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Author: Paloma Alarcó Publisher: Thames & Hudson ISBN: 9788417173340 Category : Art Languages : en Pages : 0
Book Description
How photography served as both source and foil for the birth of impressionism From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography's capacity for naturalistic reproduction threatened one traditional function of painting, the camera's artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography's historical relationship to the other visual arts. The Impressionists and Photographypursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography's emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.
Author: Paloma Alarcó Publisher: Thames & Hudson ISBN: 9788417173340 Category : Art Languages : en Pages : 0
Book Description
How photography served as both source and foil for the birth of impressionism From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts, a new technology that offered previously unimaginable possibilities for pictorial representation. While photography's capacity for naturalistic reproduction threatened one traditional function of painting, the camera's artificial eye could offer new models for looking at the world. In the work of pioneering photographers such as Gustave Le Gray, Eugène Cuvelier, Nadar, Atget and André-Adolphe-Eugène Disdéri, impressionist artists such as Manet, Corot, Monet, Pissarro and Degas found new ways of seeing. The key position that photography now occupies in contemporary art has encouraged a renewed interest in photography's historical relationship to the other visual arts. The Impressionists and Photographypursues this line of research. Luxuriously produced and lavishly illustrated, this volume reexamines the lively debate that photography's emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.
Author: James H. Rubin Publisher: Univ of California Press ISBN: 0520248015 Category : Art Languages : en Pages : 208
Book Description
The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
Author: Freeman Patterson Publisher: ISBN: 9781552633274 Category : Art Languages : en Pages : 164
Book Description
In Photo Impressionism and the Subjective Image the authors show how photographs can be used to alter physical reality to express the photographer's personal response to specific subject matter. The "impressionist" photographer deliberately abandons physical exactitude to convey the reality of feelings more effectively. This book explains how to venture into the non-literal world of photography to create and record impressions that express emotion, feelings and spirit. The first part of the book includes instructional topics such as: Multiple exposures Montages Subtle and vibrant colors Selective focus, exposure and speed Creative image transfer techniques Trends and film choices. The second part is a gallery of photographs taken around the world with extensive captions that explain the authors' personal approaches to photography.
Author: Anthea Callen Publisher: Yale University Press ISBN: 0300084021 Category : Art Languages : en Pages : 270
Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Author: F. Ribemont Publisher: Steve Parish ISBN: Category : Photography Languages : en Pages : 352
Book Description
From its earliest days, photography could not escape the pictorial traditions that had gone before it. This book, the first comprehensive study of Pictorialism in Europe, analyses the remarkable diversity of approaches taken by photographers across the continent whose practice was infused with contemporary debate about photography's relationship to art. Written by an international team of art and photography historians, Impressionist Camera examines the ways in which practitioners realized their pictorial vision, from the re-creation of Academic painting in photography to the use of soft focus to lend images an impressionistic quality. Also explored are the cross-currents with photography in America - where Pictorialism went on to flourish - including the seminal work of Alfred Stieglitz.
Author: Laura Anne Kalba Publisher: Penn State Press ISBN: 0271079789 Category : Art Languages : en Pages : 713
Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Author: Christopher Lloyd Publisher: Skira ISBN: 0847840255 Category : Art Languages : en Pages : 226
Book Description
"Published...on the occasion of the exhibition Impressionists on the Water on view at the Legion of Honor Museum, San Francisco, from June 1 to October 6, 2013 and at the Peabody Essex Museum, Salem Massachusetts, from November 9, 2013 to February 9, 2014."--Colophon.
Author: Hans Werner Holzwarth Publisher: Taschen ISBN: 9783836555395 Category : Art Languages : en Pages : 0
Book Description
Over 200 paintings, sculptures, photographs, and conceptual pieces trace the story of modern art's innovation and adventure. With explanatory texts for each work, and essays introducing each of the major modern movements, this is an authoritative overview of the ideas and the artworks that shook up standards, assaulted the establishment, and...
Author: Paloma Alarcó
Author: Paloma Alarcó
Author: James H. Rubin
Author: Freeman Patterson
Author: Anthea Callen
Author: Helene Barbara Weinberg
Author: F. Ribemont
Author: Laura Anne Kalba
Author: 
Author: Christopher Lloyd
Author: Hans Werner Holzwarth