Color Science in the Examination of Museum Objects PDF Download

Author: Ruth Johnston-Feller
Publisher: Getty Publications
ISBN: 0892365862
Category : Art
Languages : en
Pages : 386

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Book Description
This volume presents the life work of the late Ruth Johnston-Feller, one of the nation's leading color scientists. It combines an overview of basic theoretical concepts with detailed, hands-on guidance for the professional conservator and conservation scientist. The author focuses on the application of color science to the solution of practical problems, providing a comprehensive discussion of the nondestructive spectrophotometric tools and techniques used to understand the color and appearance of materials during the technical examination of works of art. The book, which features numerous examples of reference reflectance spectra, can help prevent misinterpretation of color measurements and the erroneous conclusions that might result. Topics include spectrophotometry, colorimetry, colorant mixtures, analytical techniques, reflection, fluorescence, and the effects of extenders, fillers, and inerts.

Author: Roy S. Berns
Publisher: Getty Publications
ISBN: 1606064819
Category : Art
Languages : en
Pages : 210

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Book Description
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.

Author: Ingo Klöckl
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110777290
Category : Science
Languages : en
Pages : 556

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Book Description
Volume 2 of the Handbook of Colorant Chemistry focuses on paints, painting and drawing systems used by the painter and craftsman. It describes in detail structure of oil, watercolor, acrylic and ceramic paints, inks, toners, and other drawing systems. From presenting molecular compositions of common paints and inks to a historical look at color chemistry, the author offers an in-depth look at the world of color. The complementary “Volume 1: Dyes and Pigments Fundamentals” (ISBN 978-3-11-077699-7) focuses on paints, painting and drawing systems used by the painter and craftsman. The book is supplemented by a comprehensive bibliography with references to standard works, monographs, and original papers. The reader is provided with a unique overview of the fi eld of color chemistry.

Author: David Saunders
Publisher: Taylor & Francis
ISBN: 1040222439
Category : Art
Languages : en
Pages : 211

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Book Description
Colour, Colour Measurement and Colour Change, the first new book in the expanded Science for Conservators series, explains the science of colour, colour measurement and colour change for conservators in a clear and comprehensible way, elucidating the topic for those with no scientific background. The book explains how and why we see colours and how colour and colour change can be measured, as well as clarifying why these would be done in a conservation context. It then examines the ways in which colour can change – such as darkening, yellowing, fading, blanching and patination – illustrating these in different types of cultural heritage materials, including metals, varnishes, plastics, textiles and paints. The final chapter explores how colour change can be reduced in different types of storage and display settings, and, in particular, what can be done to protect against damage by light, damp and pollutants. This book is an invaluable introduction to all aspects of the science of colour in conservation. It is suitable for students in undergraduate and postgraduate conservation programmes, as well as being a useful reference guide for practising conservators.

Author: Roy S. Berns
Publisher: John Wiley & Sons
ISBN: 1119366682
Category : Science
Languages : en
Pages : 751

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Book Description
This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials

Author:
Publisher: National Academies Press
ISBN: 0309096251
Category : Technology & Engineering
Languages : en
Pages : 254

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Book Description
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.

Author: Victoria Finlay
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122

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Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.

Author: Frances Lennard
Publisher: Taylor & Francis
ISBN: 1003825273
Category : Art
Languages : en
Pages : 894

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Book Description
This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe. The volume considers key factors that are integral to effective conservation decision-making. It achieves this by focusing on four major factors that have influenced development in textile conservation practice over the past decades: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical development. Features of the new edition include: Updated chapters that explain new techniques and recent developments in the field; New and updated international case studies that demonstrate conservation decision-making in practice, including assessments of the conservation of objects in some of the world’s major cultural institutions; Full-colour illustrations that demonstrate conservation in practice. Textile Conservation will be essential reading for conservators around the world. It will also be of great interest to academics and students engaged in the study of the conservation of textiles, as well as museum and heritage professionals.

Author: Michal Vik
Publisher: CRC Press
ISBN: 1351170988
Category : Science
Languages : en
Pages : 397

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Book Description
This informative volume reflects the state of art in the science of color-changeable materials and provides an abundance of in-depth knowledge about the field of colorimetry. The book describes the facts behind the chromic phenomena from the point of application, spectrophotometry of chromic materials, and instrumentation and testing. The authors begin with a short historical overview of the chromic phenomena, chromic materials, and classification of chromic materials and then go on to provide comprehensive treatises on chromic (or color-changeable) textiles and production techniques. Detailed descriptions of measurement methods that are usable in cases of translucent or opaque materials are provided as well. A number of new concepts are discussed along with standardized CIE (International Commission on Illumination) colorimetry with various CIE color space systems. Chromic materials appear as a dynamic system, which allows for a wide range of potential applications and related research. The authors share their own experiences with measurement of color chromic materials with the view to help fill the huge gap in field of measurement from the point of view in standardization. The authors conclude with an in-depth study of the testing of chromic testing, including testing for color fastness, fatigue resistance, light fastness, wash fastness, and rubbing fastness.

Author: David Saunders
Publisher: Getty Publications
ISBN: 1606067281
Category : Art
Languages : en
Pages : 330

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Book Description
Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of the impact of light on a wide range of objects, including paintings, manuscripts, textiles, bone, leather, and plastics. With analyses of the effects of light on visibility and deterioration, Museum Lighting provides practical information to assist curators, conservators, and other museum professionals in making critical decisions about the display and preservation of objects in their collections.