Author: Lesley Ellen Harris
Publisher: American Library Association
ISBN: 0838909922
Category : Computers
Languages : en
Pages : 185
Book Description
Provides an overview of issues surrounding electronic media access licenses for librarians.
Licensing Digital Content
Author: Lesley Ellen Harris
Publisher: American Library Association
ISBN: 0838909922
Category : Computers
Languages : en
Pages : 185
Book Description
Provides an overview of issues surrounding electronic media access licenses for librarians.
Publisher: American Library Association
ISBN: 0838909922
Category : Computers
Languages : en
Pages : 185
Book Description
Provides an overview of issues surrounding electronic media access licenses for librarians.
United States Code
Author: United States
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1146
Book Description
"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1146
Book Description
"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.
Understanding and Negotiating Book Publication Contracts
Author: Brianna Schofield
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 280
Book Description
"Copyright law and contract language are complex, even for attorneys and experts. Authors may be tempted to sign the first version of a publication contract that they receive, especially if negotiating seems complicated, intimidating, or risky. But there is a lot at stake for authors in a book deal, and it is well worth the effort to read the contract, understand its contents, and negotiate for favorable terms. To that end, Understanding and Negotiating Book Publication Contracts identifies clauses that frequently appear in publishing contracts, explains in plain language what these terms (and typical variations) mean, and presents strategies for negotiating "author-friendly" versions of these clauses. When authors have more information about copyright and publication options for their works, they are better able to make and keep their works available in the ways they want"--Publisher.
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 280
Book Description
"Copyright law and contract language are complex, even for attorneys and experts. Authors may be tempted to sign the first version of a publication contract that they receive, especially if negotiating seems complicated, intimidating, or risky. But there is a lot at stake for authors in a book deal, and it is well worth the effort to read the contract, understand its contents, and negotiate for favorable terms. To that end, Understanding and Negotiating Book Publication Contracts identifies clauses that frequently appear in publishing contracts, explains in plain language what these terms (and typical variations) mean, and presents strategies for negotiating "author-friendly" versions of these clauses. When authors have more information about copyright and publication options for their works, they are better able to make and keep their works available in the ways they want"--Publisher.
Cross-Border Copyright Licensing
Author: Carlo Scollo Lavizzari
Publisher: Edward Elgar Publishing
ISBN: 1784718513
Category : Law
Languages : en
Pages : 454
Book Description
Copyright Licensing can no longer be considered purely from the perspective of the licensor’s home territory. This practical and wide-ranging reference work provides comprehensive coverage of the law and practice of cross-border licensing in a number of major territories, including China, the EU, India, Mexico, Russia, Singapore, South Africa, and the USA. The book, written by expert authors with insight from practice and from their home jurisdictions, focuses on both copyright licensing and competition law and, specifically, the inter-relation between these legal fields. The book is uniquely structured to provide both thematic coverage and detailed analysis of each territory’s applicable laws and regulations, highlighting and addressing the legal issues that are most critical in and relevant to licensing practice. Cross-Border Copyright Licensing is an essential starting point for anyone considering or advising on the implementation or enforcement of a copyright licensing program, in either developed and emerging markets.
Publisher: Edward Elgar Publishing
ISBN: 1784718513
Category : Law
Languages : en
Pages : 454
Book Description
Copyright Licensing can no longer be considered purely from the perspective of the licensor’s home territory. This practical and wide-ranging reference work provides comprehensive coverage of the law and practice of cross-border licensing in a number of major territories, including China, the EU, India, Mexico, Russia, Singapore, South Africa, and the USA. The book, written by expert authors with insight from practice and from their home jurisdictions, focuses on both copyright licensing and competition law and, specifically, the inter-relation between these legal fields. The book is uniquely structured to provide both thematic coverage and detailed analysis of each territory’s applicable laws and regulations, highlighting and addressing the legal issues that are most critical in and relevant to licensing practice. Cross-Border Copyright Licensing is an essential starting point for anyone considering or advising on the implementation or enforcement of a copyright licensing program, in either developed and emerging markets.
Copyright Licensing in a Digital Age
Author: United States. Congress. House. Committee on the Judiciary
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 172
Book Description
Digital Copyright
Author: Jessica Litman
Publisher: Prometheus Books
ISBN: 161592051X
Category : Law
Languages : en
Pages : 216
Book Description
Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.
Publisher: Prometheus Books
ISBN: 161592051X
Category : Law
Languages : en
Pages : 216
Book Description
Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.
Copyright and the Music Marketplace
Author: United States United States Copyright Office
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522852155
Category :
Languages : en
Pages : 208
Book Description
The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522852155
Category :
Languages : en
Pages : 208
Book Description
The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.
Understanding Open Source and Free Software Licensing
Author: Andrew M. St. Laurent
Publisher: "O'Reilly Media, Inc."
ISBN: 0596005814
Category : Business & Economics
Languages : en
Pages : 208
Book Description
The book wraps up with a look at the legal effects--both positive and negative--of open source/free software licensing.
Publisher: "O'Reilly Media, Inc."
ISBN: 0596005814
Category : Business & Economics
Languages : en
Pages : 208
Book Description
The book wraps up with a look at the legal effects--both positive and negative--of open source/free software licensing.
Copyright Licensing Regimes Covering Retransmission of Broadcast Signals: Hearing Before the Comm. on the Judiciary, U.S. House of Rep. (2 reports together)
Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts and Intellectual Property
Publisher: DIANE Publishing
ISBN: 0756707293
Category : Cable television
Languages : en
Pages : 350
Book Description
Witnesses: Marsha Kessler & Fritz Attaway, Motion Pict. Assoc. of Amer.; Decker Anstrom, Nat. Cable TV Assoc.; Steven Cox, Sr. DIRECTV; James Goodman, Capitol Broad.; Wade Hargrove, Network Affil. Stations All.; William Hawkins, Starpath, KY; Charles Hewitt, Sat. Broad. & Comm. Assoc.; Tom Howe, PBS; Thomas Ostertag, Baseball Comm.; Marybeth Peters, Reg. of Copyrights; Peter Boylan, United Video Sat. Grp.; Thomas Casey, PrimeTime 24; Charles Ergen, EchoStar Comm.; Bob Phillips, Nat. Rural Tele. Coop.; Matthew Polka, Small Cable Bus. Assoc.; James Popham, Assoc. of Local TV Stat.; & William Sullivan, Nat. Assoc. of Broad.
Publisher: DIANE Publishing
ISBN: 0756707293
Category : Cable television
Languages : en
Pages : 350
Book Description
Witnesses: Marsha Kessler & Fritz Attaway, Motion Pict. Assoc. of Amer.; Decker Anstrom, Nat. Cable TV Assoc.; Steven Cox, Sr. DIRECTV; James Goodman, Capitol Broad.; Wade Hargrove, Network Affil. Stations All.; William Hawkins, Starpath, KY; Charles Hewitt, Sat. Broad. & Comm. Assoc.; Tom Howe, PBS; Thomas Ostertag, Baseball Comm.; Marybeth Peters, Reg. of Copyrights; Peter Boylan, United Video Sat. Grp.; Thomas Casey, PrimeTime 24; Charles Ergen, EchoStar Comm.; Bob Phillips, Nat. Rural Tele. Coop.; Matthew Polka, Small Cable Bus. Assoc.; James Popham, Assoc. of Local TV Stat.; & William Sullivan, Nat. Assoc. of Broad.
Copyright Licensing Regimes Covering Retransmission of Broadcast Signals
Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts and Intellectual Property
Publisher:
ISBN:
Category : Broadcasting
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Broadcasting
Languages : en
Pages : 198
Book Description