Carmack's Guide to Copyright and Contracts PDF Download

Author: Sharon DeBartolo Carmack
Publisher: Genealogical Publishing Company
ISBN: 9780806317588
Category : Contracts
Languages : en
Pages : 0

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Book Description
"In simple language ... explains copyright, rights, and contracts and how these apply to genealogists, writers, and researchers."--Page 4 of cover.

Author: Giuseppina D'Agostino
Publisher: Edward Elgar Publishing
ISBN: 1849805202
Category : Law
Languages : en
Pages : 339

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Book Description
`Copyright, Contracts, Creators provides a new and original analysis on the relationship between owners and creators and recommendations for legislative change to re-balance the relationship. It is a must-read for the intellectual property legal community and anyone interested in the promotion of creative works.'- Marshall Rothstein, Justice of the Supreme Court of Canada `Dr Giuseppina D'Agostino is a protector of the arts, and her work on intellectual property is designed not only to bring law and order to our digital universe but to bring hope to the artists, poets and writers whose only hope of pursuing their artistry is to earn income for their craft. A wonderful book by one of the most wonderful and forward thinking minds in this subject area.' -Tony Chapman, Founder and CEO, Capital C, Canada `Dr D `Agostino has produced an important, carefully documented and courageous study that deserves to be widely read and discussed and (dare one say?) even to have its message heeded.' - David Vaver, University of Oxford, UK. Copyright, Contracts, Creators evaluates the efficacy of current copyright law to address the contracting and use of creative works. It looks in particular at freelance works and argues that their copyright treatment on a national and international level is inadequate to resolve ambiguities in the contracting and uses of the work. Giuseppina D'Agostino discusses how historically laws and courts were more sympathetic to creators, and how the Internet revolution has shifted the scales to favour owners. Consequently, creators often find themselves at opposing ends with copyright owners, and in a disproportionately weaker bargaining position that places tremendous strain on their livelihoods. She argues that this predicament puts society at risk of losing its most valued asset: professional creators. The author calls for a new framework to justify legislative provisions and resolve ambiguities while suggesting principles and mechanisms to address the inadequate treatment of freelance work.

Author: Mark Litwak
Publisher:
ISBN: 9781879505179
Category : Artists' contracts
Languages : en
Pages : 0

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Book Description
This invaluable collection of sample entertainment contracts and discussions of the terms and concepts contained therein has been expanded in this second edition by the addition of twenty new contracts, bringing the total number of contracts to sixty. Includes contracts covering: depiction -- release, option, purchase; literary submission and sale -- release, option, purchase; artist employment -- writer, director, actor; Collaboration -- writer, joint venture, co-production; music -- television rights license, soundtrack, composer; financing -- finder, limited prospectus; production -- line producer, casting director, crew, services, location; distribution -- theatrical, merchandising -- product release, license; retainer -- agent, attorney; and much more.

Author: Brianna Schofield
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 0

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Book Description
"Copyright law and contract language are complex, even for attorneys and experts. Authors may be tempted to sign the first version of a publication contract that they receive, especially if negotiating seems complicated, intimidating, or risky. But there is a lot at stake for authors in a book deal, and it is well worth the effort to read the contract, understand its contents, and negotiate for favorable terms. To that end, Understanding and Negotiating Book Publication Contracts identifies clauses that frequently appear in publishing contracts, explains in plain language what these terms (and typical variations) mean, and presents strategies for negotiating "author-friendly" versions of these clauses. When authors have more information about copyright and publication options for their works, they are better able to make and keep their works available in the ways they want"--Publisher.

Author: Richard Stim
Publisher: Nolo
ISBN: 1413328938
Category : Business & Economics
Languages : en
Pages : 497

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Book Description
Life has become an endless series of contracts—this is the manual. There’s no reason to risk your hard-earned money signing a contract you don’t understand. With Contracts: The Essential Business Desk Reference, you get easy-to-understand explanations for every common contract term. In no time, you’ll grasp mysterious concepts like “force majeur,” “indemnity,” and “time is of the essence." Contracts: The Essential Business Desk Reference is more than just an A–Z explanation of over 300 terms. It also includes: common negotiating strategies examples of contract provisions sample contract clauses and entire contracts examples of illegal and dangerous contract clauses what to expect if you or the other side breaks a contract up-to-date explanations of electronic contracts, and tips on amending and modifying agreements. Whether you’re starting a business, signing a lease, hiring a new employee or independent contractor, licensing a concept, selling a boat, or contracting for a new fireplace, Contracts: The Essential Business Desk Reference can help. A must-have for small business owners, entrepreneurs, lawyers, and law students—and anyone else whose success is built around understanding and negotiating agreements.

Author: Bill Seiter
Publisher: Yale University Press
ISBN: 0300183542
Category : Law
Languages : en
Pages : 340

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Book Description
In today's complex media environment, aspiring filmmakers and new media artists are as vulnerable as swimmers in shark-infested waters. This user-friendly guide supplies creative artists with the essential legal concepts needed to swim safely with lawyers, agents, executives, and other experts in intellectual property and business law How do I copyright my screenplay? How can I clear rights for my film project? What can I do to avoid legal trouble when I produce my mockumentary? How do I ascertain whether a vintage novel is in the public domain? Is the trademark I've invented for my production company available? What about copyright and trademark rights overseas? If I upload my film to YouTube, do I give up any rights? Bill Seiter and Ellen Seiter answer these questions and countless others while also demystifying the fundamental principles of intellectual property. Clear and thorough, this plain-spoken and practical guide is essential for anyone seeking to navigate the rapidly changing media environment of today.

Author: Charles Clark
Publisher: London ; Boston : G. Allen & Unwin
ISBN:
Category : Authors and publishers
Languages : en
Pages : 210

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Book Description
More so now than ever, it can be said that it enshrines the collective wisdom of the publishing industry....--Giles de la Mare, Rights

Author: H. Cohen Jehoram
Publisher: Springer
ISBN:
Category : Law
Languages : en
Pages : 278

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Book Description
Reports of an international symposium held in Amsterdam, April 26, 1974 and reports of an international symposium held in Berlin, October 1-2, 1975, supplemented by two American articles.

Author: Nikolaus Reber
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 206

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Book Description
Adequate participation of artists in the profits of film exploitation has become increasingly important in recent years. Whereas before film and television studios/producers only had the choice of presenting their products in theaters or on television, the latest technical and economical developments - such as digitalisation of film, online services or merchandising-provide a much wider field of exploitation. This book will closely examine American artists2 protection by way of copyright law, collective bargaining agreements and individual contracts. Special focus will be placed on the various ways of calculating profit participation and residual payments. This work is an indispensable tool for the entertainment and media industry, especially lawyers, practitioners and scholars in this field.

Author: Lucie Guibault
Publisher: Springer
ISBN:
Category : Law
Languages : en
Pages : 400

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Book Description
This book explores this conflict, focusing on statutory copyright limitations that enshrine constitutional rights such as freedom of expression and privacy, foster dissemination of knowledge, safeguard competition, and protect authors from market failure. It explains the rationale for these limitations and questions the legality of overriding them by contractual means. The author finds a complex array of factors clouding the emergence of coherent rules in the matter and points out that the United States' Uniform Computer Information Transactions Act (UCITA) leaves this issue essentially unresolved. Among the author's insights is that, contrary to the commonly held notion that the Internet is a bastion of free speech, in fact it is now possible (via encryption technology) to exercise absolute control over copyrighted material, even under circumstances of global mass distribution.