Author: Louis Spohr
Publisher: Alfred Music
ISBN: 9781457478628
Category : Music
Languages : en
Pages : 44
Book Description
A Violin solo with Piano Accompaniment composed by Louis Spohr.
Concerto No. 8, Opus 47
Author: Louis Spohr
Publisher: Alfred Music
ISBN: 9781457478628
Category : Music
Languages : en
Pages : 44
Book Description
A Violin solo with Piano Accompaniment composed by Louis Spohr.
Publisher: Alfred Music
ISBN: 9781457478628
Category : Music
Languages : en
Pages : 44
Book Description
A Violin solo with Piano Accompaniment composed by Louis Spohr.
Catalogue of the Universal Circulating Musical Library
Author: Scheurmann, G., firm, music publishers, London
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 904
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 904
Book Description
Cadence
Author: Distinguished James McGill Professor Emeritus of Music Theory William E Caplin
Publisher: Oxford University Press
ISBN: 0197782167
Category : Music
Languages : en
Pages : 649
Book Description
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.
Publisher: Oxford University Press
ISBN: 0197782167
Category : Music
Languages : en
Pages : 649
Book Description
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.
A History of Orchestral Conducting
Author: Elliott W. Galkin
Publisher: Pendragon Press
ISBN: 9780918728470
Category : Juvenile Nonfiction
Languages : en
Pages : 944
Book Description
Although the bibliography of literature about personalities in the conducting world is extensive, a comprehensive, scholarly study of the history of conducting has been sorely lacking. Georg Schünemann's respected study, published in 1913, was brief and restricted to the procedures of time-beating. No work has attempted to examine the role of the orchestral conductor and to document the evolution of his art from historical, technical, and aesthetic perspectives. Dr. Elliott W. Galkin, musicologist, conductor, and critic-twice winner of the Deems Taylor award for distinguished writing about music-has produced such a work in A History of Orchestral Conducting. The central historical section of the book, which examines chronologically the theories and functions of time-beating and interpretative concepts of performance, is preceded by discussions of rhythm, development of the orchestral medium, and the evolving characteristics of orchestration. Conductors of unusual pivotal influence are examined in depth, as is the increasingly complex psychology of the podium. Critical writings since the time of Monteverdi and the birth of the orchestra are surveyed and compared. Analyses of conducting as an art and craft by musicians from Berlioz to Bernstein and commentators from Mattheson, Bernard Shaw, and Thomas Mann to Jacques Barzun, are described and discussed. A fascinating collection of engravings, wood cuts, photographs and caricatures contributes to the richness of this work.
Publisher: Pendragon Press
ISBN: 9780918728470
Category : Juvenile Nonfiction
Languages : en
Pages : 944
Book Description
Although the bibliography of literature about personalities in the conducting world is extensive, a comprehensive, scholarly study of the history of conducting has been sorely lacking. Georg Schünemann's respected study, published in 1913, was brief and restricted to the procedures of time-beating. No work has attempted to examine the role of the orchestral conductor and to document the evolution of his art from historical, technical, and aesthetic perspectives. Dr. Elliott W. Galkin, musicologist, conductor, and critic-twice winner of the Deems Taylor award for distinguished writing about music-has produced such a work in A History of Orchestral Conducting. The central historical section of the book, which examines chronologically the theories and functions of time-beating and interpretative concepts of performance, is preceded by discussions of rhythm, development of the orchestral medium, and the evolving characteristics of orchestration. Conductors of unusual pivotal influence are examined in depth, as is the increasingly complex psychology of the podium. Critical writings since the time of Monteverdi and the birth of the orchestra are surveyed and compared. Analyses of conducting as an art and craft by musicians from Berlioz to Bernstein and commentators from Mattheson, Bernard Shaw, and Thomas Mann to Jacques Barzun, are described and discussed. A fascinating collection of engravings, wood cuts, photographs and caricatures contributes to the richness of this work.
Romance sans paroles et rondo élégant
Author: Henri Wieniawski
Publisher:
ISBN:
Category : Violin and piano music
Languages : en
Pages : 46
Book Description
Publisher:
ISBN:
Category : Violin and piano music
Languages : en
Pages : 46
Book Description
Le trille du diable
Author: Giuseppe Tartini
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 44
Book Description
Bending the Rules of Music Theory
Author: Timothy Cutler
Publisher: Routledge
ISBN: 1351069144
Category : Music
Languages : en
Pages : 428
Book Description
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Publisher: Routledge
ISBN: 1351069144
Category : Music
Languages : en
Pages : 428
Book Description
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Six Sonatas
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457469954
Category : Music
Languages : en
Pages : 140
Book Description
A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.
Publisher: Alfred Music
ISBN: 9781457469954
Category : Music
Languages : en
Pages : 140
Book Description
A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.
Monthly Bulletin
Author: Los Angeles Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Orchestral Repertoire: Complete Parts for Cello from the Classic Masterpieces, Volume IV
Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457470929
Category : Music
Languages : en
Pages : 60
Book Description
Kalmus offers the complete parts to select masterworks for cello. Each volume includes major orchestral works that include standard audition repertoire and widely known difficult passages. These books are great for the student to practice and learn excerpts, or for the professional musician preparing for an audition. Our final volume in this great series provides the cellist with complete orchestral parts from these favorites: J.S. Bach's Three Divertimenti, Brandenburg Concerto No. 3, and the Double Concerto * Corelli's Concerto Grosso * Tchaikovsky's Serenade * Vivaldi's Concerto for Two Violins * Bizet's Carmen Suite No. 1 * Nielsen's Little Suite * Pachelbel's Canon and Gigue in D * Grieg's Holberg Suite.
Publisher: Alfred Music
ISBN: 9781457470929
Category : Music
Languages : en
Pages : 60
Book Description
Kalmus offers the complete parts to select masterworks for cello. Each volume includes major orchestral works that include standard audition repertoire and widely known difficult passages. These books are great for the student to practice and learn excerpts, or for the professional musician preparing for an audition. Our final volume in this great series provides the cellist with complete orchestral parts from these favorites: J.S. Bach's Three Divertimenti, Brandenburg Concerto No. 3, and the Double Concerto * Corelli's Concerto Grosso * Tchaikovsky's Serenade * Vivaldi's Concerto for Two Violins * Bizet's Carmen Suite No. 1 * Nielsen's Little Suite * Pachelbel's Canon and Gigue in D * Grieg's Holberg Suite.