Andrea Cesalpino's ›De Plantis Libri XVI‹ (1583) and the Transformation of Medical Botany in the 16th Century PDF Download
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Author: Quentin Hiernaux Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111001105 Category : History Languages : en Pages : 268
Book Description
In 1583 the Italian botanist and physician Andrea Cesalpino (1524–1603) published De Plantis Libri XVI, made of 16 books (libri), considered to be the first treatise where botany is treated independently from medicine. In so doing, he broke with a long tradition inherited in Western science from Antiquity and perpetuated during the Middle Age through the early Renaissance. De Plantis lays the foundations of scientific systematics through a new focus on plant morphology and natural similarities and became a milestone in the history of Western botany. It is a precious testimony to the evolution of botanical and physiological knowledge in the Middle Ages and the Renaissance and illustrates the role of Aristotelian philosophy in 16th-century knowledge. The volume includes an introductory essay about Cesalpino's philosophy and botany, a critical edition of the Latin text, a translation, a commentary, and indexes. It should interest scholars in Renaissance studies, historians, and philosophers of science and medicine, as well as botanists and plant scientists curious about the history of plant sciences.
Author: Quentin Hiernaux Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111001105 Category : History Languages : en Pages : 268
Book Description
In 1583 the Italian botanist and physician Andrea Cesalpino (1524–1603) published De Plantis Libri XVI, made of 16 books (libri), considered to be the first treatise where botany is treated independently from medicine. In so doing, he broke with a long tradition inherited in Western science from Antiquity and perpetuated during the Middle Age through the early Renaissance. De Plantis lays the foundations of scientific systematics through a new focus on plant morphology and natural similarities and became a milestone in the history of Western botany. It is a precious testimony to the evolution of botanical and physiological knowledge in the Middle Ages and the Renaissance and illustrates the role of Aristotelian philosophy in 16th-century knowledge. The volume includes an introductory essay about Cesalpino's philosophy and botany, a critical edition of the Latin text, a translation, a commentary, and indexes. It should interest scholars in Renaissance studies, historians, and philosophers of science and medicine, as well as botanists and plant scientists curious about the history of plant sciences.
Author: Holden Arboretum Publisher: Kent State University Press ISBN: 9780873384339 Category : Reference Languages : en Pages : 1072
Book Description
More than 970 rare books, dating from 1479 to 1830 and covering such categories as gardening, herbals, botanical books and landscape architecture are catalogued in this bibliography.
Author: Fabrizio Baldassarri Publisher: Bloomsbury Publishing ISBN: 1350325155 Category : Philosophy Languages : en Pages : 265
Book Description
Shedding new light on the understudied Italian Renaissance scholar, Andrea Cesalpino, and the diverse fields he wrote on, this volume covers the multiple traditions that characterize his complex natural philosophy and medical theories, taking in epistemology, demonology, mineralogy, and botany. By moving beyond the established influence of Aristotle's texts on his work, Andrea Cesalpino and Renaissance Aristotelianism reflects the rich influences of Platonism, alchemy, Galenism, and Hippocratic ideas. Cesalpino's relation to the new sciences of the 16th century are traced through his direct influences, on cosmology, botany, and medicine. In combining Cesalpino's reception of these traditions alongside his connections to early modern science, this book provides a vital case study of Renaissance Aristotelianism.
Author: Domenico Laurenza Publisher: Metropolitan Museum of Art ISBN: 1588394565 Category : Anatomy, Artistic Languages : en Pages : 52
Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Author: Quentin Hiernaux
Author: Quentin Hiernaux
Author: Holden Arboretum
Author: Agnes Robertson Arber
Author: Fabrizio Baldassarri
Author: Francis Wall Oliver
Author: British Museum. Department of Printed Books
Author: Sir Henry Ellis
Author: Domenico Laurenza
Author: British Museum. Department of Printed Books
Author: