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Concerto no. 3 in F minor for clarinet and piano

Concerto no. 3 in F minor for clarinet and piano PDF Author: Louis Spohr
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 58

Book Description


Concerto no. 3 in F minor for clarinet and piano

Concerto no. 3 in F minor for clarinet and piano PDF Author: Louis Spohr
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 58

Book Description


Concerto, Clarinet No 3, F Minor. Clarinet & Piano

Concerto, Clarinet No 3, F Minor. Clarinet & Piano PDF Author: Louis Spohr
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


Notes for Clarinetists

Notes for Clarinetists PDF Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0190205245
Category : Music
Languages : en
Pages : 300

Book Description
Notes for Clarinetists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces written for the instrument. Numerous contextual and theoretical insights make it an essential resource for professional, amateur, and student clarinetists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help clarinetists gain a more complete understanding of Three Pieces for Clarinet Solo by Igor Stravinsky, Aaron Copland's Concerto for Clarinet, String Orchestra, Harp, and Piano, Robert Schumann's Fantasy Pieces for Clarinet and Piano, Op. 73. and Time Pieces for Clarinet and Piano, Op. 43. by Robert Muczynski, among many others. With close attention to matters of context, style, and harmonic and formal analysis, Albert Rice explores a significant portion of the repertoire, and offers a faithful and comprehensive guide that includes works by Boulez, Brahms, and Mozart to Hindemith, Poulenc, and Stamitz. Rice includes biographical information on each composer and highlights history's impact on the creation and performance of important works for clarinet. Intended as a starting point for connecting performance studies with scholarship, Rice's analysis will help clarinetists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo clarinet, Rice presents Notes for Clarinetists as an indispensable handbook for students and professionals alike.

The Clarinet in the Classical Period

The Clarinet in the Classical Period PDF Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0199887780
Category : Music
Languages : en
Pages : 344

Book Description
A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.

Clarinet concerto no. 3

Clarinet concerto no. 3 PDF Author: Johann Melchior Molter
Publisher:
ISBN:
Category : Clarinet and piano music, Arranged
Languages : en
Pages : 40

Book Description


Charles Villiers Stanford

Charles Villiers Stanford PDF Author: Jeremy Dibble
Publisher: Oxford University Press, USA
ISBN: 9780198163831
Category : Biography & Autobiography
Languages : en
Pages : 584

Book Description
'Jeremy Dibble has written a book which adds substantially to Stanford's reputation and which greatly enriches both British and Irish musical scholarship. It is brilliantly done.' -Irish TimesJeremy Dibble presents the first authoritative, comprehensive study of the life and works of Charles Villiers Stanford (1852-1924), one of the most gifted and influential composers. Dibble reveals how, although perhaps best known for his church music, Stanford was also an eminent symphonist, songwriter, and author of many fine choral works. Cosmopolitan, ambitious, and pragmatic, he was untiring in his efforts to advance the cause of British music during its renaissance at the end of the nineteenth century, promoting the music of his contemporaries, and the many pupils he taught at Cambridge and the Royal College of Music, including Vaughan Williams, Ireland, Howells, Bliss, Holst, and Gurney.

Brahms Studies

Brahms Studies PDF Author: Brahms Studies
Publisher: U of Nebraska Press
ISBN: 9780803261969
Category : Biography & Autobiography
Languages : en
Pages : 272

Book Description
A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.

Trio No. 3 in G Major

Trio No. 3 in G Major PDF Author: Carl Philipp Emanuel Bach
Publisher:
ISBN:
Category : Trios (Piano, clarinet, flute), Arranged
Languages : en
Pages : 40

Book Description


The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344

Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.

The Performing Pianist's Guide to Fingering

The Performing Pianist's Guide to Fingering PDF Author: Joseph Banowetz
Publisher: Indiana University Press
ISBN: 0253053161
Category : Music
Languages : en
Pages : 295

Book Description
The Performing Pianist's Guide to Fingering, the much-anticipated companion to Joseph Banowetz's The Pianist's Guide to Pedaling, provides practical fingering solutions for technical musical passages. Banowetz contends that fingering choices require much thought and consideration and that too often these choices are influenced by historical traditions and ideas rather than by actual performance conditions. By returning to the unedited original compositions, he strives to help the advanced pianist think through the composer's musical intent and the actual performance tempo and dynamics when selecting the fingering. Banowetz also includes valuable contributions by Philip Fowke, who examines redistributions by Benno Moiseiwitsch in Rachmaninoff's compositions, and Nancy Lee Harper, who explores the often very different approaches to fingering found in keyboard music of the Baroque era. The Performing Pianist's Guide to Fingering will be useful to the advanced pianist and to instructors looking to guide students in improving this important art.