Author: Tes Slominski
Publisher: Wesleyan University Press
ISBN: 0819579297
Category : Music
Languages : en
Pages : 257
Book Description
Just how "Irish" is traditional Irish music? Trad Nation combines ethnography, oral history, and archival research to challenge the longstanding practice of using ethnic nationalism as a framework for understanding vernacular music traditions. Tes Slominski argues that ethnic nationalism hinders this music's development today in an increasingly multiethnic Ireland and in the transnational Irish traditional music scene. She discusses early 21st century women whose musical lives were shaped by Ireland's struggles to become a nation; follows the career of Julia Clifford, a fiddler who lived much of her life in England, and explores the experiences of women, LGBTQ+ musicians, and musicians of color in the early 21st century.
Trad Nation
History Dances
Author: Ofosuwa M. Abiola
Publisher: Routledge
ISBN: 0429767846
Category : History
Languages : en
Pages : 249
Book Description
The field of history is founded on the interrogation of written documents from the past. However, culture is the center of life in Africa. As a result, in the past – and to a degree in the present – the process for documenting events in Africa was not written, it was performed. History Dances: Chronicling the History of Traditional Mandinka Dance argues that a wealth of information is housed within traditional Mandinka dance and, consequently, the dances can be used as an African-derived primary source for writing African history. Ofosuwa M. Abiola highlights the overall value of studying Mandinka dance history specifically, and African dance history generally, as well as addressing the issue of scarcity with regard to primary sources for writing African history. History Dances proves to be a vital read for both undergraduate students and scholars in the fields of dance history, African history, performance studies, and cultural anthropology.
Publisher: Routledge
ISBN: 0429767846
Category : History
Languages : en
Pages : 249
Book Description
The field of history is founded on the interrogation of written documents from the past. However, culture is the center of life in Africa. As a result, in the past – and to a degree in the present – the process for documenting events in Africa was not written, it was performed. History Dances: Chronicling the History of Traditional Mandinka Dance argues that a wealth of information is housed within traditional Mandinka dance and, consequently, the dances can be used as an African-derived primary source for writing African history. Ofosuwa M. Abiola highlights the overall value of studying Mandinka dance history specifically, and African dance history generally, as well as addressing the issue of scarcity with regard to primary sources for writing African history. History Dances proves to be a vital read for both undergraduate students and scholars in the fields of dance history, African history, performance studies, and cultural anthropology.
Worlding Dance
Author: S. Foster
Publisher: Springer
ISBN: 0230236847
Category : Performing Arts
Languages : en
Pages : 218
Book Description
What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world's dance by offering a variety of new analytic approaches.
Publisher: Springer
ISBN: 0230236847
Category : Performing Arts
Languages : en
Pages : 218
Book Description
What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world's dance by offering a variety of new analytic approaches.
The Northern Traditional Dancer
Author: Carey Scott Evans
Publisher: Pottsboro, Tex. : Crazy Crow Trading Post
ISBN: 9780962488313
Category : Performing Arts
Languages : en
Pages : 49
Book Description
Inspired by Lakota traditional dancers from South Dakota, the author presents a brief history, then concentrates on the outfits worn for northern powwows, the materials and techniques for their construction.
Publisher: Pottsboro, Tex. : Crazy Crow Trading Post
ISBN: 9780962488313
Category : Performing Arts
Languages : en
Pages : 49
Book Description
Inspired by Lakota traditional dancers from South Dakota, the author presents a brief history, then concentrates on the outfits worn for northern powwows, the materials and techniques for their construction.
Zimbabwe Dance
Author: Kariamu Welsh-Asante
Publisher: Africa World Press
ISBN: 9780865434936
Category : History
Languages : en
Pages : 164
Book Description
Kariamu Welsh Asante examines and celebrates the ethnic diversity of Zimbabwe and the survival and endurance of the Zimbabwean national character. She emphasises how the former colonial power had proscribed indigenous cultures.
Publisher: Africa World Press
ISBN: 9780865434936
Category : History
Languages : en
Pages : 164
Book Description
Kariamu Welsh Asante examines and celebrates the ethnic diversity of Zimbabwe and the survival and endurance of the Zimbabwean national character. She emphasises how the former colonial power had proscribed indigenous cultures.
In Pursuit of an African Traditional Dance
Author: Thomas Jing
Publisher: African Books Collective
ISBN: 9956552313
Category : Social Science
Languages : en
Pages : 188
Book Description
Africa is rich in (neo) traditional dances; yet, not much exists in the form of written literature on the subject. Even worse, existing documents date back to the colonial period and are often disparaging. Dance to Africans is what martial arts are to Asians. Embedded in them are some of the solutions to many of the problems wracking the African diaspora: gang violence, drug addiction, and high school dropout rates, etc. When Guinea's Ballets Africains first bursts on the international scene in the late fifties and sixties, the black revolution in the US was in full swing. The troupe's emancipatory message enkindled in African Americans a new sense of cultural pride and a return to their African roots. For once, dance became something else other than the ballet. With that burst of enthusiasm came the need to introduce African dances in the academia. Most of the research, however, focused mainly on dances which use drums (djembe). Departing from that tradition, in this detailed and richly choreographed ethnography on the Buum Oku Dance Yaounde, Thomas Jing's investigation into a xylophone-based dance opens up new research avenues and exposes the challenges involved. An Afrocentric theoretical framework to the research counters imperialist notions of African dances, thus setting them up as a tool for emancipation.
Publisher: African Books Collective
ISBN: 9956552313
Category : Social Science
Languages : en
Pages : 188
Book Description
Africa is rich in (neo) traditional dances; yet, not much exists in the form of written literature on the subject. Even worse, existing documents date back to the colonial period and are often disparaging. Dance to Africans is what martial arts are to Asians. Embedded in them are some of the solutions to many of the problems wracking the African diaspora: gang violence, drug addiction, and high school dropout rates, etc. When Guinea's Ballets Africains first bursts on the international scene in the late fifties and sixties, the black revolution in the US was in full swing. The troupe's emancipatory message enkindled in African Americans a new sense of cultural pride and a return to their African roots. For once, dance became something else other than the ballet. With that burst of enthusiasm came the need to introduce African dances in the academia. Most of the research, however, focused mainly on dances which use drums (djembe). Departing from that tradition, in this detailed and richly choreographed ethnography on the Buum Oku Dance Yaounde, Thomas Jing's investigation into a xylophone-based dance opens up new research avenues and exposes the challenges involved. An Afrocentric theoretical framework to the research counters imperialist notions of African dances, thus setting them up as a tool for emancipation.
The Drumcafé's Traditional Music of South Africa
Author: Laurie Levine
Publisher: Jacana Media
ISBN: 9781770090460
Category : History
Languages : en
Pages : 252
Book Description
Track list for accompanying CD: p. 266-273.
Publisher: Jacana Media
ISBN: 9781770090460
Category : History
Languages : en
Pages : 252
Book Description
Track list for accompanying CD: p. 266-273.
Dance Touring Program
African Traditional Religion in Biblical Perspective
Author: Richard J. Gehman
Publisher: East African Publishers
ISBN: 9789966253545
Category : Africa, Sub-Saharan
Languages : en
Pages : 444
Book Description
Publisher: East African Publishers
ISBN: 9789966253545
Category : Africa, Sub-Saharan
Languages : en
Pages : 444
Book Description
The Embodiment and Transmission of Ghanaian Kete Royal Dance
Author: Emmanuel Cudjoe
Publisher: Anthem Press
ISBN: 1839991836
Category : Performing Arts
Languages : en
Pages : 134
Book Description
The Kete dance form, once exclusive to royal courts, carries intricate movements, symbolic gestures, and rhythms that mirror Ghanaian history and values. It embodies storytelling, often depicting tales of bravery, unity, or significant historical events. These dances were traditionally reserved for specific occasions within the royal setting, symbolizing prestige, honor, and tradition. With the passage of time, the transmission of Kete royal dance has transcended its original palace context, finding its way into academic domains. Universities and cultural institutions now extend the legacies of this dance form and even act as custodians of this art form, where scholars, dancers, and enthusiasts collaborate to study, preserve, and teach Kete dance. Through meticulous documentation, research, and practice, the academy endeavors to honor the Kete dance while making it accessible to a broader audience. This transmission from palace to academy serves as a testament to the resilience and adaptability of cultural traditions. It ensures the continuity of Ghanaian heritage and allows future generations, both within and beyond Ghana, to appreciate and learn from this profound dance form from an Afrocentric perspective.
Publisher: Anthem Press
ISBN: 1839991836
Category : Performing Arts
Languages : en
Pages : 134
Book Description
The Kete dance form, once exclusive to royal courts, carries intricate movements, symbolic gestures, and rhythms that mirror Ghanaian history and values. It embodies storytelling, often depicting tales of bravery, unity, or significant historical events. These dances were traditionally reserved for specific occasions within the royal setting, symbolizing prestige, honor, and tradition. With the passage of time, the transmission of Kete royal dance has transcended its original palace context, finding its way into academic domains. Universities and cultural institutions now extend the legacies of this dance form and even act as custodians of this art form, where scholars, dancers, and enthusiasts collaborate to study, preserve, and teach Kete dance. Through meticulous documentation, research, and practice, the academy endeavors to honor the Kete dance while making it accessible to a broader audience. This transmission from palace to academy serves as a testament to the resilience and adaptability of cultural traditions. It ensures the continuity of Ghanaian heritage and allows future generations, both within and beyond Ghana, to appreciate and learn from this profound dance form from an Afrocentric perspective.