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Author: Paul Redding Publisher: University of Chicago Press ISBN: 0226826074 Category : Philosophy Languages : en Pages : 303
Book Description
"Supporters of G.W.F. Hegel's philosophy have largely shied away from relating his logic to modern symbolic or mathematical approaches. While it has predominantly been the non-Greek discipline of algebra that has informed modern mathematical logic, philosopher Paul Redding argues that the approaches of Plato and Aristotle to logic were deeply shaped by the arithmetic and geometry of classical Greek culture. And by ignoring the fact that Hegel's logic also has this deep mathematical dimension, conventional Hegelians have missed some of Hegel's greatest insights. In Conceptual Harmonies, Redding develops an account of Hegel's logic against a classical and modern historical background that is rarely considered. He stresses Hegel's attention to the Platonic background of Aristotle's original syllogistic and beyond. He then links these Platonic elements to Leibniz's modern revitalization of the logical tradition and then to new forms of algebraic geometry emerging in Hegel's lifetime. Redding thereby reestablishes aspects of Hegel's philosophy that are essential if Hegel is to be taken as a thinker relevant not only to contemporary philosophy, but also to current philosophical conceptions of logic"--
Author: Paul Redding Publisher: University of Chicago Press ISBN: 0226826074 Category : Philosophy Languages : en Pages : 303
Book Description
"Supporters of G.W.F. Hegel's philosophy have largely shied away from relating his logic to modern symbolic or mathematical approaches. While it has predominantly been the non-Greek discipline of algebra that has informed modern mathematical logic, philosopher Paul Redding argues that the approaches of Plato and Aristotle to logic were deeply shaped by the arithmetic and geometry of classical Greek culture. And by ignoring the fact that Hegel's logic also has this deep mathematical dimension, conventional Hegelians have missed some of Hegel's greatest insights. In Conceptual Harmonies, Redding develops an account of Hegel's logic against a classical and modern historical background that is rarely considered. He stresses Hegel's attention to the Platonic background of Aristotle's original syllogistic and beyond. He then links these Platonic elements to Leibniz's modern revitalization of the logical tradition and then to new forms of algebraic geometry emerging in Hegel's lifetime. Redding thereby reestablishes aspects of Hegel's philosophy that are essential if Hegel is to be taken as a thinker relevant not only to contemporary philosophy, but also to current philosophical conceptions of logic"--
Author: Kenneth F. Rogerson Publisher: State University of New York Press ISBN: 0791477452 Category : Philosophy Languages : en Pages : 147
Book Description
In this book, Kenneth F. Rogerson explores the first half of Kant's Critique of Judgment, entitled the "Critique of Aesthetic Judgment." Rogerson provides an interpretation of arguably the most important issue in Kant's aesthetic theory, namely, a free harmony of the imagination and understanding. He uses this interpretation to explore several other important issues in Kant's aesthetic theory, including his distinction between art and natural beauty, the doctrine of aesthetic ideas, and the connection between beauty and morality.
Author: Kristin Peterson Publisher: Duke University Press ISBN: 1478059141 Category : Social Science Languages : en Pages : 258
Book Description
The Ethnographer’s Way guides researchers through the exciting process of turning an initial idea into an in-depth research project. Kristin Peterson and Valerie Olson introduce “multidimensioning,” a method for planning projects that invites scholars to examine their research interests from all angles. Researchers learn to integrate seemingly disparate groups, processes, sites, and things into a unified conceptual framework. The handbook’s ten modules walk readers step-by-step, from the initial lightbulb moment to constructing research descriptions, planning data gathering, writing grant and dissertation proposals, and preparing for fieldwork. Designed for ethnographers and those working across disciplines, these modules provide examples of multidimensional research projects with exercises readers can utilize to formulate their own projects. The authors incorporate group work into each module to break the isolation common in academic project design. In so doing, Peterson and Olson’s handbook provides essential support and guidance for researchers working at all levels and stages of a project.
Author: John William Knapp Publisher: Rowman & Littlefield ISBN: 1611461618 Category : Literary Criticism Languages : en Pages : 271
Book Description
Fiddled out of Reason is a study of several poems spanning the life and career of Joseph Addison, who, along with John Dryden, Alexander Pope, Ambrose Philips, Isaac Watts, and many British poets of the turn of the eighteenth century, helped to cultivate a broad new current of nonliturgical "hymnic" verse that became immensely popular across that century, though it has eluded critical notice until now. The texts the book examines—Addison's St. Cecilia's Day odes (1692, 1699), his libretto for the opera Rosamond (1707), and a sequence of five hymnic works in The Spectator (1712)—precede by twenty-five years John Wesley's publication of the first hymnal for use in the Church of England. The book argues that "secular" hymnic works such as Addison's emerged alongside religio-political controversies and anxieties about British national identity, morality, and expressions of "enthusiastic" passions. Church and Tory interests largely rejected hymnic verse, claiming it would only "fiddle" unwitting readers "out of their reason" and reignite the dangerous fervor of Revolution-era Nonconformity and Dissent. As is evident from his poetry, Addison, a moderate Whig, ardently opposed this view, arguing that the hymnic could in fact be a portal to national and individual amelioration. After an introductory chapter exploring period conceptions of hymnic poetry and the highly contested term "hymn" itself, the argument proceeds through three sections to trace the hymnic's upward trajectory through Addison's early, mid-period, and mature verse. The book devotes the lion's share of its attention to the last of these three, which includes the five-poem Spectator sequence (a poem from the sequence, "The Spacious Firmament on High," will be familiar to many readers). Indeed, in addition to offering new readings of hymnic works by Dryden and Pope, Fiddled out of Reason provides the first extended critical treatment of these five important poems. Publication of the book coincides with the 300th anniversary of Addison's death and with the appearance of a new Oxford edition of Addison's nonperiodical writings.
Author: Gabriela Dragnea Horvath Publisher: Taylor & Francis ISBN: 1134767714 Category : Literary Criticism Languages : en Pages : 271
Book Description
Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.
Author: Nicky Losseff Publisher: Routledge ISBN: 1351548654 Category : Music Languages : en Pages : 268
Book Description
The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.
Author: Alan Shandro Publisher: BRILL ISBN: 9004271066 Category : Political Science Languages : en Pages : 401
Book Description
In Lenin and the Logic of Hegemony, by means of a careful textual and contextual analysis of the writings of Lenin and his Marxist contemporaries, Alan Shandro traces the contours of the ‘(anti-) metaphysical event’ identified by Gramsci in Lenin’s political practice and theory, the emergence of the ‘philosophical fact’ of hegemony. In so doing, he effectively disputes conventional caricatures of Lenin’s role as a political actor and thinker and unearths the underlying parameters of the concept of hegemony in the class struggle. He thereby clarifies the conceptual status of this pervasive but now increasingly elusive notion and the logic of theory and practice at work in it.
Author: Wilhelm Schmidt-Biggemann Publisher: Springer Science & Business Media ISBN: 1402030673 Category : Philosophy Languages : en Pages : 515
Book Description
The study features the five most important and most efficacious themes of Western spirituality in their ancient historical origins and in their unfolding up to early modernity: Divine names, Microkosmos-Makrokosmos, theories of creation, the idea of spiritual spaces, and the concepts of eschatological history.
Author: Elena Ficara Publisher: Taylor & Francis ISBN: 100381364X Category : Philosophy Languages : en Pages : 121
Book Description
This book explores the relationship between Hegel’s dialectics and formal logic. It examines the concept of dialectics, its meaning, and its use in contemporary thought. The volume opens the “old” debate about the formalization of Hegel’s dialectics and is motivated by the idea that asking about the connection between Hegel’s dialectics and formal logic is still relevant, for various reasons: Firstly, a new Hegel is circulating nowadays in the philosophical literature, with specific reference to Hegel’s dialectical logic and its relation to the history and philosophy of logic. Secondly, new research about the connection between contradictory logical systems and Hegel's dialectics is also being developed. Finally, there have been recent confirmations that the concept of dialectics is of general interest, and that the usual perplexities about the Hegelian triadic and fairly mechanic device of ‘yes, not, and not not’ are in remission. The chapters feature philosophically and historically motivated presentations of formal features of Hegel’s dialectics, critical considerations about the very idea of ‘formalizing dialectics’ and presentations of past attempts to formalize Hegel’s dialectics. The Formalization of Dialectics will be a key resource for scholars and researchers of the history and philosophy of logic and Hegel’s dialectics. It will also be of interest to anyone who wants to know more about the concept of dialectics, its meaning and its use in contemporary thought. This book was originally published as a special issue of History and Philosophy of Logic.
Author: Martin Kemp Publisher: University of Virginia Press ISBN: 0813936993 Category : Art Languages : en Pages : 439
Book Description
"All great achievements of science must start from intuitive knowledge," wrote Albert Einstein. In Structural Intuitions, a fascinating exploration of the commonalities between two seemingly disparate realms, renowned art historian Martin Kemp applies Einstein's notion both to science and to art. Kemp argues that in both fields, work begins at the intuitive level, curiosity aroused by our recognition of patterns or order. Kemp's "structural intuitions," then, are the ways we engage fundamental perceptual and cognitive mechanisms to bring order to our observed world. Through stimulating juxtaposition, Kemp considers connections between naturally occurring patterns, cognitive processes, and artistic and scientific expression, drawing on an array of examples from the Renaissance through the present. Taking a broadly historical approach, Kemp examines forms and processes such as the geometry of Platonic solids, the dynamics of growth, and the patterns of fluids in motion, while placing the work of contemporary artists, engineers, and scientists in dialogue with that of visionaries such as Leonardo da Vinci and D'Arcy Thompson. Richly illustrated, lucidly written, and wonderfully thought-provoking, Structural Intuitions is essential reading for anyone seeking insight into common ground in the arts and sciences.
Author: Paul Redding
Author: Paul Redding
Author: Kenneth F. Rogerson
Author: Kristin Peterson
Author: John William Knapp
Author: Gabriela Dragnea Horvath
Author: Nicky Losseff
Author: Alan Shandro
Author: Wilhelm Schmidt-Biggemann
Author: Elena Ficara
Author: Martin Kemp