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Author: O. Bohlmann Publisher: Springer ISBN: 023037400X Category : Literary Criticism Languages : en Pages : 255
Book Description
Otto Bohlmann's fascinating study offers detailed and exhaustive evidence that the major philosophical aspects of Conrad's novels exhibit a powerful existential strain, foreshadowing many central concerns of twentieth-century modernism. Through both wide and close reading, Dr Bohlmann illuminates more thoroughly than any previous scholar the remarkable extent to which Conrad's fiction is replete with ideas, attitudes and even phrases reminiscent of Kierkegaard, Nietzsche, Jaspers, Marcel, Heidegger, Sartre and Camus.
Author: O. Bohlmann Publisher: Springer ISBN: 023037400X Category : Literary Criticism Languages : en Pages : 255
Book Description
Otto Bohlmann's fascinating study offers detailed and exhaustive evidence that the major philosophical aspects of Conrad's novels exhibit a powerful existential strain, foreshadowing many central concerns of twentieth-century modernism. Through both wide and close reading, Dr Bohlmann illuminates more thoroughly than any previous scholar the remarkable extent to which Conrad's fiction is replete with ideas, attitudes and even phrases reminiscent of Kierkegaard, Nietzsche, Jaspers, Marcel, Heidegger, Sartre and Camus.
Author: John G. Peters Publisher: Cambridge University Press ISBN: 1139457926 Category : Literary Criticism Languages : en Pages : 136
Book Description
Joseph Conrad is one of the most intriguing and important modernist novelists. His writing continues to preoccupy twenty-first-century readers. This introduction by a leading scholar is aimed at students coming to Conrad's work for the first time. The rise of postcolonial studies has inspired interest in Conrad's themes of travel, exploration, and racial and ethnic conflict. John Peters explains how these themes are explored in his major works, Nostromo, Lord Jim and Heart of Darkness, as well as his short stories. He provides an essential overview of Conrad's fascinating life and career and his approach to writing and literature. A guide to further reading is included which points to some of the most useful secondary criticism on Conrad. This is a most comprehensive and concise introduction to studying Conrad, and will be essential reading for students of the twentieth-century novel and of modernism.
Author: John G. Peters Publisher: Cambridge University Press ISBN: 1107245125 Category : Literary Criticism Languages : en Pages : 289
Book Description
Throughout the twentieth and twenty-first centuries, Joseph Conrad's novels and short stories have consistently figured into - and helped to define - the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad studies, from the 1895 publication of his first book, Almayer's Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad's work, John G. Peters's careful analysis also evaluates Conrad's impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women's studies, and ecocriticism. The breadth and scope of Peters's study make this text an essential resource for Conrad scholars and students of English literature and literary criticism.
Author: Mark Wollaeger Publisher: Stanford University Press ISBN: 0804766819 Category : Literary Criticism Languages : en Pages : 288
Book Description
"You want more scepticism at the very foundation of your work. Scepticism, the tonic of minds, the tonic of life, the agent of truth - the way of art and salvation." Joseph Conrad wrote these words to John Galsworthy in 1901, and this study argues that Conrad's skepticism forms the basis of his most important works, participating in a tradition of philosophical skepticism that extends from Descartes to the present. Conrad's epistemological and moral skepticism - expressed, forestalled, mitigated, and suppressed - provides the terms for the author's rethinking of the peculiar relation between philosophy and literary form in Conrad's writing and, more broadly, for reconsidering what it means to call any novel 'philosophical'. Among the issues freshly argued are Conrad's thematics of coercion, isolation, and betrayal; the complicated relations among author, narrator, and character; and the logic of Conradian romance, comedy, and tragedy. The author also offers a new way of conceptualizing the shape of Conrad's career, especially the 'decline' evidenced in the later fiction. The uniqueness of Conrad's multifarious literary and cultural inheritance makes it difficult to locate him securely in the dominant tradition of the British novel. A philosophical approach to Conrad, however, reveals links to other novelists - notably Hardy, Forster, and Woolf - all of whom share in the increasing philosophical burden of the modern novel by enacting the very philosophical issues that are discussed within their pages. Conrad's interest as a skeptic is heightened by the degree to which he resists the insights proffered by his own skepticism. The first chapter introduces the idea of the Conradian 'shelter', and the next two use Schopenhauer to show how the language of metaphysical speculation in Tales of Unrest and 'Heart of Darkness' spills over into a religious impulse that resists the disintegrating effect of Conrad's skepticism. The author then turns to Hume to model the authorial skepticism that in Lord Jim contests the continuing visionary strain of the earlier fiction and Descartes to analyze the ways in which Romantic vision is more stringently chastened by irony in Nostromo and The Secret Agent. The concluding chapter touches on several late novels before examining how competing models of political agency in Conrad's last great fiction of skepticism, Under Western Eyes, situate it somewhere between ideology critique and a mystified account of the exigencies of individual consciousness.
Author: John G. Peters Publisher: Cambridge University Press ISBN: 1139432125 Category : Literary Criticism Languages : en Pages : 222
Book Description
In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
Author: Hugh Epstein Publisher: Edinburgh University Press ISBN: 1474449883 Category : Impressionism in literature Languages : en Pages : 312
Book Description
This book reads the highly descriptive impressionist writings of Hardy and Conrad together in the light of a shared attention to sight and sound.
Author: Ludmilla Voitkovska Publisher: Taylor & Francis ISBN: 1000626474 Category : Literary Criticism Languages : en Pages : 190
Book Description
Joseph Conrad is famous for being an unusual, strange, and even eccentric English writer. However, despite his difference, English criticism has primarily interpreted his fiction from the perspective of the English culture. In turn, Polish criticism has portrayed Conrad as a Pole who happened to write in English. Considering Conrad’s transcultural background, neither exclusively English nor an exclusively Polish writer, this volume investigates the essential features of his expatriate writing as a form distinctly different from any writing done within a single culture. Conrad's unique contribution to English literature and sensibility stems from his ability to incorporate the complexity of the exilic condition without discussing it explicitly. Furthermore, this book establishes Conrad's expatriation archetypes and examines them as they manifest themselves not only in a realistic, but, more importantly, in a symbolic mode. Those archetypal features demonstrate themselves through Conrad’s thematic choices, narrative structure, and critical discourse that reflect his complex relationship with both the parent and the adopted reader. While the existence of these patterns in Conrad's fiction are not entirely obvious, this book aims to illuminate Conrad’s contributions to the current critical debate concerning the place of the author in his/her own narrative.
Author: Mohit Kumar Ray Publisher: Atlantic Publishers & Dist ISBN: 9788126904716 Category : Languages : en Pages : 214
Book Description
Hastily Written In Pencil And Serialized In Blackwood S Magazine In 1899 As The Heart Of Darkness , And Later Published In Book Form In 1902, As Heart Of Darkness, The Sibylline Charm Of The Novel Has Established It As One Of The Most Important Canonical Texts Of British Literature. Critics Have Seen The Book As An Angry Document On Absurd And Brutal Exploitation (Guerard), Probably The Greatest Short Novel In English (Karl), An Annunciation Of The Savage God (Cox), An Adventure Story, An Early Instance Of Modern Fiction, An Existential Novel, And An Early Specimen Of New Historicism. The Novel Turns On A Double Paradox (Hillis Miller), And Addresses Itself Simultaneously To Europe S Exploitation Of Africa, The Primeval Human Situation, An Archaic Aspect Of The Mind S Structure And A Condition Of Moral Baseness (Parry). But At The Same Time The Novel Has Elicited An Angry Reaction From Chinua Achebe Who Calls Conrad, A Bloody Racist. The Present Study, One In The Series Of Atlantic Critical Studies, Attempts To Make A Close Reading Of The Novel, And Examines Its Various Aspects With Lucidity And Profundity, Never Losing, However, The Touch With The Reality Of The Academic Needs Of The Students Of English Literature.
Author: O. Bohlmann
Author: O. Bohlmann
Author: John G. Peters
Author: Ian Watt
Author: John G. Peters
Author: Mark Wollaeger
Author: John G. Peters
Author: Hugh Epstein
Author: Ludmilla Voitkovska
Author: R.N. Sarkar
Author: Mohit Kumar Ray