The British Cinema Book PDF Download

Author: Robert Murphy
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360

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Author: James Leggott
Publisher: Wallflower Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 164

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Book Description
Using a wide range of film from the Blair era as case studies, this book examines ways in which recent British filmmaking might be regarded as distinctive, relevant and successful.

Author: David Forrest
Publisher: Edinburgh University Press
ISBN: 1474413048
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.

Author: Clive Nwonka
Publisher: MIT Press
ISBN: 1912685639
Category : Performing Arts
Languages : en
Pages : 250

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Book Description
The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Contributors Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Ozlem Koksal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford

Author: Sarah Street
Publisher: Routledge
ISBN: 1134917872
Category : Performing Arts
Languages : en
Pages : 248

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Book Description
The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

Author: Jonathan Hacker
Publisher: Oxford University Press, USA
ISBN: 9780192852519
Category : Performing Arts
Languages : en
Pages : 456

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Book Description
When examining the variety of British directors included here, the reader will see just how misleading the term 'British film' can be. The book places ten contemporary British directors side by side. But whilst the reader is able to trace certain common themes, comparisons between the characters are actually characterized by a startling degree of diversity of style and opinion.

Author: Justine Ashby
Publisher: Psychology Press
ISBN: 0415220610
Category : Performing Arts
Languages : en
Pages : 410

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Book Description
British Cinema brings together leading international scholars to investigate the rich diversity of Britain's film production, and explore the different cultural traditions which have shaped Britain's national identity onscreen.

Author: Sarah Godfrey
Publisher: EUP
ISBN: 9781474414142
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
Explores British cinematic representations of masculinity.

Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714197
Category : Performing Arts
Languages : en
Pages : 210

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Book Description
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.

Author: Christine Geraghty
Publisher: Psychology Press
ISBN: 9780415171571
Category : Performing Arts
Languages : en
Pages : 248

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Book Description
This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era.