A Chronological Concordance to the Fleurs Du Mal of Baudelaire Together with Baudelairian Studies Based on the Concordance PDF Download

Author: Benjamin Inabnit Harrison
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Charles Baudelaire
Publisher: David R. Godine Publisher
ISBN: 9780879234621
Category : Language Arts & Disciplines
Languages : en
Pages : 404

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Book Description
Originally published in 1857, "Les Fleurs du Mal" (English: The Flowers of Evil) is a volume of modernist poetry by Charles Baudelaire. The subject matter of these poems deals with themes relating to decadence and eroticism.

Author: William J. Thompson
Publisher: Vanderbilt University Press
ISBN: 9780826512970
Category :
Languages : en
Pages : 260

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Book Description
Surprisingly, there are few book-length studies available that approach the poems in Charles Baudelaireís collection on an individual basis. Understanding "Les Fleurs du Mal" fills this gap by providing students and serious readers with clear, scholarly "explications" to many of the most widely read of Baudelaire's poems.

Author: David Evans
Publisher: BRILL
ISBN: 9401202680
Category : Social Science
Languages : en
Pages : 355

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Book Description
Rhythm, Illusion and the Poetic Idea explores the concept of rhythm and its central yet problematic role in defining modern French poetry. Forging innovative lines of inquiry linking the detailed analysis of poetic form to the evolution of fundamental aesthetic principles, David Evans offers extensive new readings of the literary and critical writings of the three major poets at the centre of France’s most important poetic revolution. The volume is of interest to all students and readers of Baudelaire, Rimbaud and Mallarmé, since here is presented for the first time a thorough comparative study of developments in each writer’s poetic form and theory, focusing on the themes of illusion, deception and the musical metaphor. The book is also intended to stimulate wider critical debate on the interpretation of metrical verse, prose poetry and vers libre, and offers original analytical methods which facilitate the study of poetic form. The author proposes a radical shift in our understanding of the role and mechanisms of poetic rhythm, suggesting that its very resistance to definition and fixity provides a conveniently opaque veil over the difficulties of defining poetry in the nineteenth and twentieth centuries.

Author: Robert T. Cargo
Publisher:
ISBN: 9780807878293
Category : Poetry
Languages : en
Pages : 0

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Book Description
This is a complete concordance, based on the Jacques Crepet-Georges Blin critical edition of Les Fleurs du mal and prepared on a UNIVAC 1105 computer. Every word of the 161 poems that comprise the critical edition and its supplement is indexed within the line of context. The variants are alphabetized and a complete word-frequency count concludes the volume. The editor explains the mechanics of the concordance in an introductory essay. Originally published in 1965. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Author: Clive Scott
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 304

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This volume explains how a translator persuades the reader to respond to a translation as a text with its own creative, dynamic and expressive ambitions. Focusing on Baudelaire, this study includes a translation of the long poem, Le Voyage.

Author: Charles Baudelaire
Publisher: Taylor & Francis
ISBN: 9780415940924
Category : Literary Collections
Languages : en
Pages : 468

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Book Description
The complete poems of Charles Baudelaire (1821-1867), presented with French and English versions on opposite pages.

Author: Robert T. Cargo
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 454

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Book Description
This is a complete concordance, based on the Jacques Crepet-Georges Blin critical edition of Les Fleurs du mal and prepared on a UNIVAC 1105 computer. Every word of the 161 poems that comprise the critical edition and its supplement is indexed within the line of context. The variants are alphabetized and a complete word-frequency count concludes the volume. The editor explains the mechanics of the concordance in an introductory essay. Originally published in 1965. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Author: Lynn R. Wilkinson
Publisher: State University of New York Press
ISBN: 1438424078
Category : Biography & Autobiography
Languages : en
Pages : 364

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Book Description
Taking as its point of departure the two poems, "Correspondances" by Baudelaire and "Les correspondances" by Alphonse-Louis Constant, The Dream of an Absolute Language: Emanuel Swedenborg and French Literary Culture traces the reception and popularization of several key Swedenborgian doctrines in late-eighteenth- and nineteenth-century French literature and popular culture, notably the doctrine of correspondences. Contrary to what Michel Foucault argued in his early Les mots et les choses, in nineteenth-century France, the word "correspondences" does not denote a break with "representation," at least as it was used by nineteenth-century French writers: rather it is intimately bound up with the taxonomic structures of natural history—and also with the desire to understand the social world in terms of an ordered and controllable totality. Because it crops up in texts we now classify as canonical and also those outside the canon, and because it is so clearly related to notions of literary structure and effect, the word "correspondences" and its transformations in late-eighteenth- and nineteenth-century France offers a vantage point for discerning how artists and writers defined their work both within and against a context of cultures defined as elite, "popular," and even ideological.

Author: Seth Whidden
Publisher: Oxford University Press
ISBN: 0192666878
Category : Literary Criticism
Languages : en
Pages : 332

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Book Description
Through its readings of Charles Baudelaire's collection Le Spleen de Paris and other prose poems from the nineteenth century, this book considers the practice of reading prose poetry and how it might be different from reading poetry in verse. Among the numerous factors that helped shape the nascent modernity in Baudelaire's poetic prose are the poems' themes, forms, linguistic qualities, and modes. The contradictions identifiable at the level of prose poetry's discourse are similarly perceptible in other aspects of Baudelaire's poetic language, beyond the discursive: in the poems' formal considerations, which retain recognisable traces of verse despite their prose presentation; and, with respect to both poetic form and thematics, in the sights and sounds that contribute to their poeticity. With a focus on what makes prose texts poetic, this study sheds light on Baudelaire the practitioner of the prose poem, as he navigated and complicated the boundaries between verse, prose, and poetry. Rather than rejecting those categories, Baudelaire forges a poetic space in which the notions of poetry and prose are recast, juxtaposed in a delicate balance in a textual space they manage to share. This coexistence of poetry and prose—previously thought of as incompatible—is the underlying tension and framework that contributes importantly to the modernity of his prose poetry. In turn, this new mode of poetry calls for new modes of reading poetry and new ways of engaging with a text.