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Author: Mark Kinkead-Weekes Publisher: Cambridge University Press ISBN: 9781139504102 Category : Literary Criticism Languages : en Pages : 1030
Book Description
This second volume of the acclaimed Cambridge Biography of D. H. Lawrence covers the years 1912–22, the period in which Lawrence forged his reputation as one of the greatest and most controversial writers of the twentieth century. During this period Lawrence produced the trio of novels with which he was to revolutionise English fiction over the next decade. It was a painful process: Sons and Lovers was crudely cut by its publisher; The Rainbow was destroyed by court order; and Women in Love took almost three years to find a publisher. This 1996 biography tells the writing life too, tracing the illuminating relations between man and manuscript, without confusing life and art. Drawing on previously unseen information from the Cambridge Editions of the Letters and Works, and original research, fresh light is shed on questions of Lawrence's sexuality, health, quarrels and friendships, which have been more often gossiped or theorised about than scrupulously examined.
Author: Mark Kinkead-Weekes Publisher: Cambridge University Press ISBN: 9781139504102 Category : Literary Criticism Languages : en Pages : 1030
Book Description
This second volume of the acclaimed Cambridge Biography of D. H. Lawrence covers the years 1912–22, the period in which Lawrence forged his reputation as one of the greatest and most controversial writers of the twentieth century. During this period Lawrence produced the trio of novels with which he was to revolutionise English fiction over the next decade. It was a painful process: Sons and Lovers was crudely cut by its publisher; The Rainbow was destroyed by court order; and Women in Love took almost three years to find a publisher. This 1996 biography tells the writing life too, tracing the illuminating relations between man and manuscript, without confusing life and art. Drawing on previously unseen information from the Cambridge Editions of the Letters and Works, and original research, fresh light is shed on questions of Lawrence's sexuality, health, quarrels and friendships, which have been more often gossiped or theorised about than scrupulously examined.
Author: Kate Hext Publisher: Johns Hopkins University Press ISBN: 142142942X Category : Literary Criticism Languages : en Pages : 300
Book Description
Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry
Author: Kumiko Hoshi Publisher: Cambridge Scholars Publishing ISBN: 1527524574 Category : Literary Criticism Languages : en Pages : 179
Book Description
On the 15th of June 1921, during his stay in Baden-Baden, Germany, British novelist D. H. Lawrence (1885-1930) encountered the German physicist Albert Einstein (1879-1955). Lawrence read an English translation of Relativity: The Special and General Theory, which had been published in the previous year. The very next day he wrote: “Einstein isn’t so metaphysically marvellous, but I like him for taking out the pin which fixed down our fluttering little physical universe” (4L 37). Lawrence’s first response to Einstein is ambivalent, for his reading of works by Victorian relativists such as Charles Darwin, T. H. Huxley, William James, Herbert Spencer and Ernst Haeckel had helped him foster his own concept of relativity, while his representations of relativity had interacted with modern artists including Pablo Picasso, Marcel Duchamp and Umberto Boccioni. This book shows Lawrence’s exploration of relativity in the late nineteenth- and early twentieth-century European cultural climate of Modernism and examines his representation of relativity in Women in Love (1920), The Lost Girl (1920), Aaron’s Rod (1922) and The Fox (original version, 1920; revised version, 1922).
Author: Joyce Wexler Publisher: Bloomsbury Publishing USA ISBN: 1501325310 Category : Literary Criticism Languages : en Pages : 176
Book Description
As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler's investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Döblin, Günter Grass, Gabriel García Márquez, Salman Rushdie, and W. G. Sebald.
Author: Indrek Männiste Publisher: Bloomsbury Publishing USA ISBN: 1501340034 Category : Literary Criticism Languages : en Pages : 256
Book Description
While the dehumanizing effects of technology, modernity, and industrialization have been widely recognized in D. H. Lawrence's works, no book-length study has been dedicated to this topic. This collection of newly commissioned essays by a cast of international scholars fills a genuine void and investigates Lawrence's peculiar relationship with modern technology and modernity in its many and varied aspects. Addressing themes such as pastoral vs. industrial, mining, war, robots, ecocriticism, technologies of the self, film, poetic devices of technology, entertainment, and many others, these essays help to reevaluate Lawrence's complicated standing within the modernist literary tradition and reveal the true theoretical wealth of a writer whose whole life and work, according to T.S. Eliot, "was an assertion of what the modern world has lost."
Author: James Fenton Publisher: OUP Oxford ISBN: 9780199261390 Category : American poetry Languages : en Pages : 288
Book Description
A major account of modern poetry, from one of its leading figures. James Fenton examines issues of creativity and the 'earning' of success, of judgement, tutorage, rivalry, and ambition. He considers the juvenilia of Wilfred Owen, the 'scarred' lines of Philip Larkin, the inheritance of imperialism, and issues of 'constituency' in Seamus Heaney. The book contains insights into the work of Marianne Moore, Elizabeth Bishop, Sylvia Plath, D. H. Lawrence, and W. H. Auden.
Author: Trudi Tate Publisher: Manchester University Press ISBN: 9780719050008 Category : History Languages : en Pages : 214
Book Description
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.
Author: Andrew Harrison Publisher: Humanities-Ebooks ISBN: Category : Literary Criticism Languages : en Pages : 86
Book Description
Part 1 provides an overview of Lawrence's work in the genre, discussing his early realist stories, the modernist tales, and the late fables and satires. Part 2 contains a thorough analysis of ten of Lawrence's best known and most widely studied stories ('Odour of Chrysanthemums',' Daughters of the Vicar',' Love Among the Haystacks',' The Prussian Officer',' England, My England',' The Horse-Dealer's Daughter',' The Blind Man',' The Rocking-Horse Winner',' The Man Who Loved Islands', and' Things'). The analysis includes details of composition, a detailed synopsis, plus a short focus on a critical issue which opens up the structure of the story in question. Part 3 uses sections from four of the stories to demonstrate Lawrence's use of dialogue, symbolism, free indirect discourse, and mimicry and satire. Part 4 presents a Select Bibliography of editions of the stories plus secondary criticism.
Author: Mark Kinkead-Weekes
Author: Mark Kinkead-Weekes
Author: John Worthen
Author: Kate Hext
Author: Kumiko Hoshi
Author: Joyce Wexler
Author: Indrek Männiste
Author: James Fenton
Author: Trudi Tate
Author: Andrew Harrison
Author: Mark Kinkead-Weekes