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Author: The Department of Commerce Publisher: CreateSpace ISBN: 9781500578831 Category : Law Languages : en Pages : 122
Book Description
Copyright law grants exclusive rights to authors in order to encourage the production of creative works, to the benefit of society as a whole. These exclusive rights are balanced by a range of limitations and exceptions that permit some uses of copyrighted works without the need for authorization. Copyright has been a vital contributor to U.S. cultural and economic development for more than two hundred years, fostering the production and dissemination of the valuable expression that has put America at the forefront of the global creative marketplace.“Nothing is more important to American prosperity than jumpstarting our engine of innovation.” Both American creativity and the Internet economy are at the heart of that engine, and the relationship between the two has motivated the Department of Commerce's inquiry into this issue. The industries that rely on copyright law are today an integral part of our economy, accounting for 5.1 million U.S. jobs in 2010—a figure that has grown dramatically over the past two decades. In that same year, these industries contributed 4.4 percent of U.S. GDP, or approximately $641 billion. And the demand for content produced by our creators contributes to the development of the broader Internet economy, spurring the creation and adoption of innovative distribution technologies.
Author: The Department of Commerce Publisher: CreateSpace ISBN: 9781500578831 Category : Law Languages : en Pages : 122
Book Description
Copyright law grants exclusive rights to authors in order to encourage the production of creative works, to the benefit of society as a whole. These exclusive rights are balanced by a range of limitations and exceptions that permit some uses of copyrighted works without the need for authorization. Copyright has been a vital contributor to U.S. cultural and economic development for more than two hundred years, fostering the production and dissemination of the valuable expression that has put America at the forefront of the global creative marketplace.“Nothing is more important to American prosperity than jumpstarting our engine of innovation.” Both American creativity and the Internet economy are at the heart of that engine, and the relationship between the two has motivated the Department of Commerce's inquiry into this issue. The industries that rely on copyright law are today an integral part of our economy, accounting for 5.1 million U.S. jobs in 2010—a figure that has grown dramatically over the past two decades. In that same year, these industries contributed 4.4 percent of U.S. GDP, or approximately $641 billion. And the demand for content produced by our creators contributes to the development of the broader Internet economy, spurring the creation and adoption of innovative distribution technologies.
Author: Matthew Newman Publisher: Nova Science Publishers ISBN: 9781629481890 Category : Copyright Languages : en Pages : 0
Book Description
This title provides a lens through which to assess current policy related to copyright and the Internet, identifying important issues that are being addressed by the courts and those that are ripe for further discussion and development of solutions.
Author: National Research Council Publisher: National Academies Press ISBN: 0309278988 Category : Technology & Engineering Languages : en Pages : 103
Book Description
Over the course of several decades, copyright protection has been expanded and extended through legislative changes occasioned by national and international developments. The content and technology industries affected by copyright and its exceptions, and in some cases balancing the two, have become increasingly important as sources of economic growth, relatively high-paying jobs, and exports. Since the expansion of digital technology in the mid-1990s, they have undergone a technological revolution that has disrupted long-established modes of creating, distributing, and using works ranging from literature and news to film and music to scientific publications and computer software. In the United States and internationally, these disruptive changes have given rise to a strident debate over copyright's proper scope and terms and means of its enforcement-a debate between those who believe the digital revolution is progressively undermining the copyright protection essential to encourage the funding, creation, and distribution of new works and those who believe that enhancements to copyright are inhibiting technological innovation and free expression. Copyright in the Digital Era: Building Evidence for Policy examines a range of questions regarding copyright policy by using a variety of methods, such as case studies, international and sectoral comparisons, and experiments and surveys. This report is especially critical in light of digital age developments that may, for example, change the incentive calculus for various actors in the copyright system, impact the costs of voluntary copyright transactions, pose new enforcement challenges, and change the optimal balance between copyright protection and exceptions.
Author: United States. Department of Commerce. Internet Policy Task Force Publisher: ISBN: Category : Copyright Languages : en Pages : 107
Book Description
The Internet Policy Task Force's White Paper on Remixes, First Sale, and Statutory Damages (White Paper) was published on January 28, 2016. In the report, the Task Force summarizes the comments and testimony received from stakeholders and sets forth its conclusions and recommendations on three important copyright topics: 1. the legal framework for the creation of remixes; the relevance and scope of the "first sale doctrine" in the digital environment; and the appropriate calibration of statutory damages in the contexts of individual file sharers and secondary liability for large-scale infringement. The White Paper recommends amending the Copyright Act to provide both more guidance and greater flexibility to courts in awarding statutory damages by incorporating a list of factors to consider when determining the amount of a statutory damages award. In addition, it advises changes to remove a bar to eligibility for the Act's "innocent infringer" provision, and to lessen the risk of excessive statutory damages in the context of non-willful secondary liability for online service providers. The report also notes that some concerns raised about damages levels in cases against individuals could be alleviated if Congress were to establish a small claims tribunal with caps on damages awards. With respect to remixes and the first sale doctrine in the digital environment, the report concludes that the evidence has not established a need for changes to the Copyright Act at this time. The Task Force makes several recommendations, however, to make it easier for remixers to understand when a use is fair and to obtain licenses when they wish to do so. It also recommends the development of best practices by stakeholders to improve consumers' understanding of the terms of online transactions involving creative works. Finally, it notes the need to continue to monitor legal and marketplace developments to ensure that library lending and preservation concerns are addressed. In making its recommendations, the Task Force was mindful of the need to protect copyrights effectively while also promoting innovation on the Internet"--Publisher's description.
Author: Arthur H. Neill Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
When it comes to domestic copyright legislation for the digital age, things really haven't changed much since the implementation of the Digital Millennium Copyright Act (“DMCA”) in 1998. While the legislation hasn't changed, our creative world certainly has. In 1998, how many of us envisioned the world of remixers and independent creators producing content of a quality once reserved for the Hollywood elite? How many of us would have imagined the creation of a license, like Creative Commons, aimed at allowing users to share their work in unprecedented ways? How many of us thought that ordinary people would be using this new technology to create and share everything from mundane pictures of meals at restaurants to the extraordinary live tweeting of the Arab Spring? The cultural and communications landscape has changed dramatically since 1998. The evolution of our creative culture and the way we communicate deserves a corresponding evolution of copyright law. This reform need not, and should not, take the form of any radical evisceration of copyright. At the same time, reform should not be used as an opportunity to continue unreasonable expansion of copyright law without concern for the collateral damage it causes to artistic progress, freedom of speech, and the intellectual enrichment of the public. Rather, much like one would tend to a garden, it is time we examine our current copyright law, remove the old weeds of law that no longer serve us, and plant the seeds of new law that will help to foster a new generation of artists and creators. In these comments, New Media Rights addresses three of the most compelling areas of copyright reform presented in the Greenpaper. First, these comments address five key copyright law problems that need to be solved to help remix creators spend their time creating rather than fighting legal disputes. Second, we discourage the widespread implementation of intermediary licensing modeled off YouTube's Content ID system because it is not, in fact, an intermediary licensing system. We also explain the implementation of such a system could be incredibly detrimental to users' rights largely due to the lack of an effective appeals process and various design challenges in the system. Finally, we address the Department of Commerce's question regarding how best to go about fashioning a multistakeholder process that would create a working set of best practices for the DMCA. We hope that our comments in these three areas will spark discussion and encourage badly needed copyright reform for the digital age.
Author: Sacha Wunsch-Vincent Publisher: WIPO ISBN: Category : Law Languages : en Pages : 19
Book Description
Technology and the Internet have triggered important changes to how creative works are created and accessed, and how creators and copyright-based industries generate their revenues. The authors reassess the economics of copyright in the light of these changes. After providing an introduction to the economics of copyright, they analyze the changes to the baseline copyright model triggered by the new technological landscape. Then, they assess the empirical economic work on copyright so far, and suggest future avenues of research and related data needs.
Author: Ben Depoorter Publisher: Edward Elgar Publishing ISBN: 1789903998 Category : Law Languages : en Pages : 1504
Book Description
Both law and economics and intellectual property law have expanded dramatically in tandem over recent decades. This field-defining two-volume Handbook, featuring the leading legal, empirical, and law and economics scholars studying intellectual property rights, provides wide-ranging and in-depth analysis both of the economic theory underpinning intellectual property law, and the use of analytical methods to study it.
Author: Ruth Towse Publisher: Edward Elgar Publishing ISBN: 1781004870 Category : Computers Languages : en Pages : 456
Book Description
Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between
Author: The Department of Commerce
Author: The Department of Commerce
Author: 
Author: Matthew Newman
Author: National Research Council
Author: United States. Department of Commerce. Internet Policy Task Force
Author: Arthur H. Neill
Author: Sacha Wunsch-Vincent
Author: United States. Congress. Senate. Committee on the Judiciary
Author: Ben Depoorter
Author: Ruth Towse