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Author: Joseph Kerman Publisher: Univ of California Press ISBN: 0520962591 Category : Music Languages : en Pages : 193
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Author: Joseph Kerman Publisher: Univ of California Press ISBN: 0520962591 Category : Music Languages : en Pages : 193
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Author: Johann Sebastian Bach Publisher: CreateSpace ISBN: 9781507537848 Category : Music Languages : en Pages : 84
Book Description
Title: The Art of the Fugue, BWV 1080 Composer: Johann Sebastian Bach The complete Art of the Fugue by Johann Sebastian Bach, as adapted for Piano by Carl Czerny. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.
Author: Johann Sebastian Bach Publisher: Alfred Publishing Company ISBN: 9781554722365 Category : Music Languages : en Pages :
Book Description
This, the first fugue from the famous Art of the Fugue, has been arranged here for 5 trumpets and a bass clef instrument (bass trumpet or baritone) The fugue, with its contrapuntal lines, works well for a like-instrument ensemble such as a trumpet ensemble.
Author: Johann Sebastian Bach Publisher: Courier Corporation ISBN: 0486270068 Category : Music Languages : en Pages : 194
Book Description
Among Bach's last instrumental compositions are two splendid works that reflect his genius for working complex contrapuntal figures into an expressive, apparently seamless musical texture. The Art of the Fugue, composed ca. 1745–50, consists of nineteen canons and fugues that progressively illustrate the rich variety and complexity of fugal writing. This edition, reproduced directly from the authoritative Breitkopf & Härtel score, includes a keyboard reproduction printed directly beneath the score. A Musical Offering (1747), composed for King Frederick the Great of Prussia, comprises a three-part ricercar and a six-part ricercar for keyboard, a famous sonata for flute and violin, and a set of canons, all based on a theme devised by the King himself. Solutions of the canons and a realization of the keyboard part are included in an appendix.
Author: Zoltán Göncz Publisher: Scarecrow Press ISBN: 0810884488 Category : Music Languages : en Pages : 195
Book Description
Written late in his life, J. S. Bach’s The Art of Fugue has long been admired—in some quarters revered—as one of his masterworks. Its last movement, Contrapunctus 14, went unfinished, and the enigma of its incompleteness still preoccupies scholars and musical conductors alike. In 1881, Gustav Nottebohm discovered that the three subjects of the movement could be supplemented by a fourth. In 1993, Zoltán Göncz revealed that Bach had planned the passage that would join the four subjects in an entirely unique way. This section has not survived, but, as Göncz notes, it must have been ready in the earliest phase of composition since Bach had created the expositions of the first three subjects from its “disjointed” parts. Göncz then boldly took on the task of reconstructing the original “template” by putting together the once separate pieces. In Bach’s Testament: On the Philosophical and Theological Background of The Art of Fugue, Göncz probes the philosophic-theological background of The Art of Fugue, revealing the special structures that supported the 1993 reconstruction. Bach’s Testament investigates the reconstruction’s metaphysical dimensions, focusing on the quadruple fugue. As a summary of Zoltán Göncz’s extensive research over many years, which resulted in the completion of the fugue, this work explores the complex combinatorial, philosophical and theological considerations that inform its structure. Bach’s Testament is ideally suited not only to Bach scholars and musicologists but also intellectual historians with particular interests in 18th-century religious and philosophical ideas.
Author: Vikram Seth Publisher: Vintage ISBN: 037570924X Category : Fiction Languages : en Pages : 395
Book Description
The author of the international bestseller A Suitable Boy returns with a powerful and deeply romantic tale of two gifted musicians. Michael Holme is a violinist, a member of the successful Maggiore Quartet. He has long been haunted, though, by memories of the pianist he loved and left ten years earlier, Julia McNicholl. Now Julia, married and the mother of a small child, unexpectedly reenters his life and the romance flares up once more. Against the magical backdrop of Venice and Vienna, the two lovers confront the truth about themselves and their love, about the music that both unites and divides them, and about a devastating secret that Julia must finally reveal. With poetic, evocative writing and a brilliant portrait of the international music scene, An Equal Music confirms Vikram Seth as one of the world's finest and most enticing writers.
Author: Hans Heinrich Eggebrecht Publisher: Wiley-Blackwell ISBN: Category : Music Languages : en Pages : 168
Book Description
In this text, the author develops a new interpretation of J.S. Bach's The Art of Fugue, based on a profound knowledge of Baroque-era thought and intense score study. Starting with the work's celebrated BACH theme, he attempts to show that The Art of Fugue contains an assertion of the composer's deeply held faith, and that aspects of Bach's spiritual convictions permeate the entire musical fabric of the work. The author postulates that The Art of Fugue is actually a musical representation of Bach's beliefs about the God-human relationship, and argues that the Christian doctrine of "salvation by grace" is the core concept that provides the work with its expressive content in much the same way that the opening ground-theme subject acts as a basic generating source for all subsequent musical materials. Although The Art of Fugue is regarded by the musical world as one of the most significant examples of Bach's contrapuntal craft, the author convincingly argues that this work has an important spiritual dimension that goes beyond considerations of the composer's craftsmanship. He devotes this book to a lively and controversial discussion of unprovable matters; that is, to those aspects of expressive content which he believes are concealed both within and beyond the musical materials.
Author: Ruth Tatlow Publisher: Cambridge University Press ISBN: 1107088607 Category : History Languages : en Pages : 431
Book Description
In the eighteenth century the universal harmony of God's creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions.
Author: Joseph Kerman
Author: Joseph Kerman
Author: Johann Sebastian Bach
Author: Johann Sebastian Bach
Author: Johann Sebastian Bach
Author: Zoltán Göncz
Author: Vikram Seth
Author: Hans Heinrich Eggebrecht
Author: Indra Hughes
Author: Ruth Tatlow
Author: Adel Heinrich