D'Annunzio Abroad PDF Download

Author: Joseph Guerin Fucilla
Publisher:
ISBN:
Category :
Languages : en
Pages : 282

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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 736

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Author: Mark Nixon
Publisher: Bloomsbury Publishing
ISBN: 1441160027
Category : Literary Criticism
Languages : en
Pages : 642

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Over the last decade, Samuel Beckett's popularity has rocketed around the world and he is increasingly recognised as one of the most important and influential writers of the twentieth century but there has been very little scholarly work on Beckett's reception outside Europe. This comprehensive volume brings together essays from leading critics on Beckett's international critical reception. Due to Beckett's linguistic and artistic abilities, he was intimately involved in the translation and production of his writings in German, French, English and Spanish; and consequently countries using these languages have sophisticated critical traditions. However, many other countries have adopted Beckett as their own, from places where he lived for lengthy periods of his life (England, France, Ireland and Germany), to those finding directly applicable political messages in his work (such as ex-Soviet states including the Czech Republic and Romania), and those countries whose national literary traditions bear heavily upon his work (e.g. Norway and Italy). This fascinating volume reveals Beckett's evolving critical reception from contemporary reviews to the present.

Author: Michael Ledeen
Publisher: Routledge
ISBN: 1351523686
Category : History
Languages : en
Pages : 374

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Gabriele D'Annunzio was one of the most flamboyant figures in the political history of modern Europe. A poet in the Byronic style and a popular hero of the First World War, D'Annunzio passionately believed that the sacrifices of war should prelude a new social order. His capture of the city of Fiume in 1919, which had been claimed by Italy as part of the settlement before the Versailles Peace Conference, has been popularized and romanticized ever since. Ledeen uses information gathered from Italian and American archives and from personal interviews to examine the sixteen months of D'Annunzio's personal rule in Fiume, seeing it as a harbinger of successful mass movements of the twentieth century. The connection between D'Annunzio and Fascism is central to Ledeen's narrative. Virtually the entire ritual of Fascist politics made familiar by Mussolini-the balcony address, the Roman salute, the dramatic dialogues with the crowd, the use of religious symbols in a new secular setting-was influenced by D'Annunzio at Fiume. Both were masters of a political style based on personal charisma. Each spoke for a "new" Italy and, eventually, for a new world. Each attempted to transform his countrymen into more heroic types by an ethic of violence and grandeur. But Ledeen brings sharply into focus profound differences between D'Annunzio's vision of a new world and that offered by Fascism. Significantly, D'Annunzio enlisted support from the most diverse elements of society-politicians and businessmen in addition to representatives of radical trade unions, anarchist groups, and the armed forces. Often sensationalized as a precursor of a sixties-style "dolce vita," D'Annunzio's Fiume presented many of the phenomena considered novel or unsettling today: sexual promiscuity, widespread experimentation with drugs, clergymen wanting to marry, women demanding equal rights, youth calling for the elimination of the old, soldiers insisting on a democratic army, poets yearning for a beautiful world instead of a purely utilitarian one, minorities clamoring for their fair share of political power. From the dispassionate distance of half a century, Ledeen views Fiume as a microcosm of the larger chaos of our contemporary scene. Although he was removed from Fiume after a pitched battle on land and sea, D'Annunzio remained an influential figure in Italian politics. Ledeen presents him as "one of the great innovators and watersheds of the modern world." This book will be of interest to historians, political scientists, and those interested in Post World War I Italy. An authority on Italian fascism and contemporary Europe, Michael A. Ledeen is Resident Scholar at the American Enterprise Institute in Washington. In addition to being a frequent contributor to The New Republic, The American Spectator, and 11 Giornale (Milan), he is the author of 15 books on contemporary history and politics.

Author: John Robert Woodhouse
Publisher: Oxford University Press, USA
ISBN: 9780198187639
Category : Authors, Italian
Languages : en
Pages : 444

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Novelist, playwright, and poet Gabriele D'Annunzio (1863-1938) shocked and dazzled early twentieth-century Europe with his sexual exploits, military feats, and political escapades. More than any other figure since the unification of Italy, he casts a shadow forward to the present day. His relationships with the worlds of Italian culture, theatre, and politics were unique, fiery, and always controversial. His literary achievements have influenced generations of Italian writers. This is the most authoritative biography of the man in any language.

Author: Frank Moore Colby
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1742

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Author: Frances Winwar
Publisher: Read Books Ltd
ISBN: 1447495934
Category : History
Languages : en
Pages : 517

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This is not a definitive biography for no work that has life as its root can ever be rigidly set. Nor can one claim to have said the last word while there is a creative mind capable of a new idea or an original interpretation. It has been the author’s aim, through exhaustive research and objective handling of newly uncovered facts, to come as close as possible to essential truth, clouded for many years by passion and prejudice, particularly regarding Eleanora Duse, d’Annunzio and Il Fuoco and, later, the Comandante’s role in the First World War. The publication of pertinent material, available for the first time in a biography, may help to reveal the characters in their true light, with all their faults, which were great, and with their virtues, which were greater still.

Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 874

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Author: Giovanni Gullace
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 268

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Author: Caterina Bernardini
Publisher: University of Iowa Press
ISBN: 1609387546
Category : Literary Criticism
Languages : en
Pages : 297

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"This study gauges the effects that Walt Whitman's poetry had in Italy in the period from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. But it also investigates the contexts and causes of Whitman's success abroad, in the lives, backgrounds, beliefs, and imaginations of the people who encountered it. Ultimately, it chronicles the evolution of a literature intent on regenerating itself and moving toward modernity. Bernardini gives particular attention to women writers and noncanonical writers often excluded from previous discussions of Whitman's Italian reception. The book is grounded in archival studies and examination of primary documents, which led to a series of noteworthy discoveries. While the main focus is on the Italian literary scene, the history of the reception retraced here is constantly evaluated in relation to other cultures that were also intent, in those same years, on reading and recreating Whitman. Studying Whitman's reception from a transnational perspective shows how many countries were simultaneously carving out a new modernity in literature and culture. In this sense, Bernardini not only shows the interconnectedness of various international agents in understanding and contributing to the spread of Whitman's work, but, more largely, a constellation of similar pre-modernist and modernist sensibilities. This stands in contrast to the notion of sudden innovation: modernity was not easy to achieve, and most of all, it did not imply a complete refusal of tradition. Instead, a continuous and fruitful negotiation between tradition and innovation, and not a sudden break with the literary past, is at the very heart of the Italian and transnational reception of Whitman"--