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Author: John Lennon Publisher: University of Chicago Press ISBN: 0226815692 Category : Art Languages : en Pages : 303
Book Description
"Graffiti is by nature a protean art. In movies, it is often the backdrop used to create a sense of danger and lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. In protests, it is a resistive tool, visually displaying the cacophony of disparate voices and interests that come together to make up a movement. Every graffito has an unstable afterlife-fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. In short, as this book artfully explains, graffiti makes for messy politics. It brings the unwieldiness of the crises it engages to the fore, giving shape to a conflict's evolving nature. The book closely examines the many permutations of graffiti in conflict zones-moving from the protest graffiti of the Black Lives Matter movement in Ferguson and the Arab Spring in Egypt to the tourist attraction murals on the Israeli Separation Wall, to the street art used for city rebranding and beautification in Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but has also been variously appropriated, policed, and exported, ushering in postconflict consumerism, gentrification, militarization, and anaesthetized forgetting. Yet, the book concludes, as protest movements change and adapt in turn, graffiti is also uniquely suited to shapeshift with them, opening up new apertures of resistance with every wave"--
Author: John Lennon Publisher: University of Chicago Press ISBN: 0226815692 Category : Art Languages : en Pages : 303
Book Description
"Graffiti is by nature a protean art. In movies, it is often the backdrop used to create a sense of danger and lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. In protests, it is a resistive tool, visually displaying the cacophony of disparate voices and interests that come together to make up a movement. Every graffito has an unstable afterlife-fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. In short, as this book artfully explains, graffiti makes for messy politics. It brings the unwieldiness of the crises it engages to the fore, giving shape to a conflict's evolving nature. The book closely examines the many permutations of graffiti in conflict zones-moving from the protest graffiti of the Black Lives Matter movement in Ferguson and the Arab Spring in Egypt to the tourist attraction murals on the Israeli Separation Wall, to the street art used for city rebranding and beautification in Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but has also been variously appropriated, policed, and exported, ushering in postconflict consumerism, gentrification, militarization, and anaesthetized forgetting. Yet, the book concludes, as protest movements change and adapt in turn, graffiti is also uniquely suited to shapeshift with them, opening up new apertures of resistance with every wave"--
Author: John Lennon Publisher: University of Chicago Press ISBN: 0226815676 Category : Art Languages : en Pages : 303
Book Description
This study examines the waves of graffiti that occur before, during, and after a conflict—important tools of political resistance that make protest visible and material. Graffiti makes for messy politics. In film and television, it is often used to create a sense of danger or lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. But it is also a resistive tool of protest, making visible the disparate voices and interests that come together to make a movement. In Conflict Graffiti, John Lennon dives into the many permutations of graffiti in conflict zones—ranging from the protest graffiti of the Black Lives Matter movement in Ferguson and the Tahrir Square demonstrations in Egypt, to the tourist-attraction murals on the Israeli Separation Wall and the street art that has rebranded Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but as the conflict subsides a new graffiti and street art scene emerges—often one that ushers in postconflict consumerism, gentrification, militarization, and anesthetized forgetting. Graffiti has an unstable afterlife, fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. But as Lennon concludes, when protest movements change and adapt, graffiti is also uniquely suited to shapeshift with them.
Author: Panu Lehtovuori Publisher: Routledge ISBN: 1351937782 Category : Political Science Languages : en Pages : 400
Book Description
When designing, planning and building urban spaces, many contradictory and conflicting actors, practices and agendas coexist. This book propounds that, at present, this process is conducted in an artificial reality, 'Concept City', characterized by a simplified and outdated conception of space. It provides a constructive critique of the concepts, underlying the practices of planning and architecture and, in order to facilitate more dynamic, inclusive and subtle practices, it formulates a new theory about space in general and public urban space in particular. The central notions in this theory are temporality, experiment and conflict, which are grounded on empirical observations in Helsinki, Manchester and Berlin. While the book contextualizes Lefebvre's ideas on urban planning and architecture, it is in no way limited to Lefebvrean discourse, but allows insights to new theoretical work, including that of Finnish and Swedish authors. In doing so, it suggests and develops exciting new approaches and tools leading to 'experiential urbanism'.
Author: Noam Lemelshtrich Latar Publisher: Frame Publishers ISBN: 9492311321 Category : Art Languages : en Pages : 268
Book Description
A pioneering survey of leading and emerging global artists, curators and art practitioners on the question: can art aid in conflict resolution and therefore reduce global tensions and human suffering? Throughout the centuries, art has documented the atrocities of wars, participated in propaganda campaigns, and served as an advocate for peace and social justice around the world. The aim of this project is to explore how art can assist in creating dialogue and bridges across cultures and opposing groups. Over 100 leading and emerging architects, artists, curators, choreographers, composers, and directors of art institutions around the globe explore the potentially constructive role of the arts in conflict resolution. A summarizing chapter maps out the diverse positions and examines the variety of themes and approaches that were brought up.
Author: Troy R Lovata Publisher: Routledge ISBN: 1315416115 Category : Social Science Languages : en Pages : 318
Book Description
This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters-represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology;-elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status.
Author: Annelou Ypeij Publisher: Routledge ISBN: 1317130812 Category : Political Science Languages : en Pages : 274
Book Description
Through an in-depth analysis of the multifaceted manifestations of gender and conflict, this book shows how cognition and behaviour, agency and victimization, are gendered beyond the popular stereotypes. Conflict not only reconfirms social hierarchies and power relations, but also motivates people to transgress cultural boundaries and redefine their self-images and identities. The contributions are a mix of classical ethnography, performance studies and embodiment studies, showing ’emotions and feelings’ often denied in scientific social research. Strong in their constructivist approach and unorthodox in theory, the articles touch upon the dynamic relation between the discourses, embodiments and symbolic practices that constitute the gendered world of conflict. The localities and research sites vary from institutional settings such as a school, rebel movements, public toilets and the military to more artistic domains of gendered conflicts such as prison theatre classes and the capoeira ring. At the same time, these conflicts and domains appropriate wider discourses and practices of a global nature, demonstrating the globalised and institutionalised nature of the nexus gender-conflict. A first set of chapters deals with ’breaking the gender taboos’ and renegotiating the stereotypical gender roles - masculinities or femininities - during conflict. A second set of chapters focuses more explicitly on the bodily experience of conflict either physically of symbolically, while the last set straddle body and narrative. The inductive quality of the work leads to unexpected insights and does give access to worlds that are new, and often surprising and unconventional.
Author: Mitja Velikonja Publisher: Routledge ISBN: 1000702251 Category : Political Science Languages : en Pages : 343
Book Description
This theoretically and empirically grounded book uses case studies of political graffiti in the post-socialist Balkans and Central Europe to explore the use of graffiti as a subversive political media. Despite the increasing global digitisation, graffiti remains widespread and popular, providing with a few words or images a vivid visual indication of cultural conditions, social dynamics and power structures in a society, and provoking a variety of reactions. Using qualitative and quantitative methods, as well as detailed interdisciplinary analyses of "patriotic," extreme-right, soccer-fan, nostalgic, and chauvinist graffiti and street art, it looks at why and by whom graffiti is used as political media and to/against whom it is directed. The book theorises discussions of political graffiti and street art to show different methodological approaches from four perspectives: context, author, the work itself, and audience. It will be of interest to the growing body of literature focussing on (sub)cultural studies in the contemporary Balkans, transitology, visual cultural studies, art theory, anthropology, sociology, and studies of radical politics.
Author: Tim Allen Publisher: Martinus Nijhoff Publishers ISBN: 900464203X Category : Law Languages : en Pages : 355
Book Description
This book critiques the concepts of cultural functionalism and biologised ethnicity. The chapters examine ethnicities in conflict across Europe, and have been selected on the grounds that they not only provide a rich ethnographic account of overt ethnic conflict or racial violence, but also relate these local situations to wider processes. The contributors do not put forward a single homogeneous point of view, but they all assume perspectives that are opposed to the prevalent simplistic primordialism of most media coverage and political analysis. Most of the contributors are anthropologists and have presented drafts of their chapters at a series of meetings organised by a network called the Forum Against Violence. Many of the articles have appeared previously in the International Journal on Minority and Group Rights (Volume 4). This book should be of interest to academics and practitioners in the fields of human rights, anthropology and related topics.
Author: Stacey L. Connaughton Publisher: Taylor & Francis ISBN: 1040127959 Category : Political Science Languages : en Pages : 596
Book Description
This handbook provides a comprehensive review of research in conflict and peace communication and offers readers a range of insights into foundational, ongoing, and emerging discussions in this field. The volume brings together peace studies, conflict studies, and communication studies to acknowledge the power of communication—both cooperative, solidarizing, and integrative as well as destructive and divisive—in constituting social relations. It features a multiplicity of authors, including academics and practitioners from all corners of the globe and from across the communicative spectrum. The handbook is divided into four parts: (1) Meta-theoretical, theoretical, and methodological approaches in conflict and peace communication research; (2) Conflict communication; (3) Peace communication; and (4) Cross-cutting and emergent themes. This handbook is essential reading for scholars, research-driven practitioners, graduate-level students, and upper-level undergraduate students in conflict and peace communication within disciplines such as communication studies, political science, international relations, security studies, and human rights.
Author: Oliver P. Richmond Publisher: Edinburgh University Press ISBN: 1399519565 Category : Political Science Languages : en Pages : 345
Book Description
Artpeace represents a conceptual framing of the synergy between the arts and peacemaking, as well as a methodological strategy for addressing war and political conflict through the arts. Developing the concept of artpeace, this book investigates how local art projects in seven locations across Africa, Asia, Europe and Latin America have played a role in broader national peace projects. And it examines the blockages that, at times, prevent the arts from making a tangible difference to the variations of peace being designed.
Author: John Lennon
Author: John Lennon
Author: John Lennon
Author: Panu Lehtovuori
Author: Noam Lemelshtrich Latar
Author: Troy R Lovata
Author: Annelou Ypeij
Author: Mitja Velikonja
Author: Tim Allen
Author: Stacey L. Connaughton
Author: Oliver P. Richmond