Mel Bay's Complete Book of Harmony, Theory & Voicing PDF Download

Author: Bret Willmott
Publisher: Mel Bay Publications
ISBN: 156222994X
Category : Music
Languages : en
Pages : 248

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Book Description
"This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music."

Author: Bret Willmott
Publisher: Mel Bay Publications
ISBN: 1610655656
Category : Music
Languages : en
Pages : 103

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Book Description
Written as a sequel to Complete Book of Harmony, Theory, & Voicing, this comprehensive source book of harmonic styles and colors offers a wide variety of chord types and progressions, and provides and in-depth exploration of guitar chord voicings. Written in notation and tablature. A companion CD is included.

Author: Edward Aldwell
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 202

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Book Description
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.

Author: Bret Willmott
Publisher: Mel Bay Publications
ISBN: 1610650395
Category : Music
Languages : en
Pages : 249

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Book Description
This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! the best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.

Author: Tom Floyd
Publisher: Mel Bay Publications
ISBN: 1619117037
Category : Music
Languages : en
Pages : 71

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Book Description
This book contains a study and breakdown of "harmony in 4ths". The introduction of quartal harmony in modern jazz began in the 1960's. Compositions by Miles Davis and John Coltrane such as "Impressions" and "So What" showcased chord voicings derived from quartal harmony. The purpose of this book is to show guitarists how to function in an area of harmony mostly dominated by keyboard players. Common uses of quartal harmony are demonstrated and analyzed. Exercises and compositions in the style of Wayne Shorter, Herbie Hancock and others are included. Includes access to online audio which contains demonstrations of all exercises.

Author: Joseph Paulson
Publisher: Alfred Music
ISBN: 9781457490217
Category : Music
Languages : en
Pages : 88

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Book Description
A well-used general text, this book covers material from figured bass to contemporary practices and ideas in a two-year course. There is a particularly strong chapter on ear training. Organizing progress of study is expedited by having both workbook and text under the same cover.

Author: Mark Levine
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101459
Category : Music
Languages : en
Pages : 725

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Book Description
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.

Author: Mick Goodrick
Publisher: Berklee Press Publications
ISBN: 9780876391280
Category : Music
Languages : en
Pages : 0

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Book Description
Jazz guitarist Goodrick teams with Miller to explain his system of Generic Modality Compression, a way of studying harmony which allows guitarists to discover fresh and unusual chord voicings. With an introduction and appendix.

Author: Carl Schroeder
Publisher: Hal Leonard Corporation
ISBN: 1476857741
Category : Music
Languages : en
Pages : 164

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Book Description
(Musicians Institute Press). This book is a step-by-step guide to Musicians Institute's well-known Harmony and Theory class. It includes complete lessons and analysis of: intervals, rhythms, scales, chords, key signatures; transposition, chord inversions, key centers; harmonizing the major and minor scales; and more!

Author: David Huron
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273

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Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.