The Rise of Landscape Painting in France PDF Download

Author: Kermit Swiler Champa
Publisher: Abrams
ISBN:
Category : Architecture
Languages : en
Pages : 252

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Book Description
Professor Kermit Champa shares his new insight into the musical climate of the time; Fronia Wissman reexamines the relation of these avant-garde artists to the official Paris Salon; Richard R. Brettell presents the critical and theoretical background that provided a context for the rise of landscape painting; and Deborah Johnson traces in new ways the combined influence of the Japanese print and photography on painting. Insightful entries on the individual artists sort out the role of the painters and their work in the art-historical and musical context of mid-nineteenth-century life.

Author: George T. M. Shackelford
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 298

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Book Description
It takes a broad view, yet never loses sight of the intricacy and variation that make the landscape so endlessly appealing."--BOOK JACKET.

Author: Stephen Eisenman
Publisher:
ISBN: 9788857207063
Category : Art, French
Languages : en
Pages : 0

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Book Description
Through 170 works, this catalogue analyzes the relationship between Impressionism and nature from an innovative angle. For the first time, the extraordinary pictorial innovations of the Impressionists are seen against a broader understanding of the nature, culture and modernity of the time. In other words, the Impressionists not only visually recorded the impact of modernity on the French landscape, but they also embraced a new holistic viewpoint which revealed the dynamism and condition of every social and natural system. The works trace the development of the representation of nature in French nineteenth century painting, beginning with the early innovations to classic norms brought about by painters of the Barbizon school, followed by a thorough exploration of the revolution caused by the great masters of Impressionism such as Monet, Sisley and Pissarro, and ending with the chromatic triumph of Monet's Waterlilies.

Author: Claude Monet
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 198

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Book Description
Published in conjunction with the exhibition: "Monet in Normandy," [held]: Fine Arts Museums of San Francisco, Jun. 17-Sep. 17, 2006; North Carolina Museum of Art, Oct. 15, 2006-Jan. 14, 2007; the Cleveland Museum of Art, Feb. 18-May 20, 2007.

Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 0870997696
Category : Painting, French
Languages : en
Pages : 497

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Book Description
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR

Author: Kimberly A. Jones
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 230

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Book Description
More than 100 works by artists such as Jean-Baptiste-Camille Corot (1796-1875), Théodore Rousseau (1812-1867), Jean-François Millet (1814-1875), Claude Monet (1840-1926), Gustave Le Gray (1820-1884), and Eugène Cuvelier (1837-1900) explore the French phenomenon of plein-air (open-air) painting and photography in the region of Fontainebleau, a pilgrimage site for aspiring landscape artists. The forest also inspired a new school of landscape photography, as figures such as Gustave Le Gray and Eugène Cuvelier, working side by side with painters, explored the camera's potential to reveal nature in a fresh and unadorned manner. The exhibition also includes 19th-century artists' equipment and tourist ephemera.

Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644

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Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.

Author: Mary Mathews Gedo
Publisher: University of Chicago Press
ISBN: 0226284808
Category : Architecture
Languages : en
Pages : 305

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Book Description
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.

Author: Claire Joyes
Publisher: Smithmark Publishers
ISBN:
Category : Art
Languages : en
Pages : 166

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Author: Johannes Vloothuis
Publisher: National Geographic Books
ISBN: 144033627X
Category : Art
Languages : en
Pages : 0

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Book Description
Secrets to Painting Beautiful Landscapes Painting the landscape can be fun and rewarding--if you make the right decisions as you paint. After all, it is the artist's greatest challenge to somehow capture a sense of it all--the grandness, the majesty, the splendor of nature--with just a few strokes of paint on a canvas. Popular art instructor Johannes Vloothuis makes the process a whole lot easier with the essential techniques, key concepts and expert advice he shares in this book. • Learn straightforward strategies to make your paintings more interesting and dramatic, such as simplifying the foreground, composing with abstract shapes and harmonizing colors. • Discover speci?c techniques for painting landscape elements including mountains, water, foliage, snow and more. • 9 step-by-step demonstrations walk you through all the techniques necessary to create successful landscape paintings. Landscape Painting Essentials is packed with practical information. You'll make the critical shift from painting what you see to painting as an artist sees. You'll learn to strategically edit shapes, rearrange elements and enhance color. You'll gain a better understanding of what to include in your painting, what to change and what to leave out. Most importantly, you'll gain the skills necessary to turn nature's bounty of inspiration into original, stunning landscape paintings.