Conrad Intertexts & Appropriations PDF Download

Author: Moore
Publisher: BRILL
ISBN: 9004648240
Category : Literary Criticism
Languages : en
Pages : 173

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Book Description
From the contents: Conrad's debt to Marguerite Poradowska (Susan Jones).- Conrad and Alfred Russel Wallace (Amy Houston).- Conrad's The idiots and Maupassant's La mere aux monstres (Gene M. Moore).- Conrad, Anatole France, and the early French Romantic tradition: some influences (Owen Knowles).- 'One can learn something from Balzac': Conrad and Balzac (J.H. Stape).

Author: Tim Middleton
Publisher: Routledge
ISBN: 1135137293
Category : Literary Criticism
Languages : en
Pages : 226

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Book Description
The popular yet complex work of Joseph Conrad has attracted much critical attention over the years, from the perspectives of postcolonial, modernist, cultural and gender studies. This guide to his compelling work presents: an accessible introduction to the contexts and many interpretations of Conrad’s texts, from publication to the present an introduction to key critical texts and perspectives on Conrad’s life and work, situated in a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Joseph Conrad and seeking not only a guide to his works, but also a way through the wealth of contextual and critical material that surrounds them.

Author: Johan Adam Warodell
Publisher: Cambridge University Press
ISBN: 1009079174
Category : Literary Criticism
Languages : en
Pages : 237

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Book Description
What are the fingerprints of Joseph Conrad's fiction? This richly illustrated book argues that Conrad's vibrant details set him apart as a writer and brings them from the margins to the center for study. With recently discovered primary sources - including drawings and maps in Conrad's own hand - this book travels widely across Conrad's fiction and explores its interest in marginal voices, characters and details. It produces a new picture of Conrad as a writer, and the first picture of Conrad as an amateur sketch artist. Introducing new critical vocabulary and applying new names from art history to Conrad studies, the book ranges across cartography, fashion, analytic philosophy, manuscript studies, and animal studies to discover Conrad as an artist operating across and between different media. Offered as a complement to the abstract approaches of much literary theory, this detail-driven and margin-focused monograph mirrors the characteristic granular nature of Conrad's fiction.

Author: Helen Chambers
Publisher: Springer
ISBN: 331976487X
Category : Literary Criticism
Languages : en
Pages : 252

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Book Description
This book aligns concepts and methods from book history with new literary research on a globally studied writer. An innovative three-part approach, combining close reading the evidence of reading, scrutiny of international book distribution circuits, and of Conrad's many fictional representations of reading, illuminates his childhood, maritime and later shore-based reading. After an overview of the empirical evidence of Conrad's reading, his sparsely documented twenty years reading at sea and in port is reconstructed. An examination the reading practices of his famous narrator Marlow then serves to link Conrad's own maritime and shore-based reading. Conrad's subsequent networked reading, shared with his closest male friends, and with literate multilingual women, is examined within the context of Edwardian reading practices. His fictional representations of reading and material texts are highlighted throughout, including genre trends, periodical reading, reading spaces and their lighting, and the use of reading as therapy. The book should appeal both to Conrad scholars and to historians of reading.

Author: Michael John DiSanto
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773577068
Category : Literary Criticism
Languages : en
Pages : 270

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Book Description
Joseph Conrad's novels are recognized as great works of fiction, but they should also be counted as great works of criticism. A voracious reader throughout his life, Conrad wrote novels that question and transform the ideas he encountered in non-fiction, novels, and scientific and philosophic works. Under Conrad's Eyes looks at Conrad's revaluations of some of his important nineteenth-century predecessors - Carlyle, Darwin, Dickens, George Eliot, Dostoevsky, and Nietzsche. Detailed readings of works from Heart of Darkness to Victory explore Conrad's language and style, focusing on questions regarding the will to know and the avoidance of knowledge, the potential harmfulness of sympathy, and the competing instincts for self-preservation and self-destruction. Comparative analyses show how Conrad transforms aspects of Bleak House into The Secret Agent and Middlemarch into Nostromo. Especially compelling are explorations of Conrad's ambivalence towards Carlyle's faith in work and hero-worship as rejuvenators of English culture and his views on Nietzsche's assault on Christianity. This important new study of a novelist of profound contemporary relevance demonstrates how Conrad exemplifies the artist as critic while challenging both the categories we impose on texts and the boundaries we erect between literary periods.

Author: Richard Niland
Publisher: OUP Oxford
ISBN: 0191573809
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
This book examines the philosophy of history and the subject of the nation in the literature of Joseph Conrad. It explores the importance of nineteenth-century Polish Romantic philosophy in Conrad's literary development, arguing that the Polish response to Hegelian traditions of historiography in nineteenth-century Europe influenced Conrad's interpretation of history. After investigating Conrad's early career in the context of the philosophy of history, the book analyses Nostromo (1904), The Secret Agent (1907), and Under Western Eyes (1911) in light of Conrad's writing about Poland and his sustained interest in the subject of national identity. Conrad juxtaposes his belief in an inherited Polish national identity, derived from Herder and Rousseau, with a sceptical questioning of modern nationalism in European and Latin American contexts. Nostromo presents the creation of the modern nation state of Sulaco; The Secret Agent explores the subject of 'foreigners' and nationality in England; while Under Western Eyes constitutes a systematic attempt to undermine Russian national identity. Conrad emerges as an author who examines critically the forces of nationalism and national identity that troubled Europe throughout the nineteenth century and in the period before the First World War. This leads to a consideration of Conrad's work during the Great War. In his fiction and newspaper articles during the war, Conrad found a way of dealing with a conflict that made him acutely aware of being sidelined at a turning point in both modern Polish and modern European history. Finally, this book re-evaluates Conrad's late novels The Rover (1923) and Suspense (1925), a long-neglected part of his career, investigating Conrad's sustained treatment of French history in his last years alongside his life-long fascination with the cult of Napoleon Bonaparte.

Author: Hugh Epstein
Publisher: Edinburgh University Press
ISBN: 1474449883
Category : Impressionism in literature
Languages : en
Pages : 312

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Book Description
This book reads the highly descriptive impressionist writings of Hardy and Conrad together in the light of a shared attention to sight and sound.

Author: Nicholas Gayle
Publisher: Cambridge Scholars Publishing
ISBN: 1527579158
Category : Literary Criticism
Languages : en
Pages : 170

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Book Description
Why is it that many readers sense in Joseph Conrad’s universe something opaque and withdrawn, a suggestive feeling of something lying behind his richly textured prose that is possibly momentous, always hidden, but never fully expressed? This unique study explores and answers this question by analysing Conrad’s work through the lens of Object-Oriented Ontology, a new development in contemporary philosophy that has already been employed to illuminating effect in aesthetics and the humanities, quite apart from philosophy itself. What results from such a literary and philosophical coupling is a persuasive reading with real explanatory force, one able to shed light on what has remained hidden in Conrad till now, at the same time as it articulates a metaphysical structure of not just Conrad’s world but the universe itself and the very things we are—and what we take ourselves to be.

Author: Ellen Burton Harrington
Publisher: Springer
ISBN: 3319632973
Category : Literary Criticism
Languages : en
Pages : 174

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Book Description
This volume considers Joseph Conrad’s use of multiple genres, including allusions to sensation fiction, pornography, anthropology, and Darwinian science, to respond to Victorian representations of gender in layered and contradictory representations of his own. In his stories and later novels, the familiar writer of sea stories centered on men moves to consider the plight of women and the challenges of renegotiating gender roles in the context of the early twentieth century. Conrad’s rich and conflicted consideration of subjectivity and alienation extends to some of his women characters, and his complex use of genre allows him both to prompt and to subvert readers’ expectations of popular forms, which typically offer recognizable formulas for gender roles. He frames his critique through familiar sensationalized typologies of women that are demonstrated in his fiction: the violent mother, the murderess, the female suicide, the fallen woman, the adulteress, and the traumatic victim. Considering these figures through the roles and the taxonomies that they simultaneously embody and disrupt, this study exposes internalized patriarchal expectations that Conrad presents as both illegitimate and inescapable.

Author: Y. Levin
Publisher: Springer
ISBN: 0230615791
Category : Language Arts & Disciplines
Languages : en
Pages : 214

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Book Description
Tracing the Aesthetic Principle in Conrad s Novels sets out to revolutionize our reading of Joseph Conrad s works and challenge the critical heritage that accompanies them. Levin identifies the emergence of an aesthetic principle in Conrad s novels and theorizes that principle through the concept of the otherwise present, which Levin defines as that which provokes desire and perpetuates it by barring its appeasement. This book offers a detailed analysis of Lord Jim, Nostromo, Under Western Eyes, The Arrow of Gold and Suspense, alongside a poststructuralist-inspired explication of Conrad s literary vision and its defining principle. This study is an important source for both the newcomers and the initiated to Conrad s oeuvre.