Author: Paul B. Armstrong Publisher: UNC Press Books ISBN: 1469617145 Category : Literary Criticism Languages : en Pages : 208
Book Description
Armstrong argues that conflicting readings occur because readers with opposing suppositions about language, literature, and life can generate irreconcilable hypotheses about a text. Without endorsing a particular critical methodology, the author offers a theory designed to help readers better understand the causes and consequences of interpretive disagreement so that they may make more informed choices about the various interpretive strategies available to them. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Robert Heiner Publisher: Oxford University Press, USA ISBN: 9780195375077 Category : Social Science Languages : en Pages : 303
Book Description
A concise, affordable, cutting-edge collection of articles that take a critical constructionist approach to social problems. Featuring 26 in-depth and engaging articles, this reader is an ideal supplement to editor Robert Heiner's textbook, Social Problems: An Introduction to Critical Constructionism, Third Edition. This unique anthology is the only social problems reader in which the majority of the selections reflect the conflict perspective; this approach views social problems as the consequence of social and economic inequalities and therefore encourages students to critically analyze American public policy responses to social problems. Conflicting Interests is organized into five sections: Thinking about Social Problems, The Economics of Inequality, Social Inequalities, Problems of the Family, Crime and Drugs, and Problems of the Environment. Several articles address the contemporary economic crisis and the role that the media plays in constructing social problems.In addition, many of the essays describe public policies in countries outside of the United States, providing students with alternative, cross-cultural perspectives and solutions to social problems. Each section begins with an introduction that briefly summarizes the articles and shows how they are interrelated. Each essay concludes with critical thinking questions that are designed to stimulate class discussion and to help students carefully evaluate the issues.
Author: Lisa Blomgren Amsler Publisher: Stanford University Press ISBN: 1503611361 Category : Law Languages : en Pages : 424
Book Description
Dispute System Design walks readers through the art of successfully designing a system for preventing, managing, and resolving conflicts and legally-framed disputes. Drawing on decades of expertise as instructors and consultants, the authors show how dispute systems design can be used within all types of organizations, including business firms, nonprofit organizations, and international and transnational bodies. This book has two parts: the first teaches readers the foundations of Dispute System Design (DSD), describing bedrock concepts, and case chapters exploring DSD across a range of experiences, including public and community justice, conflict within and beyond organizations, international and comparative systems, and multi-jurisdictional and complex systems. This book is intended for anyone who is interested in the theory or practice of DSD, who uses or wants to understand mediation, arbitration, court trial, or other dispute resolution processes, or who designs or improves existing processes and systems.
Author: John Lederach Publisher: Simon and Schuster ISBN: 168099042X Category : Law Languages : en Pages : 71
Book Description
This clearly articulated statement offers a hopeful and workable approach to conflict—that eternally beleaguering human situation. John Paul Lederach is internationally recognized for his breakthrough thinking and action related to conflict on all levels—person-to-person, factions within communities, warring nations. He explores why "conflict transformation" is more appropriate than "conflict resolution" or "management." But he refuses to be drawn into impractical idealism. Conflict Transformation is an idea with a deep reach. Its practice, says Lederach, requires "both solutions and social change." It asks not simply "How do we end something not desired?" but "How do we end something destructive and build something desired?" How do we deal with the immediate crisis, as well as the long-term situation? What disciplines make such thinking and practices possible? This title is part of The Little Books of Justice and Peacebuilding series.
Author: Paul B. Armstrong Publisher: JHU Press ISBN: 1421410028 Category : Literary Criticism Languages : en Pages : 240
Book Description
An original interdisciplinary study positioned at the intersection of literary theory and neuroscience. "Literature matters," says Paul B. Armstrong, "for what it reveals about human experience, and the very different perspective of neuroscience on how the brain works is part of that story." In How Literature Plays with the Brain, Armstrong examines the parallels between certain features of literary experience and functions of the brain. His central argument is that literature plays with the brain through experiences of harmony and dissonance which set in motion oppositions that are fundamental to the neurobiology of mental functioning. These oppositions negotiate basic tensions in the operation of the brain between the drive for pattern, synthesis, and constancy and the need for flexibility, adaptability, and openness to change. The challenge, Armstrong argues, is to account for the ability of readers to find incommensurable meanings in the same text, for example, or to take pleasure in art that is harmonious or dissonant, symmetrical or distorted, unified or discontinuous and disruptive. How Literature Plays with the Brain is the first book to use the resources of neuroscience and phenomenology to analyze aesthetic experience. For the neuroscientific community, the study suggests that different areas of research—the neurobiology of vision and reading, the brain-body interactions underlying emotions—may be connected to a variety of aesthetic and literary phenomena. For critics and students of literature, the study engages fundamental questions within the humanities: What is aesthetic experience? What happens when we read a literary work? How does the interpretation of literature relate to other ways of knowing?
Author: Alexander Nehamas Publisher: Harvard University Press ISBN: 9780674624269 Category : Biography & Autobiography Languages : en Pages : 294
Book Description
More than eighty years after his death, Nietzsche's writings and his career remain disquieting, disturbing, obscure. His most famous views-the will to power, the eternal recurrence, the Übermensch, the master morality-often seem incomprehensible or, worse, repugnant. Yet he remains a thinker of singular importance, a great opponent of Hegel and Kant, and the source of much that is powerful in figures as diverse as Wittgenstein, Derrida, Heidegger, and many recent American philosophers. Alexander Nehamas provides the best possible guide for the perplexed. He reveals the single thread running through Nietzsche's views: his thinking of the world on the model of a literary text, of people as if they were literary characters, and of knowledge and science as if they were literary interpretation. Beyond this, he advances the clarity of the concept of textuality, making explicit some of the forces that hold texts together and so hold us together. Nehamas finally allows us to see that Nietzsche is creating a literary character out of himself, that he is, in effect, playing the role of Plato to his own Socrates. Nehamas discusses a number of opposing views, both American and European, of Nietzsche's texts and general project, and reaches a climactic solving of the main problems of Nietzsche interpretation in a step-by-step argument. In the process he takes up a set of very interesting questions in contemporary philosophy, such as moral relativism and scientific realism. This is a book of considerable breadth and elegance that will appeal to all curious readers of philosophy and literature.
Author: James E. Brenneman Publisher: Oxford University Press ISBN: 0195355199 Category : Religion Languages : en Pages : 247
Book Description
In this new study, James Brenneman confronts the issue of conflicting canons with full force, incorporating insights gained from both literary and biblical disciplines on the question of canon. He begins with an illuminating tour through contemporary literary theory from Hans Robert Jauss to Stanley Fish, and current discussions in theology about the canon. He goes on to a consideration of true and false prophesy, with a detailed examination of the three apparently conflicting versions of the Old Testament "swords into plowshares" prophesy, as found in Isaiah 2:2-4,5; Joel 4:9-12 (Eng. 3:9-12); and Micah 4:1-5. Suggesting that the dynamics controlling the process for negotiating between contradictory readings of prophetic texts are the same as those at work in adjudicating between canons in conflict, Brenneman concludes by pointing the way towards an integrative approach appropriate to the question of canon and authority in a "post-modern" pluralistic context.
Author: Mette Leonard Høeg Publisher: Taylor & Francis ISBN: 1000568547 Category : Literary Criticism Languages : en Pages : 347
Book Description
Undecidability is a fundamental quality of literature and constitutive of what renders some works appealing and engaging across time and in different contexts. This book explores the essential literary notion and its role, function and effect in late nineteenth- and twentieth-century literature and literary theory. The book traces the notion historically, providing a map of central theories addressing interpretative challenges and recalcitrance in literature and showing ‘theory of uncertainty’ to be an essential strand of literary theory. While uncertainty is present in all literature, and indeed a prerequisite for any stabilisation of meaning, the Modernist period is characterised by a particularly strong awareness of uncertainty and its subforms of undecidability, ambiguity, indeterminacy, etc. With examples from seminal Modernist works by Woolf, Proust, Ford, Kafka and Musil, the book sheds light on undecidability as a central structuring principle and guiding philosophical idea in twentieth-century literature and demonstrates the analytical value of undecidability as a critical concept and reading-strategy. Defining undecidability as a specific ‘sustained’ and ‘productive’ kind of uncertainty and distinguishing it from related forms, such as ambiguity, indeterminacy and indistinction, the book develops a systematic but flexible theory of undecidability and outlines a productive reading-strategy based on the recognition of textual and interpretive undecidability.
Author: Austin E. Quigley Publisher: Yale University Press ISBN: 0300129815 Category : Literary Criticism Languages : en Pages : 286
Book Description
div In the aftermath of debate about the death of literary theory, Austin E. Quigley asks whether theory has failed us or we have failed literary theory. Theory can thrive, he argues, only if we understand how it can be strategically deployed to reveal what it does not presuppose. This involves the repositioning of theoretical inquiry relative to historical and critical inquiry and the repositioning of theories relative to each other. What follows is a thought-provoking reexamination of the controversial claims of pluralism in literary studies. The book explores the related roles of literary history, criticism, and theory by tracing the fascinating history of linguistics as an intellectual problem in the twentieth century. Quigley’s approach clarifies the pluralistic nature of literary inquiry, the viability and life cycles of theories, the controversial status of canonicity, and the polemical nature of the culture wars by positioning them all in the context of recurring debates about language that have their earliest exemplifications in classical times. /DIV
Author: Paul B. Armstrong
Author: David H. Richter
Author: Robert Heiner
Author: Lisa Blomgren Amsler
Author: John Lederach
Author: Paul B. Armstrong
Author: Alexander Nehamas
Author: James E. Brenneman
Author: Mette Leonard Høeg
Author: Austin E. Quigley