Author: Mario Falsetto
Publisher: Rowman & Littlefield
ISBN: 1442247673
Category : Performing Arts
Languages : en
Pages : 205
Book Description
One of the most talented and imaginative artists of independent cinema, Gus Van Sant established himself with a number of important movies of the late 1980s and early 1990s. Beginning with Mala Noche, the 1986 gay classic of personal film expression, followed by two key works of the American indie movement, Drugstore Cowboy and My Own Private Idaho, Van Sant films often feature characters on the borders of mainstream society. Subsequent films included hits, misses, and a notorious remake of Psycho. Regardless of the critical or commercial response to his work, Van Sant has maintained a vision that is unique among contemporary filmmakers. Conversations with Gus Van Sant is the first critical study to include both extensive original interviews with the director as well as discussions of his entirebody of work. The exchanges between film scholar Mario Falsetto and the indie filmmaker cover fifteen films directed by Van Sant over a period of thirty years. Throughout these discussions, Van Sant talks candidly about each film’s production history, visual style, editing patterns, and creative soundwork. The director also expounds on his work with actors, the relationship of independent filmmakers to the wider film industry, and many other subjects related to his filmmaking process. The conversations examine the rich thematic explorations of Van Sant’s films, which often revolve around the search for love and community on the margins of society and feature a fascination with death. From experimental films such as Gerry, Last Days, Elephant,and Paranoid Park—where Van Sant rebooted his understanding of cinema and his relationship to the Hollywood film industry—to Milk and Promised Land, this book explores the rich network of meanings in the director’s work. By melding the author’s critical perspective with the filmmaker’s own ideas, Conversations with Gus Van Sant creates a wider perspective on one of the most iconoclastic and imaginative directors of the last thirty years.
Conversations with Gus Van Sant
Author: Mario Falsetto
Publisher: Rowman & Littlefield
ISBN: 1442247673
Category : Performing Arts
Languages : en
Pages : 205
Book Description
One of the most talented and imaginative artists of independent cinema, Gus Van Sant established himself with a number of important movies of the late 1980s and early 1990s. Beginning with Mala Noche, the 1986 gay classic of personal film expression, followed by two key works of the American indie movement, Drugstore Cowboy and My Own Private Idaho, Van Sant films often feature characters on the borders of mainstream society. Subsequent films included hits, misses, and a notorious remake of Psycho. Regardless of the critical or commercial response to his work, Van Sant has maintained a vision that is unique among contemporary filmmakers. Conversations with Gus Van Sant is the first critical study to include both extensive original interviews with the director as well as discussions of his entirebody of work. The exchanges between film scholar Mario Falsetto and the indie filmmaker cover fifteen films directed by Van Sant over a period of thirty years. Throughout these discussions, Van Sant talks candidly about each film’s production history, visual style, editing patterns, and creative soundwork. The director also expounds on his work with actors, the relationship of independent filmmakers to the wider film industry, and many other subjects related to his filmmaking process. The conversations examine the rich thematic explorations of Van Sant’s films, which often revolve around the search for love and community on the margins of society and feature a fascination with death. From experimental films such as Gerry, Last Days, Elephant,and Paranoid Park—where Van Sant rebooted his understanding of cinema and his relationship to the Hollywood film industry—to Milk and Promised Land, this book explores the rich network of meanings in the director’s work. By melding the author’s critical perspective with the filmmaker’s own ideas, Conversations with Gus Van Sant creates a wider perspective on one of the most iconoclastic and imaginative directors of the last thirty years.
Publisher: Rowman & Littlefield
ISBN: 1442247673
Category : Performing Arts
Languages : en
Pages : 205
Book Description
One of the most talented and imaginative artists of independent cinema, Gus Van Sant established himself with a number of important movies of the late 1980s and early 1990s. Beginning with Mala Noche, the 1986 gay classic of personal film expression, followed by two key works of the American indie movement, Drugstore Cowboy and My Own Private Idaho, Van Sant films often feature characters on the borders of mainstream society. Subsequent films included hits, misses, and a notorious remake of Psycho. Regardless of the critical or commercial response to his work, Van Sant has maintained a vision that is unique among contemporary filmmakers. Conversations with Gus Van Sant is the first critical study to include both extensive original interviews with the director as well as discussions of his entirebody of work. The exchanges between film scholar Mario Falsetto and the indie filmmaker cover fifteen films directed by Van Sant over a period of thirty years. Throughout these discussions, Van Sant talks candidly about each film’s production history, visual style, editing patterns, and creative soundwork. The director also expounds on his work with actors, the relationship of independent filmmakers to the wider film industry, and many other subjects related to his filmmaking process. The conversations examine the rich thematic explorations of Van Sant’s films, which often revolve around the search for love and community on the margins of society and feature a fascination with death. From experimental films such as Gerry, Last Days, Elephant,and Paranoid Park—where Van Sant rebooted his understanding of cinema and his relationship to the Hollywood film industry—to Milk and Promised Land, this book explores the rich network of meanings in the director’s work. By melding the author’s critical perspective with the filmmaker’s own ideas, Conversations with Gus Van Sant creates a wider perspective on one of the most iconoclastic and imaginative directors of the last thirty years.
Gus Van Sant
Author: Katya Tylevich
Publisher: Laurence King Publishing
ISBN: 9781913947477
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
From Drugstore Cowboy to Elephant, Milk and Good Will Hunting, Gus Van Sant's films have captured the imagination of more than one generation. Alongside his filmaking, however, Van Sant is also an artist, photographer and writer. Based on a series of completely new and exclusive interviews, this book provides a personal insight into how Van Sant successfully approaches these different and very varied artforms, providing an inspirational look into the working life of one of America's most pivotal cultural and creative practitioners.
Publisher: Laurence King Publishing
ISBN: 9781913947477
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
From Drugstore Cowboy to Elephant, Milk and Good Will Hunting, Gus Van Sant's films have captured the imagination of more than one generation. Alongside his filmaking, however, Van Sant is also an artist, photographer and writer. Based on a series of completely new and exclusive interviews, this book provides a personal insight into how Van Sant successfully approaches these different and very varied artforms, providing an inspirational look into the working life of one of America's most pivotal cultural and creative practitioners.
Icons
Author: Cinémathèque française
Publisher: Actes Sud Editions
ISBN: 9782330060763
Category : Performing Arts
Languages : en
Pages : 0
Book Description
This reference work presents the full range of the filmmaker's artistry (photography, painting and music) through the optic of his films. It is an original work combining all facets of his creation for the first time, bringing a fresh vision of his cinematographic work. At the heart of the book is the exhibition curator Matthieu Orléan's unpublished interview with Gus Van Sant in Portland in June 2015, discussing the whole scope of his work and inspirations through a network of images organized into themes. The work also explores the work of other artists whose heritage Gus Van Sant believes he is continuing: heritage beat, pop, rock, and experimental filmmakers, writers and visual artists like William Burroughs, William Eggleston, Harmony Korine and Ed Ruscha. There is also critical analysis of the many themes Gus Van Sant tackles in his work related to his own personal reflections on life, accompanied by first-hand anecdotes and an in-depth appraisal of the production processes used in each movie, from the experimental shorts of the 70s to Sea of Trees, presented at the Cannes Festival in May 2015, soon to be released in cinemas. The monograph also feature essays by Stéphane Bouquet, Benjamin Thorel, Bertrand Schefer and Stefano Boni, who provide their own interpretations of his protean work. Each essay tackles specific aspects of Gus Van Sant's creation through reflections on the heterogenous nature of his methods and approach.
Publisher: Actes Sud Editions
ISBN: 9782330060763
Category : Performing Arts
Languages : en
Pages : 0
Book Description
This reference work presents the full range of the filmmaker's artistry (photography, painting and music) through the optic of his films. It is an original work combining all facets of his creation for the first time, bringing a fresh vision of his cinematographic work. At the heart of the book is the exhibition curator Matthieu Orléan's unpublished interview with Gus Van Sant in Portland in June 2015, discussing the whole scope of his work and inspirations through a network of images organized into themes. The work also explores the work of other artists whose heritage Gus Van Sant believes he is continuing: heritage beat, pop, rock, and experimental filmmakers, writers and visual artists like William Burroughs, William Eggleston, Harmony Korine and Ed Ruscha. There is also critical analysis of the many themes Gus Van Sant tackles in his work related to his own personal reflections on life, accompanied by first-hand anecdotes and an in-depth appraisal of the production processes used in each movie, from the experimental shorts of the 70s to Sea of Trees, presented at the Cannes Festival in May 2015, soon to be released in cinemas. The monograph also feature essays by Stéphane Bouquet, Benjamin Thorel, Bertrand Schefer and Stefano Boni, who provide their own interpretations of his protean work. Each essay tackles specific aspects of Gus Van Sant's creation through reflections on the heterogenous nature of his methods and approach.
Pink
Author: Gus Van Sant
Publisher: Penguin Mass Market
ISBN: 9780571196005
Category : Authors
Languages : en
Pages : 259
Book Description
Pink is the first novel by film-maker Gus Van Sant, whose films include Drugstore Cowboy, My Own Private Idaho and Good Will Hunting. It tells the story of industrial film-maker Spunky Davis and his close encounters with two strange young men whose disturbing aura attracts Spunky's curiosity - especially as one of them strongly reminds him of a dazzling young star of the infommercial world who has recently died tragically of a drug overdose. Gradually, they draw Spunky into their world, revealing to him the secrets of the Pink dimension. Pink is suffused with a grief for the temporary nature of life, for the breaking of connections, for the difficulties of coping with inconsolable loss. It is also a tale of hope and rapture - one told with the aching tenderness of My Own Private Idaho, as well as the wickedly ironic tone of To Die For.
Publisher: Penguin Mass Market
ISBN: 9780571196005
Category : Authors
Languages : en
Pages : 259
Book Description
Pink is the first novel by film-maker Gus Van Sant, whose films include Drugstore Cowboy, My Own Private Idaho and Good Will Hunting. It tells the story of industrial film-maker Spunky Davis and his close encounters with two strange young men whose disturbing aura attracts Spunky's curiosity - especially as one of them strongly reminds him of a dazzling young star of the infommercial world who has recently died tragically of a drug overdose. Gradually, they draw Spunky into their world, revealing to him the secrets of the Pink dimension. Pink is suffused with a grief for the temporary nature of life, for the breaking of connections, for the difficulties of coping with inconsolable loss. It is also a tale of hope and rapture - one told with the aching tenderness of My Own Private Idaho, as well as the wickedly ironic tone of To Die For.
108 Portraits
Author: Gus Van Sant
Publisher: Twelvetrees
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
Publisher: Twelvetrees
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
Gay Directors, Gay Films?
Author: Emanuel Levy
Publisher: Columbia University Press
ISBN: 0231526539
Category : Performing Arts
Languages : en
Pages : 425
Book Description
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.
Publisher: Columbia University Press
ISBN: 0231526539
Category : Performing Arts
Languages : en
Pages : 425
Book Description
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.
Even Cowgirls Get the Blues
Author: Tom Robbins
Publisher: Bantam
ISBN: 0553897896
Category : Fiction
Languages : en
Pages : 385
Book Description
“This is one of those special novels—a piece of working magic, warm, funny, and sane.”—Thomas Pynchon The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all. Freedom, its prizes and its prices, is a major theme of Tom Robbins’s classic tale of eccentric adventure. As his robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind.
Publisher: Bantam
ISBN: 0553897896
Category : Fiction
Languages : en
Pages : 385
Book Description
“This is one of those special novels—a piece of working magic, warm, funny, and sane.”—Thomas Pynchon The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all. Freedom, its prizes and its prices, is a major theme of Tom Robbins’s classic tale of eccentric adventure. As his robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind.
Rent Boy
Author: Gary Indiana
Publisher: Simon and Schuster
ISBN: 1946022535
Category : Fiction
Languages : en
Pages : 86
Book Description
A noir tour-de-force set in a world of hustlers from "one of America's darkest and funniest chroniclers." (The Guardian)
Publisher: Simon and Schuster
ISBN: 1946022535
Category : Fiction
Languages : en
Pages : 86
Book Description
A noir tour-de-force set in a world of hustlers from "one of America's darkest and funniest chroniclers." (The Guardian)
The View from Here
Author: Matthew Hays
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
Book Description
John Waters, Gus Van Sant, and beyond: gay and lesbian filmmakers, in their own words.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
Book Description
John Waters, Gus Van Sant, and beyond: gay and lesbian filmmakers, in their own words.
Gone Tomorrow
Author: Gary Indiana
Publisher: National Geographic Books
ISBN: 1609808630
Category : Fiction
Languages : en
Pages : 0
Book Description
Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in an art film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds. The director, Paul Grosvenor, seems more interested in manipulating his cast than in shooting film. The cult star, Irma Irma, is a vamp too bored and boring to draw blood. And the beautiful, nymph-like Michael Simard doesn’t seem to be putting out. Meanwhile, the film’s shady financier is sleeping with his mother, while a serial killer skulks about the area killing tourists. Everything comes to a head when the carnaval celebration begins in nearby Cali. But once the fiesta is over, all that’s left are ghostly memories and the narrator’s insistence on telling the tale. “Unlike the majority of pointedly AIDS-era novels,” writes Dennis Cooper, “Gone Tomorrow is neither an amoral nostalgia fest nor a thinly veiled wake-up call hyping the religion of sobriety. It’s a philosophical work devised by a writer who’s both too intelligent to buy into the notion that a successful future requires the compromise of collective decision and too moral to accept bitterness as the consequence of an adventurous life.”
Publisher: National Geographic Books
ISBN: 1609808630
Category : Fiction
Languages : en
Pages : 0
Book Description
Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in an art film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds. The director, Paul Grosvenor, seems more interested in manipulating his cast than in shooting film. The cult star, Irma Irma, is a vamp too bored and boring to draw blood. And the beautiful, nymph-like Michael Simard doesn’t seem to be putting out. Meanwhile, the film’s shady financier is sleeping with his mother, while a serial killer skulks about the area killing tourists. Everything comes to a head when the carnaval celebration begins in nearby Cali. But once the fiesta is over, all that’s left are ghostly memories and the narrator’s insistence on telling the tale. “Unlike the majority of pointedly AIDS-era novels,” writes Dennis Cooper, “Gone Tomorrow is neither an amoral nostalgia fest nor a thinly veiled wake-up call hyping the religion of sobriety. It’s a philosophical work devised by a writer who’s both too intelligent to buy into the notion that a successful future requires the compromise of collective decision and too moral to accept bitterness as the consequence of an adventurous life.”