David Teniers and the Theatre of Painting PDF Download

Author: Margret Klinge
Publisher: Paul Holberton Publishing
ISBN:
Category : Art
Languages : en
Pages : 144

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Book Description
This is an overdue investigation into one of the most remarkable artistic enterprises of the seventeenth century, David Teniers the Younger's publication in 1660 of the magnificent Theatrum Pictorium or Theatre of Painting, the first illustrated and printed collection catalogue. This book provides a detailed and richly layered account of this extraordinary project. In 1651, David Teniers (1610-1690) was appointed painter to the Brussels court of Archduke Leopold Wilhelm, Governor of the Hapsburg Netherlands and owner of one of the finest princely collections in Europe, which now forms the core of the Kunsthistorisches Museum. Teniers first documented this collection in a series of detailed views of the interior of the Archduke's picture gallery. But his far more ambitious project was a lavishly illustrated single-volume catalogue of 243 of the Archduke's Italian paintings. Fundamental to the project was Tenier's production of small copies in oil of each of the selected paintings for use by the Theatrum's engravers, many of which are illustrated in this book.

Author: Jane P. Davidson
Publisher: Routledge
ISBN: 042972778X
Category : Biography & Autobiography
Languages : en
Pages : 181

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Book Description
For some time there has existed a need for a new account of the life and stylistic development of David Teniers the Younger (1610-1690). This need is made all the more obvious by the fact that Adolf Rosenberg's book, writ-ten in 1898, remains a most complete study of Teniers. 1 De Peyre's Biogra-phie Critique of 1910 added little information not already published by Rosenberg.2 A number of recent articles have dealt with various aspects of Teniers's life or style, but none has been entirely satisfactory. 5 Some are incomplete; others contain errors gleaned from earlier sources. None has dealt with the artist's stylistic evolution from his early works to the works of the mature Teniers.

Author: Arthur K. Wheelock
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 304

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Book Description
"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.

Author: Anne-Sophie V. Radermecker
Publisher: BRILL
ISBN: 9004460209
Category : Art
Languages : en
Pages : 340

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Book Description
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.

Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535

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Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.

Author: Pemry Janes
Publisher: Pemry Janes
ISBN:
Category : Fiction
Languages : en
Pages : 110

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Book Description
Eurik was found adrift by the san and raised by them. Though he had read much about the outside world, he'd never considered leaving home. Not until his teacher revealed what he had inherited from his parents: a living sword, a sentient blade of rare power . . . and with it, the names of his father and mother. Reluctant to go, yet curious, Eurik sets out to discover who they were, and what happened to them. But is he ready for all the attention his heritage will earn him? Can he survive in a world he has only read about?

Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Art
Languages : en
Pages : 201

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Book Description
The Louvre Museum is the largest of the world's art museums by its exhibition surface. These represent the Western art of the Middle Ages in 1848, those of the ancient civilizations that preceded and influenced it (Oriental, Egyptian, Greek, Etruscan and Roman), and the arts of early Christians and Islam. At the origin of the Louvre existed a castle, built by King Philip Augustus in 1190, and occupying the southwest quarter of the current Cour Carrée. In 1594, Henri IV decided to unite the palace of the Louvre with the palace of the Tuileries built by Catherine de Medicis. The Cour Carrée was built by the architects Lemercier and then Le Vau, under the reign of Louis XIII and Louis XIV. The Department of Paintings currently has about 7,500 paintings (of which 3,400 are exposed), covering a period that goes from the Middle Ages to 1848 (date of the beginning of the Second Republic). By including the deposits, the collection is, with 12,660 works, the largest collection of ancient paintings in the world. With rare exceptions, the works after 1848 were transferred to the Musée d'Orsay when it was created in 1986.

Author: Susan Merriam
Publisher: Routledge
ISBN: 1351549073
Category : Art
Languages : en
Pages : 214

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Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.

Author: Wolfram Koeppe
Publisher: Metropolitan Museum of Art
ISBN: 1588396770
Category : Art
Languages : en
Pages : 315

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Book Description
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.

Author: Amy Orrock
Publisher: Philip Wilson Publishers
ISBN: 9781781300527
Category : Art
Languages : en
Pages : 128

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Book Description
This accompanying publication will explore the development and diversity of this legendary dynasty of Flemish painters over four generations and 150 years. From the proverb pictures and peasant festivals of Pieter Bruegel the Elder and his eldest son Pieter Brueghel the Younger to the exquisite flower pieces of Jan 'Velvet' Brueghel and the captivating cabinet paintings of Jan van Kessel, the book will unravel the mysteries of the dynasty, and will explore how Bruegel's sons were able to emulate their father's model despite having no access to his paintings. The book will turn the spotlight on to the major Bruegel holdings in UK collections for the first time, telling the story of the dynasty through masterpieces from British public collections and a number of previously unseen works from private collections.