Author: Neue Galerie New York
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Filled with irreverent wit, comical elements, and absurdist humor, the comic-grotesque has fascinated artists since ancient times. However, it was not until the late nineteenth century that it reemerged as a novel modernist method. The comic-grotesque can best be characterized by what it does to boundaries, transgressing, merging, overflowing and collapsing them. This volume, which accompanies an exhibition at Neue Galerie New York, begins with Arnold Bocklin's comic-grotesque pictorial compositions. It brings together a dazzling array of artists--including Paul Klee, Max Klinger, Alfred Kubin, Emil Nolde, and Max Ernst--who, inspired by his example, forged a unique aesthetic with enormous consequences for modern German art. Essays consider the connection between the visual arts and the rise of cabaret culture and satirical journals. In addition, the authors examine the legacy of the comic-grotesque in relationship to the denunciation of Bocklin's art around 1905 and its eventual reemergence around 1919 in the work of the Dadaists. With over 100 full-color plates and dozens of black-and-white illustrations, this striking collection traces the evolution of a largely ignored, but immensely influential movement in modern art.
Comic Grotesque
Author: Neue Galerie New York
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Filled with irreverent wit, comical elements, and absurdist humor, the comic-grotesque has fascinated artists since ancient times. However, it was not until the late nineteenth century that it reemerged as a novel modernist method. The comic-grotesque can best be characterized by what it does to boundaries, transgressing, merging, overflowing and collapsing them. This volume, which accompanies an exhibition at Neue Galerie New York, begins with Arnold Bocklin's comic-grotesque pictorial compositions. It brings together a dazzling array of artists--including Paul Klee, Max Klinger, Alfred Kubin, Emil Nolde, and Max Ernst--who, inspired by his example, forged a unique aesthetic with enormous consequences for modern German art. Essays consider the connection between the visual arts and the rise of cabaret culture and satirical journals. In addition, the authors examine the legacy of the comic-grotesque in relationship to the denunciation of Bocklin's art around 1905 and its eventual reemergence around 1919 in the work of the Dadaists. With over 100 full-color plates and dozens of black-and-white illustrations, this striking collection traces the evolution of a largely ignored, but immensely influential movement in modern art.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Filled with irreverent wit, comical elements, and absurdist humor, the comic-grotesque has fascinated artists since ancient times. However, it was not until the late nineteenth century that it reemerged as a novel modernist method. The comic-grotesque can best be characterized by what it does to boundaries, transgressing, merging, overflowing and collapsing them. This volume, which accompanies an exhibition at Neue Galerie New York, begins with Arnold Bocklin's comic-grotesque pictorial compositions. It brings together a dazzling array of artists--including Paul Klee, Max Klinger, Alfred Kubin, Emil Nolde, and Max Ernst--who, inspired by his example, forged a unique aesthetic with enormous consequences for modern German art. Essays consider the connection between the visual arts and the rise of cabaret culture and satirical journals. In addition, the authors examine the legacy of the comic-grotesque in relationship to the denunciation of Bocklin's art around 1905 and its eventual reemergence around 1919 in the work of the Dadaists. With over 100 full-color plates and dozens of black-and-white illustrations, this striking collection traces the evolution of a largely ignored, but immensely influential movement in modern art.
Chuck Palahniuk and the Comic Grotesque
Author: David McCracken
Publisher: McFarland
ISBN: 1476678170
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
With the success of Fight Club, his novel-turned-movie, Chuck Palahniuk has become noticed for accurately capturing the exploitation of power in America in the 21st century. With cynicism and skepticism, he satirizes the manipulative aspects of ideologies and beliefs pushing society's understanding of the norm. In this work, Palahniuk's characters are analyzed as people who rebel against the systems in control. Mikhail Bakhtin's theory is applied to explain Palahniuk's application of the comic grotesque; theories from Louis Althusser and Slavoj Žižek help reveal aspects of ideology in Palahniuk's writing.
Publisher: McFarland
ISBN: 1476678170
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
With the success of Fight Club, his novel-turned-movie, Chuck Palahniuk has become noticed for accurately capturing the exploitation of power in America in the 21st century. With cynicism and skepticism, he satirizes the manipulative aspects of ideologies and beliefs pushing society's understanding of the norm. In this work, Palahniuk's characters are analyzed as people who rebel against the systems in control. Mikhail Bakhtin's theory is applied to explain Palahniuk's application of the comic grotesque; theories from Louis Althusser and Slavoj Žižek help reveal aspects of ideology in Palahniuk's writing.
Sea of Sorrows
Author: Rich Douek
Publisher: IDW Publishing
ISBN: 1649360150
Category : Comics & Graphic Novels
Languages : en
Pages : 140
Book Description
Plunge headfirst into the icy waters of dread in this graphic novel of deep sea adventure with a horrific twist! In the aftermath of the Great War, the North Atlantic is ripe for plunder by independent salvage crews. When a former naval officer hires the SS Vagabond, he leads the ship to a sunken U-boat, and a fortune in gold. Tensions mount as the crew prepares to double cross each other, but the darkness of the ocean floor holds deeper terrors than any of them have bargained for! From the creative team behind the Bram Stoker Award-nominated horror graphic novel Road of Bones comes an all-new tale of bone-chilling terror!
Publisher: IDW Publishing
ISBN: 1649360150
Category : Comics & Graphic Novels
Languages : en
Pages : 140
Book Description
Plunge headfirst into the icy waters of dread in this graphic novel of deep sea adventure with a horrific twist! In the aftermath of the Great War, the North Atlantic is ripe for plunder by independent salvage crews. When a former naval officer hires the SS Vagabond, he leads the ship to a sunken U-boat, and a fortune in gold. Tensions mount as the crew prepares to double cross each other, but the darkness of the ocean floor holds deeper terrors than any of them have bargained for! From the creative team behind the Bram Stoker Award-nominated horror graphic novel Road of Bones comes an all-new tale of bone-chilling terror!
Encyclopedia of Contemporary Literary Theory
Author: Irene Rima Makaryk
Publisher: University of Toronto Press
ISBN: 9780802068606
Category : Literary Criticism
Languages : en
Pages : 676
Book Description
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
Publisher: University of Toronto Press
ISBN: 9780802068606
Category : Literary Criticism
Languages : en
Pages : 676
Book Description
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
Alfred Kubin
Author: Alfred Kubin
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
Kubin is irrefutably one of the most original talents of his generation. Whether painting directly from his hallucinatory visions or illustrating the works of such literary giants as Balzac, Poe, Dostoevsky, and Gogol, Kubin eschewed the decorative artistry of earlier Austrian art. Instead, he was drawn to life's dark undertones, represented in his work through his morbid subject matter and frenetic style. Filled with horrific yet fully realized imaginings that were eerily prescient of the era to come, this volume is certain to introduce Kubin to a wider audience perhaps to an entire generation who see in art a way to contend with the upheaval and tribulation of their own time.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
Kubin is irrefutably one of the most original talents of his generation. Whether painting directly from his hallucinatory visions or illustrating the works of such literary giants as Balzac, Poe, Dostoevsky, and Gogol, Kubin eschewed the decorative artistry of earlier Austrian art. Instead, he was drawn to life's dark undertones, represented in his work through his morbid subject matter and frenetic style. Filled with horrific yet fully realized imaginings that were eerily prescient of the era to come, this volume is certain to introduce Kubin to a wider audience perhaps to an entire generation who see in art a way to contend with the upheaval and tribulation of their own time.
Elizabethan Grotesque (Routledge Revivals)
Author: Neil Rhodes
Publisher: Routledge
ISBN: 1317620410
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
The comic grotesque is a powerful element in a great deal of Elizabethan literature, but one which has attracted scant critical attention. In this study, first published in 1980, Neil Rhodes examines the nature of the grotesque in late sixteenth-century culture, and shows the part it played in the development of new styles of comic prose and drama in Elizabethan England. In defining ‘grotesque’, the author considers the stylistic techniques of Rabelais and Aretino, as well as the graphic arts. He discusses the use of the grotesque in Elizabethan pamphlet literature and the early satirical journalists such as Nashe, and argues that their work in turn stimulated the growth of satirical drama at the end of the century. The second part of the book explains the importance of Nashe’s achievement for Shakespeare and Jonson, concluding that the linguistic resources of English Renaissance comedy are peculiarly – and perhaps uniquely – physical.
Publisher: Routledge
ISBN: 1317620410
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
The comic grotesque is a powerful element in a great deal of Elizabethan literature, but one which has attracted scant critical attention. In this study, first published in 1980, Neil Rhodes examines the nature of the grotesque in late sixteenth-century culture, and shows the part it played in the development of new styles of comic prose and drama in Elizabethan England. In defining ‘grotesque’, the author considers the stylistic techniques of Rabelais and Aretino, as well as the graphic arts. He discusses the use of the grotesque in Elizabethan pamphlet literature and the early satirical journalists such as Nashe, and argues that their work in turn stimulated the growth of satirical drama at the end of the century. The second part of the book explains the importance of Nashe’s achievement for Shakespeare and Jonson, concluding that the linguistic resources of English Renaissance comedy are peculiarly – and perhaps uniquely – physical.
Baudelaire and Caricature: From the Comic to an Art of Modernity
Author:
Publisher: Penn State Press
ISBN: 9780271042879
Category : Art
Languages : en
Pages : 368
Book Description
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
Publisher: Penn State Press
ISBN: 9780271042879
Category : Art
Languages : en
Pages : 368
Book Description
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
The Grotesque and the Unnatural
Author:
Publisher: Cambria Press
ISBN: 1621968197
Category :
Languages : en
Pages : 296
Book Description
Publisher: Cambria Press
ISBN: 1621968197
Category :
Languages : en
Pages : 296
Book Description
Creepy Presents Richard Corben
Author: Richard Corben
Publisher: Dark Horse Comics
ISBN: 1621155978
Category : Comics & Graphic Novels
Languages : en
Pages : 353
Book Description
Over 300 pages of timeless terror from a master storyteller! Horror comics visionary and coloring pioneer Richard Corben has been a voice of creativity and change for over four decades. For the first time ever, Corben's legendary Creepy and Eerie short stories and cover illustrations are being collected into one deluxe hardcover! With an informative foreword by artist and comic book colorist José Villarrubia—who also provides color restoration—this volume features Richard Corben's original stories, Edgar Allan Poe adaptations, and collaborations with cast of comic-book writers.
Publisher: Dark Horse Comics
ISBN: 1621155978
Category : Comics & Graphic Novels
Languages : en
Pages : 353
Book Description
Over 300 pages of timeless terror from a master storyteller! Horror comics visionary and coloring pioneer Richard Corben has been a voice of creativity and change for over four decades. For the first time ever, Corben's legendary Creepy and Eerie short stories and cover illustrations are being collected into one deluxe hardcover! With an informative foreword by artist and comic book colorist José Villarrubia—who also provides color restoration—this volume features Richard Corben's original stories, Edgar Allan Poe adaptations, and collaborations with cast of comic-book writers.
On the Comic and Laughter
Author: Vladimir Propp
Publisher: University of Toronto Press
ISBN: 1442697202
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
An extensive investigation of the forms and functions of the comic, this lively and engaging English critical edition will be welcomed by those interested in laughter, comedy, folklore, Russian literature, and specific authors such as Gogol, Pushkin, Chekhov, Rabelais, Molière, and Shakespeare. The direct, humorous, and provocative style of this work, which tackles the subject of humour with a vast array of vivid examples encountered on every page, will certainly appeal to the contemporary reader. Vladimir Propp takes various forms of laughter in literature and real life and addresses questions such as the comic of similarity, the comic of difference, parody, duping, incongruity, lying, ritual laughter, and carnival laughter. The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.
Publisher: University of Toronto Press
ISBN: 1442697202
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
An extensive investigation of the forms and functions of the comic, this lively and engaging English critical edition will be welcomed by those interested in laughter, comedy, folklore, Russian literature, and specific authors such as Gogol, Pushkin, Chekhov, Rabelais, Molière, and Shakespeare. The direct, humorous, and provocative style of this work, which tackles the subject of humour with a vast array of vivid examples encountered on every page, will certainly appeal to the contemporary reader. Vladimir Propp takes various forms of laughter in literature and real life and addresses questions such as the comic of similarity, the comic of difference, parody, duping, incongruity, lying, ritual laughter, and carnival laughter. The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.