Critical Essays on Honoré de Balzac PDF Download

Author: Martin Kanes
Publisher: Macmillan Reference USA
ISBN:
Category : Authors, French
Languages : en
Pages : 264

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Book Description

Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438113102
Category : Criticism
Languages : en
Pages : 252

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Book Description
Presents critical essays on the works of French author Honore de Balzac.

Author: George Saintsbury
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 41

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Book Description
George Saintsbury was an English critic, literary historian, editor, and teacher. He is regarded as a highly influential critic of the late 19th and early 20th centuries. His biography and critique of Balzac written in 1901 is thus considered an influential and important account.

Author: Martin Kanes
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Collections
Languages : en
Pages : 264

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Book Description

Author: Honoré de Balzac
Publisher: Tacet Books
ISBN: 3967997138
Category : Fiction
Languages : en
Pages : 565

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Book Description
Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Honoré de Balzacwhich areFather GoriotandA Woman of Thirty. Honoré de Balzac was a French realism novelist, playwright, essayist and critic. His serial novel, La Comédie humaine, is among his most extensive works. Novels selected for this book: - Father Goriot - A Woman of Thirty This is one of many books in the seriesEssential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

Author: George Saintsbury
Publisher: Palala Press
ISBN: 9781341405495
Category :
Languages : en
Pages : 766

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Honoré de Balzac
Publisher: Createspace Independent Publishing Platform
ISBN: 9781542500197
Category :
Languages : en
Pages : 218

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Book Description
This Squid Ink Classic includes the full text of the work plus MLA style citations for scholarly secondary sources, peer-reviewed journal articles and critical essays for when your teacher requires extra resources in MLA format for your research paper.

Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 410

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Book Description

Author: Emily Temple
Publisher: HarperCollins UK
ISBN: 0008332703
Category : Fiction
Languages : en
Pages : 274

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Book Description
‘A psychologically smart debut that swathes teen desire and friendship in mystery and mirth’ Observer ‘Like a twisted Malory Towers or maybe a cosmic version of ‘Heathers’’ Daily Mail ‘Funny, whip-smart and transcendently wise’ Jenny Offill ‘The love child of Donna Tartt and Tana French’ Chloe Benjamin

Author: Honore de Balzac
Publisher: 谷月社
ISBN:
Category : Fiction
Languages : en
Pages : 465

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Book Description
CHAPTER I. DEPARTING PARIS The tourniquet Saint-Jean, the narrow passage entered through a turnstile, a description of which was said to be so wearisome in the study entitled "A Double Life" (Scenes from Private Life), that naive relic of old Paris, has at the present moment no existence except in our said typography. The building of the Hotel-de-Ville, such as we now see it, swept away a whole section of the city. In 1830, passers along the street could still see the turnstile painted on the sign of a wine-merchant, but even that house, its last asylum, has been demolished. Alas! old Paris is disappearing with frightful rapidity. Here and there, in the course of this history of Parisian life, will be found preserved, sometimes the type of the dwellings of the middle ages, like that described in "Fame and Sorrow" (Scenes from Private Life), one or two specimens of which exist to the present day; sometimes a house like that of Judge Popinot, rue du Fouarre, a specimen of the former bourgeoisie; here, the remains of Fulbert's house; there, the old dock of the Seine as it was under Charles IX. Why should not the historian of French society, a new Old Mortality, endeavor to save these curious expressions of the past, as Walter Scott's old man rubbed up the tombstones? Certainly, for the last ten years the outcries of literature in this direction have not been superfluous; art is beginning to disguise beneath its floriated ornaments those ignoble facades of what are called in Paris "houses of product," which one of our poets has jocosely compared to chests of drawers. Let us remark here, that the creation of the municipal commission "del ornamento" which superintends at Milan the architecture of street facades, and to which every house owner is compelled to subject his plan, dates from the seventeenth century. Consequently, we see in that charming capital the effects of this public spirit on the part of nobles and burghers, while we admire their buildings so full of character and originality. Hideous, unrestrained speculation which, year after year, changes the uniform level of storeys, compresses a whole apartment into the space of what used to be a salon, and wages war upon gardens, will infallibly react on Parisian manners and morals. We shall soon be forced to live more without than within. Our sacred private life, the freedom and liberty of home, where will they be?—reserved for those who can muster fifty thousand francs a year! In fact, few millionaires now allow themselves the luxury of a house to themselves, guarded by a courtyard on a street and protected from public curiosity by a shady garden at the back.