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Author: David Dickinson Publisher: Constable ISBN: 1472113799 Category : Fiction Languages : en Pages : 301
Book Description
London, 1912, and the famed Ballet Russes have come to London to perform. Anticipation is high, for Diaghilev’s troupe is renowned throughout Europe. At the end of their famed performance of Thamar at the Royal Opera House, the Georgian queen stabs her prince to death and throws him into the river. But life mirrors art when the prince is found truly dead, stabbed through the heart in the orchestra pit below stage. But the corpse is not the dancer in the programme. It is his understudy. Powerscourt is summoned to investigate. But who was the intended victim – the understudy, or the star of the Ballets Russes? And the Ballet Russes are not the only Russian visitors in London this season. Lenin, Europe’s most dangerous revolutionary, has sent some bank robbery money to be changed into pounds. There are stolen jewels from St Petersburg to be sold. And there are other darker forces abroad too and Powerscourt has to look death in the face before he can solve the mystery of Death at the Ballet Russes
Author: David Dickinson Publisher: Constable ISBN: 1472113799 Category : Fiction Languages : en Pages : 301
Book Description
London, 1912, and the famed Ballet Russes have come to London to perform. Anticipation is high, for Diaghilev’s troupe is renowned throughout Europe. At the end of their famed performance of Thamar at the Royal Opera House, the Georgian queen stabs her prince to death and throws him into the river. But life mirrors art when the prince is found truly dead, stabbed through the heart in the orchestra pit below stage. But the corpse is not the dancer in the programme. It is his understudy. Powerscourt is summoned to investigate. But who was the intended victim – the understudy, or the star of the Ballets Russes? And the Ballet Russes are not the only Russian visitors in London this season. Lenin, Europe’s most dangerous revolutionary, has sent some bank robbery money to be changed into pounds. There are stolen jewels from St Petersburg to be sold. And there are other darker forces abroad too and Powerscourt has to look death in the face before he can solve the mystery of Death at the Ballet Russes
Author: David Dickinson Publisher: Constable ISBN: 1472121201 Category : Fiction Languages : en Pages : 284
Book Description
People will kill for a desirable address... When the Bishop of Lynchester visits Lord Francis Powerscourt at home in London, seeking advice about the death of an aged parishioner, Powerscourt advises that discretion rather than accusation is the best way forward - but this is just the start of his association with the diocese of Lynchester. The parishioner's death has left available a property in the cathedral close which the church traditionally rents out to a suitable tenant. Four worthy candidates are nominated . . . and then one of them is found dead in the house, poisoned by strychnine. This time there is no doubt of foul play, and Powerscourt is once again summoned by the bishop. But there are many potential suspects and Powerscourt's investigations lead him to uncover a trail of greed, deception and death which goes straight to the heart of the cathedral itself.
Author: Ira Nadel Publisher: Lexington Books ISBN: 1666945811 Category : Performing Arts Languages : en Pages : 223
Book Description
The Business of Ballet: Diaghilev’s Ballets Russes between Profit and the Avant-garde explores how a remarkable, internationally recognized ballet company, the Ballets Russes, was able to survive for twenty years without stable funding. Focusing on Ballets Russes’s founder, Serge Diaghilev, and his talent for discovering monies through an uncanny ability to secure funds from aristocrats, industrialists, artists, and swindlers, Ira Nadel offers new insight into the financial life of modern ballet. Throughout [his] analysis, Nadel reveals that Diaghilev was able to attract not only financial support but also the most innovative artistic and musical talents and choreographers of the period, who collectively changed the nature of ballet from the conventional to the contemporary. Through it all, Diaghilev never sacrificed the essential Russianness of his enterprise, transforming Russian traditions by incorporating new and original musical and choreographic stagings. In doing so, Nadel argues, Diaghilev’s Ballet Russes revised the idea of ballet as an art form, causing audiences throughout Europe and North America to riot and artists to create revolutionary compositions in art and music.
Author: John E. O'Neill Publisher: Simon and Schuster ISBN: 1684512832 Category : History Languages : en Pages : 169
Book Description
Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.
Author: Exhibition Design, Dance and Music of the Ballets Russes 1909 - 1929 (1997 - 1998, Hartford, Conn. u.a.) Publisher: Yale University Press ISBN: 0300074840 Category : Performing Arts Languages : en Pages : 362
Book Description
Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren
Author: Sjeng Scheijen Publisher: Profile Books ISBN: 1846681642 Category : Biography & Autobiography Languages : en Pages : 569
Book Description
This magnificent new biography of the extraordinary impresario of the arts and creator of the Ballets Russes 100 years ago draws on important new research, notably from Russia. ‘Scheijen masterfully recounts the phenomenal way in which Diaghilev contrived, under virtually impossible circumstances, to nurture a sequence of works … he triumphs in making clear the degree to which, despite the cosmopolitanism of so much of the work, Russia was at the core of Diaghilev' Simon Callow, Guardian ‘It's a fabulous, complicated, very sexy story and Sjeng Scheijen takes us through it with a steadying calm that fudges none of the outrage on or off stage' Duncan Fallowell, Daily Express 'Magnificent … filled with extraordinary glamour' Rupert Christiansen, Daily Mail
Author: Wendy K. Perriman Publisher: Fairleigh Dickinson Univ Press ISBN: 0838642039 Category : History Languages : en Pages : 371
Book Description
Anna Pavlova's revolutionary debut in 1910 at the Metropolitan Opera House captivated the nation and introduced Americans to the charms of modern ballet. Willa Cather was among the first intellectuals to recognize that dance had suddenly been elevated into a new art form, and she quickly trained herself to become one of the leading balletomanes of her era. Willa Cather and the Dance: "A Most Satisfying Elegance" traces the writer's dance education, starting with the ten-page explication she wrote in 1913 for McClure's magazine called "Training for the Ballet." Cather's interest was sustained through her entire canon as she utilized characters, scenes, and images from almost all of the important dance productions that played in New York.
Author: Davinia Caddy Publisher: Cambridge University Press ISBN: 1107014409 Category : Music Languages : en Pages : 255
Book Description
A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-époque Paris.
Author: Judith Chazin-Bennahum Publisher: Oxford University Press ISBN: 0199830479 Category : Performing Arts Languages : en Pages : 302
Book Description
René Blum and the Ballets Russes documents the life of the enigmatic and brilliant writer and producer who resurrected the Ballets Russes after Diaghilev died. Based on a treasure trove of previously undiscovered letters and documents, the book not only tells the poignant story of Blum's life, but also illustrates the central role Blum played in the development of dance in the United States. Indeed, Blum's efforts to save his ballet company eventually helped to bring many of the world's greatest dancers and choreographers--among them Fokine, Balanchine, and Nijinska--to American ballet stages.
Author: Stanley J. Rabinowitz Publisher: Oxford University Press ISBN: 0190943386 Category : Performing Arts Languages : en Pages : 352
Book Description
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
Author: David Dickinson
Author: David Dickinson
Author: David Dickinson
Author: Ira Nadel
Author: John E. O'Neill
Author: Exhibition Design, Dance and Music of the Ballets Russes 1909 - 1929 (1997 - 1998, Hartford, Conn. u.a.)
Author: Sjeng Scheijen
Author: Wendy K. Perriman
Author: Davinia Caddy
Author: Judith Chazin-Bennahum
Author: Stanley J. Rabinowitz