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Author: David Cycleback Publisher: Lulu.com ISBN: 055795021X Category : Science Languages : en Pages : 218
Book Description
"Learning about visual illusions and how they work show us that reality and human perception of reality are different things," writes art historian David Cycleback in Conceits. Written as a fractured assortment of short pieces, the book is a mind bending look at peculiarities, curiosities and limitations of human thought and perception. Traversing psychology, physiology, science, art and philosophy, just a few of the thought-provoking topics include visual and optical illusions, mirages, the psychology of hitting a baseball, catch-22s in art and communication, the psychology of numeral systems, limitations of science, blind spots of logic and common everyday misperceptions of reality.
Author: David Cycleback Publisher: Lulu.com ISBN: 055795021X Category : Science Languages : en Pages : 218
Book Description
"Learning about visual illusions and how they work show us that reality and human perception of reality are different things," writes art historian David Cycleback in Conceits. Written as a fractured assortment of short pieces, the book is a mind bending look at peculiarities, curiosities and limitations of human thought and perception. Traversing psychology, physiology, science, art and philosophy, just a few of the thought-provoking topics include visual and optical illusions, mirages, the psychology of hitting a baseball, catch-22s in art and communication, the psychology of numeral systems, limitations of science, blind spots of logic and common everyday misperceptions of reality.
Author: Soledad Ballesteros Publisher: Psychology Press ISBN: 1317782607 Category : Psychology Languages : en Pages : 316
Book Description
Examining the current state of the research in perception stressing contributions in visual information processing, this volume provides an original and timely account of recent results obtained in this and other related areas of cognitive psychology. The scope of the book is intended to be broad, featuring state-of-the-art contributions from a number of outstanding researchers from different parts of the world -- the United States, Europe, and Australia. The intention is to update areas of considerable theoretical implications and active experimental investigation in this broad field called the "psychology of perception." This volume's main purpose is to highlight, from a cognitive position, a selected number of important theoretical and empirical topics which deal with critical issues in perception and other high level, related cognitive processes such as attention, mental representation, memory, word naming and semantic categorization. The studies reported were designed to answer many far-reaching questions including: * Is the global precedence effect due to low or high level processing? * Can veridical and illusory perception be explained by the same theory? * What is the relationship between attention and perception? * Is perception "direct" or an inferential process? * What mechanisms are involved in picture and word naming and categorization? * How can word and picture processing be modeled? The answers to these questions seek to unite theoretical perspectives on very important areas of cognitive psychology such as attention, perception, representation of visual objects and words, and human memory.
Author: David Cycleback Publisher: Lulu.com ISBN: 1312117494 Category : Art Languages : en Pages : 205
Book Description
A complex and fascinating question is why do humans have such strong emotional reactions and human connections to art? Why do viewers become scared, even haunted for days, by a movie monster they know doesn't exist? Why do humans become enthralled by distorted figures and scenes that aren't realistic? Why do viewers have emotional attachments to comic book characters? The answer lies in that, while humans know art is human made artifice, they view and decipher art using the same often nonconscious methods that they use to view and decipher reality. Looking at how we perceive reality shows us how we perceive art, and looking at how we perceive art helps show us how we perceive reality. Written by the prominent art historian and philosopher Cycleback, this book is a concise introduction to understanding art perception, covering key psychological, cognitive science, physiological and philosophical concepts.
Author: Athanassios Raftopoulos Publisher: Nova Publishers ISBN: 9781590339916 Category : Philosophy Languages : en Pages : 258
Book Description
The issue of the cognitive impenetrability or penetrability of perception lay dormant for a long period of time. Though philosophers reacted to the relativism implied by the work of Hanson, Kuhn, and Feyerabend, they concentrated their efforts in dealing with the danger of the incommensurability of theories. They tried to show by philosophical and detailed historical analysis that scientists within different paradigms do communicate with each other and put their respective theories to the empirical test. Curiously enough the same philosophers did not seek to examine the very foundation of the relativistic trend, namely the thesis that perception is cognitively penetrable and theory-laden. In the last decade there has been a keen interest in studying the cognition/perception boundary. However, the discussion focused mainly on the grounding of conceptual content on perception and on the embodiment of cognition. The repercussions of these issues for the problem of the cognitive effects on perception were largely ignored. The chapters in this book address directly the issue of the cognitive penetrability of perception. The volume consists of eleven chapters, each one addressing the issue from a different perspective. Eight of the chapters were written by philosophers and cognitive scientists, and three by psychologists and neuropsychologists. These differences notwithstanding, the chapters share many common themes. The role of attention in perception, the contribution of action to perception, the relation between perception and scientific data, the examination of the content of perception and its nature and the detailed examination of the ways background knowledge affects perception, are among these themes. Most chapters combine philosophical analysis with psychological and/or neuropsychological evidence, which shows that there is consensus as to the kind of approaches that are currently deemed necessary for an adequate examination of the problem.
Author: Gary Carl Hatfield Publisher: ISBN: 9780199228218 Category : Philosophy Languages : en Pages : 556
Book Description
How do we see? This question has fascinated and perplexed philosophers and scientists for millennia. In visual perception, mind and world meet, when light reflected from objects enters the eyes and stimulates the nerves leading to activity in the brain near the back of the head. This neural activity yields conscious experiences of a world in three dimensions, clothed in colors, and immediately recognized as (say) ground, sky, grass, trees, and friends. The visual brain also produces nonconscious representations that interact with other brain systems for perception and cognition and that help to regulate our visually guided actions. But how does all of this really work? The answers concern the physiology, psychology, and philosophy of visual perception and cognition. Gary Hatfield's essays address fundamental questions concerning, in Part I, the psychological processes underlying spatial perception and perception of objects; in Part II, psychological theories and metaphysical controversies about color perception and qualia; and, in Part III, the history and philosophy of theories of vision, including methodological controversies surrounding introspection and involving the relations between psychology and the fields of neuroscience and cognitive science. An introductory chapter provides a unified overview; an extensive reference list rounds out the volume.
Author: Slim Masmoudi Publisher: Psychology Press ISBN: 113659597X Category : Psychology Languages : en Pages : 289
Book Description
This volume presents a rare occasion where scholars from Europe, North Africa and North America share their research programs and findings revolving around an important theme: integration. Despite different research foci and methodologies, there is a strong consensus that we need to understand a psychological phenomenon in all its complexity, involving its neural, psychological, and social dimensions, involving perception and conception, and decision processes, involving motivation, emotion, and cognition – all in complex interaction. This volume is intended to reach out to basic and applied psychological researchers, cognitive and affective scientists, learning scientists, biologists, sociologists, neuropsychological researchers, and philosophers, who have an interest in an integrated understanding of the mind at work, particularly pertaining to explanations of real-life phenomena that have social and practical significance. A distinct feature of this volume is that most research involved is heavily built on neuropsychological evidence, while loyal to the experimental tradition with its focus on functional behavior in various situations and conditions that mimic or resemble real life. The viability of this approach to doing cutting-edge research that is relevant and applicable to many real-life phenomena should also make this body of research useful for a wide range of human endeavor, from religion, education, to industrial and organizational psychology.
Author: David Cycleback Publisher: Lulu.com ISBN: 1257018965 Category : Art Languages : en Pages : 205
Book Description
Fifth Edition. Written by the prominent art historian and authentication expert David Rudd Cycleback, Judging the Authenticity of Photographs: The Basics for Collectors covers the essentials to identifying, dating, understanding and authenticating photographs from the origins in the 1800s to today. It covers the whole range of photos, from tintypes to Polaroids, cabinet cards to wirephotos, salt prints to family snapshots, movie stills to real photo postcards. Topics include identification of photo processes, dating styles, identifying images made from the original negatives, stamps and tags, identifying fakes and reprints, and more. A concise guide essential for starting collectors and amateur genealogists to veteran auctioneers, dealers and historians.
Author: Walter B. Weimer Publisher: Taylor & Francis ISBN: 1040052290 Category : Psychology Languages : en Pages : 405
Book Description
Originally published in 1982, this book (following the previous volume published in 1974) continued to look at current issues in theoretical and cognitive psychology and looked for new directions for fruitful theory and research. The major concern for all the contributors was with the construction of a psychology of the higher mental processes through the evaluation of and improvement upon past efforts, as well as the exploration of related areas or disciplines for relevant new ideas. The contributors to this volume shared in common the rejection of not only behavioristic and associationistic approaches but also the sensory information-processing model that earlier dominated and (by weight of numbers of adherents and publications) still dominated cognitive psychology at the time. Today it can be read and enjoyed in its historical context.
Author: David Cycleback
Author: David Cycleback
Author: John Heil
Author: Soledad Ballesteros
Author: David Cycleback
Author: Athanassios Raftopoulos
Author: Gary Carl Hatfield
Author: Slim Masmoudi
Author: David Cycleback
Author: C. Wade Savage
Author: Walter B. Weimer