Commentaria in Acta Apostolorum, Epistolas Canonicas, Et Apocalypsin PDF Download

Author: Cornelius Cornelii a Lapide
Publisher:
ISBN:
Category :
Languages : en
Pages : 1494

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Author: Sargent Bush
Publisher: Cambridge University Press
ISBN: 9780521020756
Category : Education
Languages : en
Pages : 248

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The first early history of this library detailing the intellectual resources available to the many influential Emmanuel men of the period.

Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712

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Author: Cornelius a Lapide
Publisher:
ISBN:
Category :
Languages : la
Pages :

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Author: John Mozley Stark
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 176

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Author: Cornelius à Lapide
Publisher:
ISBN:
Category : Bible
Languages : la
Pages : 1432

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Author: Elsie Anne Mckee
Publisher: Librairie Droz
ISBN: 9782600031080
Category : Religion
Languages : en
Pages : 316

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L'auteur nous propose dans cet ouvrage une étude de l'enseignement de Calvin sur le diaconat (le diacre, dans les églises protestantes a pour mission de veiller au soin des pauvres et des malades). Elle dégage l'exégèse et l'historique de cet enseignement et montre dans quelle mesure celui-ci était suivi, en examinant la collecte dans les différentes églises protestantes de l'époque.

Author: Andrew A. Cashner
Publisher: BRILL
ISBN: 9004431993
Category : Music
Languages : en
Pages : 260

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An exploration into the ways Catholics in the Spanish Empire used devotional music (villancicos) to connect faith and hearing. By interpreting examples of “music about music” in the context of theological literature, it reveals how Spanish subjects listened and why.

Author: Cornelius : a Lapide
Publisher:
ISBN:
Category :
Languages : la
Pages : 410

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Author: Cordula Grewe
Publisher: Routledge
ISBN: 1351555227
Category : Art
Languages : en
Pages : 437

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After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography. Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art. This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meanin