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Author: Maurice O. Wallace Publisher: Duke University Press ISBN: 0822383799 Category : Social Science Languages : en Pages : 252
Book Description
In seven representative episodes of black masculine literary and cultural history—from the founding of the first African American Masonic lodge in 1775 to the 1990s choreographies of modern dance genius Bill T. Jones—Constructing the Black Masculine maps black men’s historical efforts to negotiate the frequently discordant relationship between blackness and maleness in the cultural logic of American identity. Maurice O. Wallace draws on an impressive variety of material to investigate the survivalist strategies employed by black men who have had to endure the disjunction between race and masculinity in American culture. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Invisible and disregarded on one hand, black men, perceived as potential threats to society, simultaneously face the reality of hypervisibility and perpetual surveillance. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Throughout, he draws on the experiences and theories of such notable figures as Frederick Douglass, W. E. B. Du Bois, Booker T. Washington, and James Baldwin.
Author: Maurice O. Wallace Publisher: Duke University Press ISBN: 0822383799 Category : Social Science Languages : en Pages : 252
Book Description
In seven representative episodes of black masculine literary and cultural history—from the founding of the first African American Masonic lodge in 1775 to the 1990s choreographies of modern dance genius Bill T. Jones—Constructing the Black Masculine maps black men’s historical efforts to negotiate the frequently discordant relationship between blackness and maleness in the cultural logic of American identity. Maurice O. Wallace draws on an impressive variety of material to investigate the survivalist strategies employed by black men who have had to endure the disjunction between race and masculinity in American culture. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Invisible and disregarded on one hand, black men, perceived as potential threats to society, simultaneously face the reality of hypervisibility and perpetual surveillance. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Throughout, he draws on the experiences and theories of such notable figures as Frederick Douglass, W. E. B. Du Bois, Booker T. Washington, and James Baldwin.
Author: LaToya Jefferson-James Publisher: Rowman & Littlefield ISBN: 1793615306 Category : Literary Criticism Languages : en Pages : 233
Book Description
Masculinity Under Construction: Literary Re-Presentations of Black Masculinity in the African Diaspora analyzes Black male identity as constructed by Black male authors. In each chapter, Dr. Jefferson-James discusses a different "construction" or definition of masculine identity produced by men of African descent on the continent of Africa, in the Caribbean, and in North America. Combing through the works of James Baldwin, Chinua Achebe, Ralph Ellison, George Lamming, and other pan-African authors, Masculinity Under Construction argues for the importance of analyzing the historical context that contributed to the formation of Black male identity. Additionally, Dr. Jefferson-James draws a relationship between Black feminists and writers, such as Anna Julia Cooper and her contemporaries, and these works of literature viewed as primarily about Black masculinity.
Author: Steven R. Cureton Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: 9781433154874 Category : African American men Languages : en Pages : 0
Book Description
The Social Construction of Black Masculinity examines the legacy of negotiating black masculinity in a relatively free society that forced black men to justify claims of equitable humanity. The book represents an unapologetic narrative about behavioral choices by black men, which were framed by a history of forced distancing from their covenant with God, deliberate character assassinations, and emasculation in plain sight of their women and children.
Author: Stephan Jaskolla Publisher: GRIN Verlag ISBN: 3668981841 Category : Literary Collections Languages : en Pages : 28
Book Description
Seminar paper from the year 2014 in the subject American Studies - Miscellaneous, grade: 1,7, University of Dusseldorf "Heinrich Heine", language: English, abstract: In this term paper the construction of black masculinity and black male characters in Blaxploitation movies and Hood Movies will be compared to analyze if the two periods of filmmaking have created another view on the black masculine. To make the two genres comparable in such a limited scope I will focus on two movies, each of which can be regarded as prototypical for its genre. Considering the ‘Blaxploitation’ genre I will focus on the movie Shaft (1971) by Gordon Parks. The Hood movie I chose is John Singleton’s Boyz N The Hood (1991), which will be called Boyz in the rest of this term paper. Anybody who has seen movies featuring black male protagonists in major roles – like Bad Boys or Django Unchained – might have noticed that often those black male characters are depicted in certain and often clichéd ways. This depiction can be described by another term which is ‘construction’. What those films actually do is a construction of a black masculinity through means of acting, filming techniques or even the choice of the actor, especially with regard to his outward appearance. The black male character has been a very central figure in American literature and movies for a long time. Considering movies it can be argued that for roughly one century there have been constructions of African-American males in American cinema starting with the highly racist film The Birth of a Nation. Nowadays virtually everybody will know movies that feature black masculine main protagonists. Two periods which can be considered as highly influential with regard to the construction of black masculinity are the early seventies and the early nineties because they originated two important genres. These two genres will be referred to as ‘Blaxploitation’ and ‘hood movie’ throughout this text.
Author: Bryant Keith Alexander Publisher: Rowman Altamira ISBN: 0759114188 Category : Social Science Languages : en Pages : 281
Book Description
This is a remarkable set of linked essays on the African American male experience. Alexander picks a number of settings that highlight Black male interaction, sexuality, and identity_the student-teacher interaction, the black barbershop, drag queen performances, the funeral eulogy. From these he builds a theory of Black masculine identity using auto-ethnography and ideas of performance as his base.
Author: Liane Weigel Publisher: GRIN Verlag ISBN: 3638282007 Category : Literary Collections Languages : en Pages : 19
Book Description
Seminar paper from the year 2002 in the subject American Studies - Culture and Applied Geography, grade: Good, Martin Luther University (Anglistics/ American Studies), language: English, abstract: Concerning the topic of masculinity the first and maybe the most important question is: What is masculinity? – Defined as “the quality of being masculine,”1 which means “having the qualities or appearance considered to be typical of men; connected with or like men,”2 the term “Black Masculinity” refers to “the qualities of being masculine and black.” This definition sounds very logical at first sight. Moreover, when using this term as normative standard, “the asymmetrical pendant to the more critically investigated femininity,”3 and therefore inventing fictional characters enacting or rejecting stereotypes of masculinity, it serves a certain order and makes life and abstract understanding easier. But if you reflect on the analysis of masculinity which should not be limited to “typical male behaviour and sexuality” and which should not only be a matter of individual identity but the organisation and representation of the social, these formal definitions are too easy. Therefore masculinity in a wider sense is understood as a form of identity of men that cannot be isolated from other dimensions of identity. Social conditions of manliness and equality are always connected with issues of race, class, gender and sexuality. Especially within the ideological structure of a patriarchal culture, heterosexual masculinity has traditionally been structured as the normative gender. Therefore patriarchal culture has a simple interpretation of gay men: “They lack masculinity,”4 which is reinforced by the statement: “If someone is attracted to the masculine, then that person must be feminine.”5 These beliefs create a dilemma about masculinity for men who are attracted to other men, that means homosexual white men, but also black men, if you think of living in a multicultural society and consider the colour of skin. 1 Sally Wehmeier/ A S Hornby (1999), Oxford Advanced Learner ́s Dictionary Sixth Edition (Oxford University Press), p.786. 2 Ibid. 3 Maurice Berger et al. (1995), Constructing Masculinity (New York & London: Routledge) p. 2 f. 4R.W. Connell (1995), Masculinities (Cambridge. Cambridge Polity Press, p. 143. 5 Ibid, p. 143.
Author: Marlon B. Ross Publisher: NYU Press ISBN: 0814775624 Category : History Languages : en Pages : 477
Book Description
Explores how African American men have been marketed, embodied, and imaged for the purposes of racial advancement during the first half of the 20th C.
Author: Maurice O. Wallace
Author: Maurice O. Wallace
Author: LaToya Jefferson-James
Author: Maurice O. Wallace
Author: Maurice O. Wallace
Author: Maurice O. Wallace
Author: Steven R. Cureton
Author: Stephan Jaskolla
Author: Bryant Keith Alexander
Author: Liane Weigel
Author: Marlon B. Ross