Dark Side of the Tune: Popular Music and Violence PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Dark Side of the Tune: Popular Music and Violence PDF full book. Access full book title Dark Side of the Tune: Popular Music and Violence by Martin Cloonan. Download full books in PDF and EPUB format.
Author: Martin Cloonan Publisher: Routledge ISBN: 1351570153 Category : Music Languages : en Pages : 196
Book Description
Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is a pioneering examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic and psychic violence. The study then elaborates working definitions of key terms (including the vexed idea of the 'popular') for the purposes of this investigation, and provides a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The second half of the book concentrates on the modern era, marked in this case by the emergence of technologies by which music can be electronically augmented, generated, and disseminated, beginning with the advent of sound recording from the 1870s, and proceeding to audio-internet and other contemporary audio-technologies. Johnson and Cloonan argue that these technologies have transformed the potential of music to mediate cultural confrontations from the local to the global, particularly through violence. The authors present a taxonomy of case histories in the connection between popular music and violence, through increasingly intense forms of that relationship, culminating in the topical examples of music and torture, including those in Bosnia, Darfur, and by US forces in Iraq and Guant?mo Bay. This, however, is not simply a succession of data, but an argumentative synthesis. Thus, the final section debates the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human
Author: Martin Cloonan Publisher: Routledge ISBN: 1351570153 Category : Music Languages : en Pages : 196
Book Description
Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is a pioneering examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic and psychic violence. The study then elaborates working definitions of key terms (including the vexed idea of the 'popular') for the purposes of this investigation, and provides a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The second half of the book concentrates on the modern era, marked in this case by the emergence of technologies by which music can be electronically augmented, generated, and disseminated, beginning with the advent of sound recording from the 1870s, and proceeding to audio-internet and other contemporary audio-technologies. Johnson and Cloonan argue that these technologies have transformed the potential of music to mediate cultural confrontations from the local to the global, particularly through violence. The authors present a taxonomy of case histories in the connection between popular music and violence, through increasingly intense forms of that relationship, culminating in the topical examples of music and torture, including those in Bosnia, Darfur, and by US forces in Iraq and Guant?mo Bay. This, however, is not simply a succession of data, but an argumentative synthesis. Thus, the final section debates the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human
Author: Professor Bruce Johnson Publisher: Ashgate Publishing, Ltd. ISBN: 140949392X Category : Music Languages : en Pages : 258
Book Description
Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is a pioneering examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic and psychic violence. The study then elaborates working definitions of key terms (including the vexed idea of the 'popular') for the purposes of this investigation, and provides a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The second half of the book concentrates on the modern era, marked in this case by the emergence of technologies by which music can be electronically augmented, generated, and disseminated, beginning with the advent of sound recording from the 1870s, and proceeding to audio-internet and other contemporary audio-technologies. Johnson and Cloonan argue that these technologies have transformed the potential of music to mediate cultural confrontations from the local to the global, particularly through violence. The authors present a taxonomy of case histories in the connection between popular music and violence, through increasingly intense forms of that relationship, culminating in the topical examples of music and torture, including those in Bosnia, Darfur, and by US forces in Iraq and Guantánamo Bay. This, however, is not simply a succession of data, but an argumentative synthesis. Thus, the final section debates the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human rights.
Author: Bruce Johnson Publisher: Ashgate Publishing Company ISBN: 9780754658726 Category : Music Languages : en Pages : 238
Book Description
This book focuses on the 'dark side' of popular music by examining the ways in which popular music has been deployed in association with violence. Cloonan and Johnson address the physiological and cognitive foundations of sounding/hearing and provide a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The book also concentrates on the emergence of technologies by which music can be electronically augmented, generated, and disseminated. The authors investigate the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human rights.
Author: John Seabrook Publisher: W. W. Norton & Company ISBN: 0393241939 Category : Music Languages : en Pages : 326
Book Description
"An utterly satisfying examination of the business of popular music." —Nathaniel Rich, The Atlantic There’s a reason today’s ubiquitous pop hits are so hard to ignore—they’re designed that way. The Song Machine goes behind the scenes to offer an insider’s look at the global hit factories manufacturing the songs that have everyone hooked. Full of vivid, unexpected characters—alongside industry heavy-hitters like Katy Perry, Rihanna, Max Martin, and Ester Dean—this fascinating journey into the strange world of pop music reveals how a new approach to crafting smash hits is transforming marketing, technology, and even listeners’ brains. You’ll never think about music the same way again. A Wall Street Journal Best Business Book
Author: Russell Reising Publisher: Routledge ISBN: 1351218123 Category : Music Languages : en Pages : 253
Book Description
The endurance of Pink Floyd's The Dark Side of the Moon on the Billboard Top 100 Chart is legendary, and its continuing sales and ongoing radio airplay ensure its inclusion on almost every conceivable list of rock's greatest albums. This collection of essays provides indispensable studies of the monumental 1973 album from a variety of musical, cultural, literary and social perspectives. The development and change of the songs is considered closely, from the earliest recordings through to the live, filmed performance at London's Earls Court in 1994. The band became almost synonymous with audio-visual innovations, and the performances of the album at live shows were spectacular moments of mass-culture although Roger Waters himself spoke out against such mass spectacles. The band's stage performances of the album serve to illustrate the multifaceted and complicated relationship between modern culture and technology. The album is therefore placed within the context of developments in late 1960s/early 1970s popular music, with particular focus on the use of a variety of segues between tracks which give the album a multidimensional unity that is lacking in Pink Floyd's later concept albums. Beginning with 'Breathe' and culminating in 'Eclipse', a tonal and motivic coherence unifies the structure of this modern song cycle. The album is also considered in the light of modern day 'tribute' bands, with a discussion of the social groups who have the strongest response to the music being elaborated alongside the status of mediated representations and their relation to the 'real' Pink Floyd.
Author: Thomas Robinson Publisher: Routledge ISBN: 1315465272 Category : Music Languages : en Pages : 511
Book Description
Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music.
Author: Lawrence English Publisher: ISBN: 9781628944419 Category : Rock music Languages : en Pages :
Book Description
""More Than Music" is a rigorous examination of Pink Floyd's Dark Side of the Moon, providing clear correlations of the music and lyrics to human culture, ancient and present. The songs and the album overall evoke and tie together themes from myriad philosophical, mythological, psychological, religious, historical, literary, and other cultural sources"--
Author: Jacqueline Bataille Publisher: ISBN: 9781492970910 Category : Languages : en Pages : 302
Book Description
Take a walk on the Dark Side and leave your sanity behind. Tales of madness and twisted brilliance abound in this collection of stories inspired songs both classic and new.Meet the authors and their inspirations: Jacqueline Bataille: Are you Lonesome Tonight? as performed by Elvis Presley Michael W. Clark: Brain Damage/Eclipse by Pink Floyd Stephen Jansen: History Repeats Itself by A.O.S. Merideth Grue: Breathe by Pink Floyd Caren Gussoff: Across the Universe by the Beatles Jason Bougger Brain Damage/Eclipse by Pink Floyd Robin Wyatt Dunn: Cataracts by Andrew Bird Kenneth Whitfield: That's Entertainment! as performed by Judy Garland Shenoa Carroll-Bradd: Spectrum by Florence and the Machine John Biggs: Norwegian Wood by The Beatles Eric Anderson: Mad World as performed by Gary Jules Patrick MacAdoo: Time by Pink Floyd Diana Whiley: Brain Damage/Eclipse by Pink Floyd Rory Fleming: This Old Cabin by Agalloch Paul Du Jat: One Way or Another by Blondie James Gardner: Touch Me, I'm Sick by Mudhoney Carolyn Belcher: I Don't Want to Play in Your Yard as performed by Peggy Lee James A. Sabata: Sexy Sadie by The Beatles Katie Young: Talk Dirty to Me by Poison Rodney C. Lawley House of the Rising Sun as performed by The Animals
Author: Vladimir Bogdanov Publisher: Hal Leonard Corporation ISBN: 9780879306533 Category : Music Languages : en Pages : 1430
Book Description
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
Author: Martin Cloonan
Author: Martin Cloonan
Author: Professor Bruce Johnson
Author: Bruce Johnson
Author: John Seabrook
Author: Russell Reising
Author: Thomas Robinson
Author: Lawrence English
Author: 
Author: Jacqueline Bataille
Author: Vladimir Bogdanov