Author: Pierre Corneille
Publisher:
ISBN: 1406848743
Category : Drama
Languages : en
Pages : 60
Book Description
A Literal Translation, by ROSCOE MONGAN. 1896
The Cid
Author: Pierre Corneille
Publisher:
ISBN: 1406848743
Category : Drama
Languages : en
Pages : 60
Book Description
A Literal Translation, by ROSCOE MONGAN. 1896
Publisher:
ISBN: 1406848743
Category : Drama
Languages : en
Pages : 60
Book Description
A Literal Translation, by ROSCOE MONGAN. 1896
Corneille's Le Cid
Author: Pierre Corneille
Publisher:
ISBN:
Category : Spanish literature
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Spanish literature
Languages : en
Pages : 92
Book Description
Le Cid ; And, The Liar
Author: Pierre Corneille
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156035835
Category : Drama
Languages : en
Pages : 276
Book Description
Richard Wilbur's translations of the great French dramas have been a boon to acting troupes, students of French literature and history, and theater lovers. He continues this wonderful work with two plays from Pierre Corneille: Le Cid is Corneille's most famous play, a tragedy set in Seville that illuminates the dangers of being bound by honor and the limits of romantic love; The Liar is a farce, set in France and dealing with love, misperceptions, and downright falsifications, which ends, of course, happily ever after. These two plays, together in one volume, work in perfect tandem to showcase the breadth of Corneille's abilities. Taking us back to the time he portrays as well as the time of his greatest success as a playwright, they remind us that the delights to be found on the French stage are truly ageless.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156035835
Category : Drama
Languages : en
Pages : 276
Book Description
Richard Wilbur's translations of the great French dramas have been a boon to acting troupes, students of French literature and history, and theater lovers. He continues this wonderful work with two plays from Pierre Corneille: Le Cid is Corneille's most famous play, a tragedy set in Seville that illuminates the dangers of being bound by honor and the limits of romantic love; The Liar is a farce, set in France and dealing with love, misperceptions, and downright falsifications, which ends, of course, happily ever after. These two plays, together in one volume, work in perfect tandem to showcase the breadth of Corneille's abilities. Taking us back to the time he portrays as well as the time of his greatest success as a playwright, they remind us that the delights to be found on the French stage are truly ageless.
Four French Plays
Author: Jean Racine
Publisher: Penguin UK
ISBN: 0141392096
Category : Drama
Languages : en
Pages : 332
Book Description
The 'greatest hits' of French classical theatre, in vivid and acclaimed new Penguin translations by John Edmunds and with editorial apparatus by Joseph Harris. The plays in this volume - Cinna, The Misanthrope, Andromache and Phaedra - span only thirty-seven years, but make up the defining period of French theatre. In Corneille's Cinna (1640), absolute power is explored in ancient Rome, while Molière's The Misanthrope (1666), the only comedy in this collection, sees its anti-hero outcast for his refusal to conform to social conventions. Here also are two key plays by Racine: Andromache (1667), recounting the tragedy of Hector's widow after the Trojan War, and Phaedre (1677), showing a mother crossing the bounds of love with her son. This translation of Phaedra was originally broadcast on Radio Three with a cast including Prunella Scales and Timothy West, and was praised by playwright Harold Pinter. This is the first time it has been published. The edition also includes an introduction by Joseph Harris, genealogical tables, pronunciation guides, critiques and prefaces, as well as a chronology and suggested further reading. After a varied career as an actor, teacher, and BBC TV national newsreader, John Edmunds became the founder-director of Aberystwyth University's department of Theatre, Film and Television Studies. Joseph Harris is Senior Lecturer at Royal Holloway, University of London and author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (2005).
Publisher: Penguin UK
ISBN: 0141392096
Category : Drama
Languages : en
Pages : 332
Book Description
The 'greatest hits' of French classical theatre, in vivid and acclaimed new Penguin translations by John Edmunds and with editorial apparatus by Joseph Harris. The plays in this volume - Cinna, The Misanthrope, Andromache and Phaedra - span only thirty-seven years, but make up the defining period of French theatre. In Corneille's Cinna (1640), absolute power is explored in ancient Rome, while Molière's The Misanthrope (1666), the only comedy in this collection, sees its anti-hero outcast for his refusal to conform to social conventions. Here also are two key plays by Racine: Andromache (1667), recounting the tragedy of Hector's widow after the Trojan War, and Phaedre (1677), showing a mother crossing the bounds of love with her son. This translation of Phaedra was originally broadcast on Radio Three with a cast including Prunella Scales and Timothy West, and was praised by playwright Harold Pinter. This is the first time it has been published. The edition also includes an introduction by Joseph Harris, genealogical tables, pronunciation guides, critiques and prefaces, as well as a chronology and suggested further reading. After a varied career as an actor, teacher, and BBC TV national newsreader, John Edmunds became the founder-director of Aberystwyth University's department of Theatre, Film and Television Studies. Joseph Harris is Senior Lecturer at Royal Holloway, University of London and author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (2005).
The Theatre of Illusion
Author: Pierre Corneille
Publisher: Dramatists Play Service Inc
ISBN: 9780822225034
Category : Drama
Languages : en
Pages : 84
Book Description
THE STORY: THE THEATRE OF ILLUSION is a tale of magic, love, revenge, mistaken identity, and mistaken perspective. Described by the author as a comedy, a caprice and an extravagance, it is widely considered to be Pierre Corneille's masterpiece.
Publisher: Dramatists Play Service Inc
ISBN: 9780822225034
Category : Drama
Languages : en
Pages : 84
Book Description
THE STORY: THE THEATRE OF ILLUSION is a tale of magic, love, revenge, mistaken identity, and mistaken perspective. Described by the author as a comedy, a caprice and an extravagance, it is widely considered to be Pierre Corneille's masterpiece.
Chief Plays of Corneille
Author: Pierre Corneille
Publisher: Princeton University Press
ISBN: 1400874971
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
"Well translated by Lacy Lockert, who provided an excellent critical introduction, this is a valuable selection of the plays of the great French Neo-Classicist. Included are Horace, The Cid, Cinna, Polyeucte, Rodugune, Nicomede."—Library Journal. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400874971
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
"Well translated by Lacy Lockert, who provided an excellent critical introduction, this is a valuable selection of the plays of the great French Neo-Classicist. Included are Horace, The Cid, Cinna, Polyeucte, Rodugune, Nicomede."—Library Journal. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Figurations of France
Author: Marcus Keller
Publisher: University of Delaware
ISBN: 1611490499
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
The century of political, religious and cultural turmoil that shook France after the sudden death of Francis I in 1547 was also a period of intense literary nation-building. This study shows how canonical authors contributed to the creation of the French as an imaginary community and argues that early modern literary texts also provide venues for an incisive critique of the idea of nation. Informed by contemporary theories of nationhood, the original readings of Du Bellay's Défense, Ronsard's Discours and d'Aubigné's Tragiques, Montaigne's Essays, Malherbe's odes, and Corneille's Le Cid and Horace demonstrate the critical function of allegories such as Mother France or tropes like the graft and reveal the pertinence of these early modern figurations for current debates about the nation-state in a postmodern era and globalized world.
Publisher: University of Delaware
ISBN: 1611490499
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
The century of political, religious and cultural turmoil that shook France after the sudden death of Francis I in 1547 was also a period of intense literary nation-building. This study shows how canonical authors contributed to the creation of the French as an imaginary community and argues that early modern literary texts also provide venues for an incisive critique of the idea of nation. Informed by contemporary theories of nationhood, the original readings of Du Bellay's Défense, Ronsard's Discours and d'Aubigné's Tragiques, Montaigne's Essays, Malherbe's odes, and Corneille's Le Cid and Horace demonstrate the critical function of allegories such as Mother France or tropes like the graft and reveal the pertinence of these early modern figurations for current debates about the nation-state in a postmodern era and globalized world.
Tragic Agency in Classical Drama from Aeschylus to Voltaire
Author: Paul Hammond
Publisher: BRILL
ISBN: 9004467378
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
Are we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights’ contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals.
Publisher: BRILL
ISBN: 9004467378
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
Are we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights’ contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals.
Corneille and Racine
Author: Gordon Pocock
Publisher: CUP Archive
ISBN:
Category : Drama
Languages : en
Pages : 340
Book Description
This study highlights that both Corneille and Racine were living writers, struggling to create developing forms within the strait-jacket of neo-classical decorum.
Publisher: CUP Archive
ISBN:
Category : Drama
Languages : en
Pages : 340
Book Description
This study highlights that both Corneille and Racine were living writers, struggling to create developing forms within the strait-jacket of neo-classical decorum.
Orientalism in French Classical Drama
Author: Michèle Longino
Publisher: Cambridge University Press
ISBN: 9780521807210
Category : Drama
Languages : en
Pages : 296
Book Description
Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.
Publisher: Cambridge University Press
ISBN: 9780521807210
Category : Drama
Languages : en
Pages : 296
Book Description
Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.