Author:
Publisher:
ISBN:
Category : Indiana
Languages : en
Pages :
Book Description
Crimson Bull, Indiana University's Humor Magazine
The Crimson Bull
Indiana University, Midwestern Pioneer
Author: Thomas Dionysius Clark
Publisher: Indiana University Press
ISBN: 9780253375018
Category : Education
Languages : en
Pages : 742
Book Description
This third volume in the history of Indiana University starts with the presidency of Herman B Wells, covers the many changes that occured as a result of World War II, and the presidency of Well's successor, Elvis J. Stahr, Jr. In 1968, when Wells was called back as interim president in 1986, Indiana University stood at the crest of a century and a half of advancement--far exceeding the promise of the tiny frontier seminary of the 1820s.
Publisher: Indiana University Press
ISBN: 9780253375018
Category : Education
Languages : en
Pages : 742
Book Description
This third volume in the history of Indiana University starts with the presidency of Herman B Wells, covers the many changes that occured as a result of World War II, and the presidency of Well's successor, Elvis J. Stahr, Jr. In 1968, when Wells was called back as interim president in 1986, Indiana University stood at the crest of a century and a half of advancement--far exceeding the promise of the tiny frontier seminary of the 1820s.
Indiana University Bulletin
N.W. Ayer & Son's American Newspaper Annual and Directory
Author:
Publisher:
ISBN:
Category : American newspapers
Languages : en
Pages : 1724
Book Description
Publisher:
ISBN:
Category : American newspapers
Languages : en
Pages : 1724
Book Description
Ayer Directory, Newspapers, Magazines and Trade Publications
Author:
Publisher:
ISBN:
Category : American newspapers
Languages : en
Pages : 1586
Book Description
Publisher:
ISBN:
Category : American newspapers
Languages : en
Pages : 1586
Book Description
The Well House Reader
Author: Donald Gray
Publisher: Indiana University Press
ISBN: 0253063922
Category : Education
Languages : en
Pages : 216
Book Description
"What did generations of Indiana University students think about their years on campus-the faculty, courses, administration, pressing social issues, and each other? Through student writings and art featured in The Well House Reader, the Bloomington campus across the years vividly and sometimes whimsically comes to life. Featuring selections from more than 150 years of student writing, The Well House Reader, edited Donald J. Gray, demonstrates how students voiced their views and opinions through their contributions to campus magazines and yearbooks. From the use of satiric couplets to ridicule university president Cyrus Nutt in 1872, parody and caricature to mock the Ku Klux Klan in 1924, and long form essays to complain about the university administration in the 1960s, IU students always made their opinions clear. They wrote burlesques to mock their teachers, essays to honor them, and short stories about the satisfaction and sadness of graduation and departure from their beloved alma mater. Poignant and revealing, The Well House Reader offers unforgettable glimpses of Indiana University through the eyes and experiences of its students across the decades"--
Publisher: Indiana University Press
ISBN: 0253063922
Category : Education
Languages : en
Pages : 216
Book Description
"What did generations of Indiana University students think about their years on campus-the faculty, courses, administration, pressing social issues, and each other? Through student writings and art featured in The Well House Reader, the Bloomington campus across the years vividly and sometimes whimsically comes to life. Featuring selections from more than 150 years of student writing, The Well House Reader, edited Donald J. Gray, demonstrates how students voiced their views and opinions through their contributions to campus magazines and yearbooks. From the use of satiric couplets to ridicule university president Cyrus Nutt in 1872, parody and caricature to mock the Ku Klux Klan in 1924, and long form essays to complain about the university administration in the 1960s, IU students always made their opinions clear. They wrote burlesques to mock their teachers, essays to honor them, and short stories about the satisfaction and sadness of graduation and departure from their beloved alma mater. Poignant and revealing, The Well House Reader offers unforgettable glimpses of Indiana University through the eyes and experiences of its students across the decades"--
Indiana's Laughmakers
Author: Ray Banta
Publisher: Pennultimate Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
Book Description
Publisher: Pennultimate Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
Book Description
Richard E. Norman and Race Filmmaking
Author: Barbara Tepa Lupack
Publisher: Indiana University Press
ISBN: 0253010721
Category : Performing Arts
Languages : en
Pages : 400
Book Description
A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera
Publisher: Indiana University Press
ISBN: 0253010721
Category : Performing Arts
Languages : en
Pages : 400
Book Description
A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera
The Indiana Book of Records, Firsts, and Fascinating Facts
Author: Fred D. Cavinder
Publisher: Indiana University Press
ISBN: 9780253283207
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
What the Guinness brothers have done for the records of the world, this book does for Indiana, whose resourceful inhabitants have blazed a bright trail of accomplishments in nearly every field. There is wonderful whimsy in this census of people who excel, excite, enthrall, and exceed the expectations of even the most eager Hoosierphile.
Publisher: Indiana University Press
ISBN: 9780253283207
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
What the Guinness brothers have done for the records of the world, this book does for Indiana, whose resourceful inhabitants have blazed a bright trail of accomplishments in nearly every field. There is wonderful whimsy in this census of people who excel, excite, enthrall, and exceed the expectations of even the most eager Hoosierphile.