABINDRANATH TAGORE AND ARUT PERUM JOTI RAMALINGA VALLALAR
Author: Dr.R.SHANTHI
Publisher: Archers & Elevators Publishing House
ISBN: 9394958010
Category : Antiques & Collectibles
Languages : en
Pages : 139
Book Description
Publisher: Archers & Elevators Publishing House
ISBN: 9394958010
Category : Antiques & Collectibles
Languages : en
Pages : 139
Book Description
The New Testament Concept of Atonement
Author: H.D. McDonald
Publisher: BoD – Books on Demand
ISBN: 0227178300
Category : Religion
Languages : en
Pages : 158
Book Description
For the Christian faith, questions relating to God can essentially be viewed as centred on the person of Jesus Christ. In The New Testament Concept of Atonement, H.D. McDonald uses this key insight to examine mankind’s redemption, focussing on Christ’s atoning act as crucial in shaping God’s relation to humanity and the world. McDonald analyses elements which hold vital meanings and messages for the Christian doctrine of salvation. In the first six chapters he investigates single terms within the New Testament, such as ‘tree’ or ‘blood’ whose metonymical association with Christ’s redeeming act has often become obscured over time. Then, various biblical interpretations of the Calvary event are studied. In the final section, he analyses the importance of the findings in previous chapters and their implications for Christology. Detailed research underpins the text, in the tradition of Reformed biblical scholarship, with care taken to suggest further reading and trace sources.
Publisher: BoD – Books on Demand
ISBN: 0227178300
Category : Religion
Languages : en
Pages : 158
Book Description
For the Christian faith, questions relating to God can essentially be viewed as centred on the person of Jesus Christ. In The New Testament Concept of Atonement, H.D. McDonald uses this key insight to examine mankind’s redemption, focussing on Christ’s atoning act as crucial in shaping God’s relation to humanity and the world. McDonald analyses elements which hold vital meanings and messages for the Christian doctrine of salvation. In the first six chapters he investigates single terms within the New Testament, such as ‘tree’ or ‘blood’ whose metonymical association with Christ’s redeeming act has often become obscured over time. Then, various biblical interpretations of the Calvary event are studied. In the final section, he analyses the importance of the findings in previous chapters and their implications for Christology. Detailed research underpins the text, in the tradition of Reformed biblical scholarship, with care taken to suggest further reading and trace sources.
Forty Thousand Quotations, Prose and Poetical
Author: Charles Noel Douglas
Publisher:
ISBN:
Category : Quotations
Languages : en
Pages : 2018
Book Description
Publisher:
ISBN:
Category : Quotations
Languages : en
Pages : 2018
Book Description
Aspects of Death and Correlated Aspects of Life in Art, Epigram, and Poetry
Author: Frederick Parkes Weber
Publisher:
ISBN:
Category : Death
Languages : en
Pages : 902
Book Description
Publisher:
ISBN:
Category : Death
Languages : en
Pages : 902
Book Description
Treasury of Thought
Author: Maturin Murray Ballou
Publisher:
ISBN:
Category : Quotations, English
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category : Quotations, English
Languages : en
Pages : 600
Book Description
The Death of a Nobody
Author: Jules Romains
Publisher:
ISBN:
Category : Death
Languages : en
Pages : 176
Book Description
The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."
Publisher:
ISBN:
Category : Death
Languages : en
Pages : 176
Book Description
The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."