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Author: Paula Sanders Publisher: American Univ in Cairo Press ISBN: 9789774160950 Category : Architecture Languages : en Pages : 260
Book Description
"In many areas it breaks new ground, asks new questions, and gives a far more sophisticated, nuanced presentation of preservation and conservation issues for Egypt than I have seen elsewhere . . .. [C]overs familiar territory in a totally new manner." - Jere Bacharach, University of Washington This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: namely, the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Sanders explores such varied topics as the British experience in India, the Egyptian debate over religious reform, and the influence of The Thousand and One Nights on European notions of the medieval Arab city. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo.
Author: Paula Sanders Publisher: American Univ in Cairo Press ISBN: 9789774160950 Category : Architecture Languages : en Pages : 260
Book Description
"In many areas it breaks new ground, asks new questions, and gives a far more sophisticated, nuanced presentation of preservation and conservation issues for Egypt than I have seen elsewhere . . .. [C]overs familiar territory in a totally new manner." - Jere Bacharach, University of Washington This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: namely, the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Sanders explores such varied topics as the British experience in India, the Egyptian debate over religious reform, and the influence of The Thousand and One Nights on European notions of the medieval Arab city. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo.
Author: Leor Halevi Publisher: Columbia University Press ISBN: 0231547978 Category : Law Languages : en Pages : 409
Book Description
In cities awakening to global exchange under European imperial rule, Muslims encountered all sorts of strange and wonderful new things—synthetic toothbrushes, toilet paper, telegraphs, railways, gramophones, brimmed hats, tailored pants, and lottery tickets. The passage of these goods across cultural frontiers spurred passionate debates. Realizing that these goods were changing religious practices and values, proponents and critics wondered what to outlaw and what to permit. In this book, Leor Halevi tells the story of the Islamic trials of technological and commercial innovations of the late nineteenth and early twentieth centuries. He focuses on the communications of an entrepreneurial Syrian interpreter of the shariʿa named Rashid Rida, who became a renowned reformer by responding to the demand for authoritative and authentic religious advice. Upon migrating to Egypt, Rida founded an Islamic magazine, The Lighthouse, which cultivated an educated, prosperous readership within and beyond the British Empire. To an audience eager to know if their scriptures sanctioned particular interactions with particular objects, he preached the message that by rediscovering Islam’s foundational spirit, the global community of Muslims would thrive and realize modernity’s religious and secular promises. Through analysis of Rida’s international correspondence, Halevi argues that religious entanglements with new commodities and technologies were the driving forces behind local and global projects to reform the Islamic legal tradition. Shedding light on culture, commerce, and consumption in Cairo and other colonial cities, Modern Things on Trial is a groundbreaking account of Islam’s material transformation in a globalizing era.
Author: Mrinalini Rajagopalan Publisher: University of Chicago Press ISBN: 022633189X Category : Architecture Languages : en Pages : 271
Book Description
Building Histories offers innovative accounts of five medieval monuments in Delhi—the Red Fort, Rasul Numa Dargah, Jama Masjid, Purana Qila, and the Qutb complex—tracing their modern lives from the nineteenth century into the twentieth. Mrinalini Rajagopalan argues that the modern construction of the history of these monuments entailed the careful selection, manipulation, and regulation of the past by both the colonial and later postcolonial states. Although framed as objective “archival” truths, these histories were meant to erase or marginalize the powerful and persistent affective appropriations of the monuments by groups who often existed outside the center of power. By analyzing these archival and affective histories together, Rajagopalan works to redefine the historic monument—far from a symbol of a specific past, the monument is shown in Building Histories to be a culturally mutable object with multiple stories to tell.
Author: Hala Auji Publisher: BRILL ISBN: 9004314350 Category : Art Languages : en Pages : 171
Book Description
During the nineteenth century, the American Mission Press in Beirut printed religious and secular publications written by foreign missionaries and Syrian scholars such as Nāṣīf al-Yāzijī and Buṭrus al-Bustānī, of later nahḍa fame. In a region where presses were still not prevalent, letterpress-printed and lithographed works circulated within a larger network that was dominated by manuscript production. In this book, Hala Auji analyzes the American Press publications as important visual and material objects that provide unique insights into an era of changing societal concerns and shifting intellectual attitudes of Syria’s Muslim and Christian populations. Contending that printed books are worthy of close visual scrutiny, this study highlights an important place for print culture during a time of an emerging Arab modernity.
Author: Susan Sinclair Publisher: BRILL ISBN: 9047412079 Category : Social Science Languages : en Pages : 1508
Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Author: Carmen M. K. Gitre Publisher: University of Texas Press ISBN: 1477319182 Category : Performing Arts Languages : en Pages : 192
Book Description
At the turn of the twentieth century—during the “protectorate” period of British occupation in Egypt—theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. A central figure in this diverse spectrum was the effendi, an emerging class of urban, male, anti-colonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices. From the world premiere of Verdi’s Aida at Cairo’s Khedivial Opera House in 1869 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Through scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates and dissent that fostered a new image of national culture and echoed urban life in the struggle for independence.
Author: Finbarr Barry Flood Publisher: John Wiley & Sons ISBN: 1119068576 Category : Art Languages : en Pages : 1442
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Ahmed Ragab Publisher: Routledge ISBN: 0429671393 Category : Religion Languages : en Pages : 252
Book Description
In 1768, Aḥmad al-Damanhūrī became the rector (shaykh) of al-Azhar, which was one of the most authoritative and respected positions in the Ottoman Empire. He occupied this position until his death. Despite being a prolific author, whose writings are largely extant, al-Damanhūrī remains almost unknown, and much of his work awaits study and analysis. This book aims to shed light on al-Damanhūrī’s diverse intellectual background, and that of and his contemporaries, building on and continuing the scholarship on the academic thought of the late Ottoman Empire. The book specifically investigates the intersection of medical and religious knowledge in Eighteenth-Century Egypt. It takes as its focus a manuscript on anatomy by al-Damanhūrī (d. 1778), entitled "The Clear Statement on the Science of Anatomy (al-qawl al-ṣarīḥ fī ʿilm al-tashrīḥ),". The book includes an edited translation of The Clear Statement, which is a well-known but unstudied and unpublished manuscript. It also provides a summary translation and analysis of al-Damanhūrī’s own intellectual autobiography. As such, the book provides an important window into a period that remains deeply understudied and a topic that continues to cause debates and controversies. This study, therefore, will be of keen interest to scholars working on the "post-Classical" Islamic world, as well as historians of religion, science, and medicine looking beyond Europe in the Early Modern period.
Author: Reyhan Sabri Publisher: Springer ISBN: 3030182320 Category : Religion Languages : en Pages : 165
Book Description
This book documents the changing role of the Islamic Waqf institution in Cyprus and the conservation of Waqf heritage buildings of Ottoman and Western origins. Previously ignored archives of documents detailing the conservation of Waqf buildings during Ottoman and British rule allow a fine-grained analysis of the colonial introduction of Western approaches to heritage conservation. Colonial rule saw major legislative and administrative changes to the originally autonomous Ottoman Waqf institution, which had already been subject to reforms under the Ottoman regime. Under British rule, Western heritage concepts and modern architectural conservation discourses became the core conservation principles in Cyprus. Earlier centralisation attempts during the Ottoman Tanzimat (1831-1876), and the procedural, technical, and political reconfigurations during the British colonial era in Cyprus (1878-1960), were key factors of the transformation of the Waqf’s traditional building upkeep system. These imperial interventions, their orientalist mindset, and the rise of nationalism, finally led to the erosion of Waqf in Cyprus as a non-Western and sustainable form of building conservation. This study reveals how the Western approach, the forms of expertise it privileges, and pragmatic diversions from this practice for political purposes, were useful in neutralizing the legitimacy of local practices, except in cases where opportunistic ‘recognition’ of their utility played a role in inter-communal, colonial, nationalist, and inter-imperial politics.
Author: Zeynep Aygen Publisher: Routledge ISBN: 1136185909 Category : Architecture Languages : en Pages : 344
Book Description
The majority of books in English on historic building conservation and heritage preservation training are often restricted to Western architecture and its origins. Consequently, the history of building conservation, the study of contemporary paradigms and case studies in most universities and within wider interest circles, predominantly in the UK, Europe, and USA focus mainly on Europe and sometimes the USA, although the latter is often excluded from European publications. With an increasingly multicultural student body in Euro-American universities and with a rising global interest in heritage preservation, there is an urgent need for publications to cover a larger geographical and social area including not only Asia, Australia, Africa and South America but also previously neglected countries in Europe like the new members of the European Community and the northern neighbour of the USA, Canada. The inclusion of the ‘other’ in built environment education in general and in building conservation in particular is a pre-requisite of cultural interaction and widening participation. International Heritage and Historic Building Conservation assesses successful contemporary conservation paradigms from around the world. The book evaluates conservation case studies from previously excluded areas of the world to create an integrated account of Historic Building Conservation that crosses the boundaries of language and culture and sets an example for further inclusive research. Analyzing the influence of financial constraints, regional conflicts, and cultural differences on the heritage of disadvantaged countries, this leading-edge volume is essential for researchers and students of heritage studies interested in understanding their topics in a wider framework.
Author: Paula Sanders
Author: Paula Sanders
Author: Leor Halevi
Author: Mrinalini Rajagopalan
Author: Hala Auji
Author: Susan Sinclair
Author: Carmen M. K. Gitre
Author: Finbarr Barry Flood
Author: Ahmed Ragab
Author: Reyhan Sabri
Author: Zeynep Aygen