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Author: Tommaso Morawski Publisher: Sapienza Università Editrice ISBN: 8893772167 Category : Philosophy Languages : en Pages : 270
Book Description
Kant and Culture. Studies on Kant’s Philosophy of Culture is a collective volume focusing on the figure of Kant as Kulturphilosoph. The challenge of this volume, which gathers scholars who differ in language, method, approach and perspective, is to shed light from different angles on the relevance and complexity of a subject – Kant and culture – that has often been confined to the margins of the Kantforschung and has only recently received the attention it deserves. Yet, on closer inspection, the issues related to the notion of culture in Kant are so varied and at the same time so pervasive and transversal that they allow for important connections between his philosophical reflection’s different areas (from aesthetics to theoretical philosophy, from ethics to philosophy of history, from philosophy of law to moral philosophy, from anthropology to religion, from geography to pedagogy), providing a privileged point of view to explore and understand his idea of a Bestimmung des Menschen. Moreover, Kant’s contribution to the philosophy of culture offers important insights into its contemporary crisis, its loss of significance and interest. A starting point to try to articulate a notion of culture in a normative sense, that is, elaborated not in reference to a certain class of objects defined as cultural (education, the arts, the sciences), but formally, as a particular relationship we can establish with any object, subject or experience.
Author: Tommaso Morawski Publisher: Sapienza Università Editrice ISBN: 8893772167 Category : Philosophy Languages : en Pages : 270
Book Description
Kant and Culture. Studies on Kant’s Philosophy of Culture is a collective volume focusing on the figure of Kant as Kulturphilosoph. The challenge of this volume, which gathers scholars who differ in language, method, approach and perspective, is to shed light from different angles on the relevance and complexity of a subject – Kant and culture – that has often been confined to the margins of the Kantforschung and has only recently received the attention it deserves. Yet, on closer inspection, the issues related to the notion of culture in Kant are so varied and at the same time so pervasive and transversal that they allow for important connections between his philosophical reflection’s different areas (from aesthetics to theoretical philosophy, from ethics to philosophy of history, from philosophy of law to moral philosophy, from anthropology to religion, from geography to pedagogy), providing a privileged point of view to explore and understand his idea of a Bestimmung des Menschen. Moreover, Kant’s contribution to the philosophy of culture offers important insights into its contemporary crisis, its loss of significance and interest. A starting point to try to articulate a notion of culture in a normative sense, that is, elaborated not in reference to a certain class of objects defined as cultural (education, the arts, the sciences), but formally, as a particular relationship we can establish with any object, subject or experience.
Author: Giles Scott-Smith Publisher: Springer ISBN: 1137598670 Category : History Languages : en Pages : 333
Book Description
This book explores the lasting legacy of the controversial project by the Congress for Cultural Freedom, funded by the CIA, to promote Western culture and liberal values in the battle of ideas with global Communism during the Cold War. One of the most important elements of this campaign was a series of journals published around the world: Encounter, Preuves, Quest, Mundo Nuevo, and many others, involving many of the most famous intellectuals to promote a global intellectual community. Some of them, such as Minerva and China Quarterly, are still going to this day. This study examines when and why these journals were founded, who ran them, and how we should understand their cultural message in relation to the secret patron that paid the bills.
Author: Juan José Gómez Gutiérrez Publisher: Cambridge Scholars Publishing ISBN: 1443882143 Category : Art Languages : en Pages : 255
Book Description
This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establishment of a democratic system from which a genuine Italian path to Socialism could be found. Taking Antonio Gramsci’s notion of hegemony as a theoretical basis, the Communists intended to generate a progressive social bloc capable of achieving wide consensus within civil society before taking power. In order to accomplish this goal, the collaboration from intellectuals was necessary. The artistic policy of the Italian Communist Party was tailored to this end, counting on representatives from all groups and tendencies of the time, particularly those artists who rejected the imperialistic, autarchic pseudo-classicism that characterised most of Italian art throughout the Fascist years. In the 1930s, international, Modernist and cosmopolitan European culture became an escape route to artists seeking a way out of the oppressive cultural atmosphere of inter-war Italy. However, in the 1940s and 1950s, many of these artists experienced a deep transformation in their work after they became politically involved with the PCI, and were exposed to international Communist culture – and Socialist Realism in particular. This was conveyed not only by conscious changes in their subjects, their style and their material means of expression, but also in the public they addressed and in their own conception of themselves as artistic authors. Hence, at a time when the world was divided into two opposed camps, each heavily inflected by ideological allegiance and supported by powerful propaganda apparatuses, Italian Communist artists became the protagonists of a novel intellectual-political project which pursued the synthesis between antagonistic cultural blocs.
Author: John Foot Publisher: Bloomsbury Publishing ISBN: 152665248X Category : History Languages : en Pages : 432
Book Description
One hundred years after the rise to power of Fascism in Italy, John Foot's bracing and bold Blood and Power vividly recreates the on-the-ground experience of life under the regime. - Robert S C Gordon, Serena Professor of Italian, University of Cambridge A major history of the rise and fall of Italian fascism: a dark tale of violence, ideals and a country at war. In the aftermath of the First World War, the seeds of fascism were sown in Italy. While the country reeled in shock, a new movement emerged from the chaos: one that preached hatred for politicians and love for the fatherland; one that promised to build a 'New Roman Empire', and make Italy a great power again. Wearing black shirts and wielding guns, knives and truncheons, the proponents of fascism embraced a climate of violence and rampant masculinity. Led by Mussolini, they would systematically destroy the organisations of the left, murdering and torturing anyone who got in their way. In Blood and Power, historian John Foot draws on decades of research to chart the turbulent years between 1915 and 1945, and beyond. Using the accounts of real people – fascists, anti-fascists, communists, anarchists, victims, perpetrators and bystanders – he tells the story of fascism and its legacy, which still, disturbingly, reverberates to this day.
Author: Fabio Fernando Rizi Publisher: University of Toronto Press ISBN: 1487504462 Category : History Languages : en Pages : 354
Book Description
As president of the Italian Liberal Party, Benedetto Croce was one of the most influential intellectuals involved in Italian public affairs after the fall of Mussolini. Placing Croce at the centre of historical events between 1943 and 1952, this book details his participation in Italy's political life, and his major contributions to the rebirth of Italian democracy. Drawing on a great amount of primary material, including Croce's political speeches, correspondences, diaries, and official documents from post-war Italy, this book illuminates the dynamic and progressive nature of Croce's liberalism and the shortcomings of the old Liberal leaders. Providing a year-by-year account of Croce's initiatives, author Fabio Fernando Rizi fills the gap in Croce's biography, covering aspects of his public life often neglected, misinterpreted, or altogether ignored, and restores his standing among the founding fathers of modern Italy.
Author: Publisher: BRILL ISBN: 9004506578 Category : History Languages : en Pages : 372
Book Description
The way merchants trade, think about business and represent commerce in art forms define merchant culture. The world between 1500 and 1800 encompassed different merchant cultures that stood alone and in contact with others. Culture, power relations and institutions framed similarities and differences and outlined the global outcome of these exchanges.
Author: A.T. Peacock Publisher: Springer Science & Business Media ISBN: 9401111405 Category : Business & Economics Languages : en Pages : 190
Book Description
Cultural Economics and Cultural Policies offers a unique guide to the state of the art in cultural economics. First, it alerts scholars and students to the necessity for careful definition and measurement of the `cultural sector'. Second, it affords examples of how economic analysis can shed light on the motivation of creative and performing artists and of artistic enterprises. Third, Cultural Economics and Cultural Policies widens the discussion of public policy towards the arts beyond general economic appraisal of arguments for government financial support. It does so by considering the government's role in defining property rights in artistic products and in regulating as well as financing the arts; examining how the criteria for government support are actually applied. Cultural Economics and Cultural Policies will be of interest to economists, students and policy makers.
Author: Tommaso Morawski
Author: Tommaso Morawski
Author: Carlo Paladini
Author: Vincenzo Ferrari
Author: Giles Scott-Smith
Author: Juan José Gómez Gutiérrez
Author: John Foot
Author: Fabio Fernando Rizi
Author: 
Author: Elvio Fontana
Author: A.T. Peacock