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Author: F. Sugeng Istanto Publisher: Penerbit Andi ISBN: 9789795330776 Category : Civil defense Languages : en Pages : 276
Book Description
In what ways did the rituals associated with death in Renaissance Florence serve as an indicator of how Florentine society saw itself? In Death and Ritual in Renaissance Florence, Sharon Strocchia shows how these death rites - especially civic funerals - reflected Florence's quick rise to commercial wealth in the fourteenth century and steady progression toward displays of princely power in the fifteenth and sixteenth centuries. Strocchia begins by examining the basic components of civic funerary rites and their symbolic meaning. Taking an interdisciplinary approach, she then traces the changes and continuities of these rites throughout the Renaissance. She shows how the rise of funeral pomp in the late fourteenth century as linked to social mobility, the redistribution of wealth, corporate politics, and the psychology of the post-plague decades. She analyses the impact of "elitism, statism, and civism" on civic and family rites after 1400 and charts the social effects of rising assumption trends. And she focuses on the complex cycles of change stemming from the establishment and rejection Medici control, which by entrenching patrician domination helped pave the way for the Medici principate. "Rather than simply recasting the traditional history of the city," Strocchia writes, "the history of death rites shows us the sheer intricacy of how ritual and society defined each other. These episodes point us toward culture in action: the tangled, dense, and decidedly unstable relations binding family and state, gender and politics, word and image."
Author: F. Sugeng Istanto Publisher: Penerbit Andi ISBN: 9789795330776 Category : Civil defense Languages : en Pages : 276
Book Description
In what ways did the rituals associated with death in Renaissance Florence serve as an indicator of how Florentine society saw itself? In Death and Ritual in Renaissance Florence, Sharon Strocchia shows how these death rites - especially civic funerals - reflected Florence's quick rise to commercial wealth in the fourteenth century and steady progression toward displays of princely power in the fifteenth and sixteenth centuries. Strocchia begins by examining the basic components of civic funerary rites and their symbolic meaning. Taking an interdisciplinary approach, she then traces the changes and continuities of these rites throughout the Renaissance. She shows how the rise of funeral pomp in the late fourteenth century as linked to social mobility, the redistribution of wealth, corporate politics, and the psychology of the post-plague decades. She analyses the impact of "elitism, statism, and civism" on civic and family rites after 1400 and charts the social effects of rising assumption trends. And she focuses on the complex cycles of change stemming from the establishment and rejection Medici control, which by entrenching patrician domination helped pave the way for the Medici principate. "Rather than simply recasting the traditional history of the city," Strocchia writes, "the history of death rites shows us the sheer intricacy of how ritual and society defined each other. These episodes point us toward culture in action: the tangled, dense, and decidedly unstable relations binding family and state, gender and politics, word and image."
Author: SallyJ. Cornelison Publisher: Routledge ISBN: 1351575643 Category : Art Languages : en Pages : 513
Book Description
Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art created in his honor, as well as the rituals practiced at his fifteenth- and sixteenth-century places of burial, advertised Antoninus' saintly power and persona to the people who depended upon his intercessory abilities to negotiate life's challenges. Drawing on a rich variety of contemporary visual, literary, and archival sources, this volume explores the ways in which shifting political, familial, and ecclesiastical aims and agendas shaped the ways in which St. Antoninus' holiness was broadcast to those who visited his burial church. Author Sally Cornelison foregrounds the visual splendor of the St. Antoninus Chapel, which was designed, built, and decorated by Medici court artist Giambologna and his collaborators between 1579 and 1591. Her research sheds new light on the artist, whose secular and mythological sculptures have received far more scholarly attention than his religious works. Cornelison draws on social and religious history, patronage and gender studies, and art historical and anthropological inquiries into the functions and meanings of images, relics, and ritual performance, to interpret how they activated St. Antoninus' burial sites and defined them in ways that held multivalent meanings for a broad audience of viewers and devotees. Among the objects for which she provides visual and contextual analyses are a banner from the saint's first tomb, early printed and painted images, and the sculptures, frescoes, panel paintings, and embroidered textiles made for the present St. Antoninus Chapel.
Author: Sharon T. Strocchia Publisher: Johns Hopkins University Press+ORM ISBN: 0801898625 Category : History Languages : en Pages : 281
Book Description
An analysis of Renaissance Florentine convents and their influence on the city’s social, economic, and political history. The 15th century was a time of dramatic and decisive change for nuns and nunneries in Florence. That century saw the city’s convents evolve from small, semiautonomous communities to large civic institutions. By 1552, roughly one in eight Florentine women lived in a religious community. Historian Sharon T. Strocchia analyzes this stunning growth of female monasticism, revealing the important roles these women and institutions played in the social, economic, and political history of Renaissance Florence. It became common practice during this time for unmarried women in elite society to enter convents. This unprecedented concentration of highly educated and well-connected women transformed convents into sites of great patronage and social and political influence. As their economic influence also grew, convents found new ways of supporting themselves; they established schools, produced manuscripts, and manufactured textiles. Using previously untapped archival materials, Strocchia shows how convents shaped one of the principal cities of Renaissance Europe. She demonstrates the importance of nuns and nunneries to the booming Florentine textile industry and shows the contributions that ordinary nuns made to Florentine life in their roles as scribes, stewards, artisans, teachers, and community leaders. In doing so, Strocchia argues that the ideals and institutions that defined Florence were influenced in great part by the city’s powerful female monastics. Winner, Helen and Howard R. Marraro Prize, American Catholic Historical Association “Strocchia examines the complex interrelationships between Florentine nuns and the laity, the secular government, and the religious hierarchy. The author skillfully analyzes extensive archival and printed sources.” —Choice
Author: Patricia Lee Rubin Publisher: Yale University Press ISBN: 9780300123425 Category : Art Languages : en Pages : 456
Book Description
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
Author: Elizabeth C. Tingle Publisher: Routledge ISBN: 1317073126 Category : Religion Languages : en Pages : 325
Book Description
The concept of Purgatory was a central tenet of late-medieval and early-modern Catholicism, and proved a key dividing line between Catholics and Protestants. However, as this book makes clear, ideas about purgatory were often ill-defined and fluid, and altered over time in response to particular needs or pressures. Drawing upon printed pamphlets, tracts, advice manuals, diocesan statutes and other literary material, the study traces the evolution of writing and teaching about Purgatory and the fate of the soul between 1480 and 1720. By examining the subject across this extended period it is argued that belief in Purgatory continued to be important, although its role in the scheme of salvation changed over time, and was not a simply a story of inevitable decline. Grounded in a case study of the southern and western regions of the ancien régime province of Brittany, the book charts the nature and evolution of 'private' intercessory institutions, chantries, obits and private chapel foundation, and 'public' forms, parish provision, confraternities, indulgences and veneration of saints. In so doing it underlines how the huge popularity of post-mortem intercession underwent a serious and rapid decline between the 1550s and late 1580s, only to witness a tremendous resurgence in popularity after 1600, with traditional practices far outstripping the levels of usage of the early sixteenth century. Offering a fascinating insight into popular devotional practices, the book opens new vistas onto the impact of Catholic revival and Counter Reform on beliefs about the fate of the soul after death.
Author: Margaret L. King Publisher: Laurence King Publishing ISBN: 9781856693745 Category : Art Languages : en Pages : 388
Book Description
"The Renaissance is usually portrayed as a period dominated by the extraordinary achievements of great men: rulers, philosophers, poets, painters, architects and scientists. Leading scholar Margaret King recasts the Renaissance as a more complex cultural movement rooted in a unique urban society that was itself the product of many factors and interactions: commerce, papal and imperial ambitions, artistic patronage, scientific discovery, aristocratic and popular violence, legal precedents, peasant migrations, famine, plague, invasion and other social factors. Together with literary and artistic achievements, therefore, today's Renaissance history includes the study of power, wealth, gender, class, honour, shame, ritual and other categories of historical investigation opened up in recent years. Tracing the diffusion of the Renaissance from Italy to the rest of Europe, Professor King marries the best work of the last generation of scholars with the findings of the most recent research, including her own. Ultimately, she points to the multiple ways in which this seminal epoch influenced the later development of Western culture and society."--Jacket.
Author: Allison Levy Publisher: Routledge ISBN: 1351904485 Category : Art Languages : en Pages : 360
Book Description
From Pliny to Petrarch to Pope-Hennessy and beyond, many have understood the obvious connection between portraiture and commemorative practice. This book expands and nuances our understanding of Renaissance portraiture; the author shows it to be complexly generated within a discourse of male anxiety and pre-mortuary mourning. She argues that portraiture could defer memory loss or, at the very least, pictorially console the subject against his own potentially unmourned death. This book recognizes a socio-cultural anxiety - the fear not merely of death but also of being forgotten - and identifies a set of pictorial, literary and theoretical strategies consequently formulated to ensure memory. To explore this phenomenon, this interdisciplinary but fundamentally art historical project merges early modern visual culture and critical theories of the body. The author examines an extensive selection of fifteenth- and sixteenth-century male and female portraits, primarily associated with the Medici family, circle and court, in and against both historical writings and contemporary discourses, including literary and cultural theory, psychoanalysis, feminism and gender studies, and critical theories of race and disability. Re-membering Masculinity generates new ideas about both male and female portraiture in early modern Florence, raises even more questions about the experiences and representations of widowhood and mourning, and re-configures our understanding of masculinity - from the early modern male body to 'Renaissance Man' to postmodern manhood.
Author: F. Sugeng Istanto
Author: F. Sugeng Istanto
Author: Sharon T. Strocchia
Author: Christiane Klapisch-Zuber
Author: SallyJ. Cornelison
Author: Sharon T. Strocchia
Author: Richard C. Trexler
Author: Patricia Lee Rubin
Author: Elizabeth C. Tingle
Author: Margaret L. King
Author: Allison Levy